Off Course On Purpose
Chapter 61: Packets and a Prayer
Thanks to Michael Voorhees, we now have great photos to include in our promotional packets. But before I could send anything out, I had to master one more piece of hardware.
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The side of the translucent blue plastic puck read, “CD Stomper.” A device that, according to the packaging, would allow me to perfectly align and adhere custom-printed labels to a CD. I placed a sticky, round label onto the base, freed my fingers from the adhesive, grabbed a CD, and set it atop the spring-loaded plunger.
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Fingers crossed, I thought, then I pressed the CD down. The label disappeared under the disc, and when I released it, the disc popped back up. The label had vanished, meaning it was now stuck to the CD. I removed the disc to examine it, and to my delight, the label had adhered perfectly, with no wrinkles.
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For the past week, I’d been trying to put these labels on by hand, and each attempt had been an abject failure. But now, we have the right tool for the job. How many times must I relearn this lesson?
Setting up a second label, I watched it adhere beautifully, pure magic! I cranked out another thirty discs, placing each into a black paper CD envelope with a clear cellophane front so a recipient would see our ink-jetted faces through the window. Before sending, we’ll burn a copy of our demo video, along with promotional images, a bio, résumé, and anything else we can think of to convince an agent or booker we’re a good choice.
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Now we just need a VHS tape. Some clients might be savvy enough to figure out how to watch our demo off a CD, but I wasn’t counting on it; VHS was the standard format. Jonathan was close to finishing a new demo, so I had to get our VHS cover sleeve designed and find a company to do a run of tapes for us.
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I found a place in Encinitas specializing in duplication. Their website showed a stack of fifty VHS players stacked one on top of another. For a fee, you could give them a master tape, and they’d load it up, place fifty blanks into the other players, and record all fifty tapes simultaneously. Our demo would only be two minutes long, so we could save a bundle by purchasing five-minute VHS tapes. I contacted them, and they gave me a template for designing the cover sleeve. Ugh, one more thing to figure out, I thought as I opened Photoshop.
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Even with both of us working on it full-time, everything took a painfully long time to produce. But we kept it up, waking each morning, training, then working on the show. We were moving the ball forward, a little bit each day.
Eventually, the day came when all the pieces were in place, and we finally had a legit promo pack, complete with VHS tape and eight-by-ten photos.
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In total, we had thirty packets, which we mailed to every agency address we had. We couldn’t verify some of the addresses, and there was no easy way to confirm if the places were even in business, but we sent them anyway, hoping a few would land in the right hands.
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We also made the rounds to a few clubs in San Diego to drop off promo packets in person, only to find most of them closed. Undeterred, we left packets in their mailboxes and, in one case, on a fire escape.
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Then we waited, hopeful. But none of the packets resulted in a call.
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We still had no work.
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Not knowing what else to do, we made thirty more packets and shipped them out. Then thirty more…
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Well, lithographs, which are cheaper to produce but look just as good. Thank you, ABC Photos!
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Pictured: Cover of our first demo video on VHS, and our first logo.
Chapter 62: IJA - Reading Pennsylvania - July - 2002
Six months passed in a blink, and suddenly it was July. Time to pack our gear for the 2002 IJA Championship in Reading, Pennsylvania.
We love juggling and the community, but that’s not the reason we’re going. We’re going to chase the one thing we thought would finally validate our career: a gold medal. In the juggling world, winning the championships is the ultimate “proof.” And every successful juggler we admired had that hardware on their résumé.
We were determined to join their ranks. Or, at the very least, prove we were steadily climbing. Even if we didn’t ever win, we knew that the pursuit alone would sharpen us and help us become more polished.
The year before, we’d brought a raw, street-style act that was true to our West Coast rock-and-roll juggling style. But for this year’s showing, we tightened it up. Our skills had improved; we were smoother, we’d leveled up our costuming, and we’d adopted the more rigid gymnastics stylings that had led the winning team to gold in 2001.
* * *
On the night of the competition, we had a good showing, but when it came to our final trick, things took a turn. Jonathan and I had planned to close with nine-club passing in doubles, a trick that was still quite challenging for us. We threw it, and we dropped. No biggie, we picked up and threw it again. The pattern established, but then we had another drop.
This left us in a difficult situation.
There’s an immutable rule in variety performance.
If you try a trick and you miss, you can try again.
But if you miss that trick a second time, you should move on unless you’re 100% certain you’ll nail it on the third try.
The reasoning for this is that you shouldn’t drag the audience through mistakes. The audience wants you to succeed; it’s painful for them when you fail, so don’t put them through that.
But that’s the very situation we found ourselves in; we’d dropped twice!
Do we try it a third time?
We pick up the dropped props, and I can tell Jonathan is thinking it too; what do we do?
The decision has to be made in an instant, and my brain does a lightning-fast calculation:
While we were close the first two times, I’m not confident we’ll hit it if we try again. And if we miss a third time, what then? Do we try a fourth time? Fifth? When does it end? We’d seen performers get into this situation before, sometimes attempting their final trick eight or ten times without getting it.
I make the snap decision; instead of indicating another attempt, I turn and style, leading us into our final choreography. We lay the clubs down on the stage, bow, and exit without completing our final trick.
* * *
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When the judges returned from their deliberations, I sat backstage, hoping against hope we’d done enough. I ran through the act in my head, wondering if we’d made the right calls.
The MC’s voice rings out over the microphone. In the team’s division, in third place, “Stoolies!”
Reid, Aaron, and Luke run out to accept their bronze medals.
The Stoolies always put on a good show, and I liked their act, but I dared to hope we might have gotten more points than they did. I just didn’t know if it was enough for gold.
In second place, “Team Rootberry!”
Jonathan exclaimed, “Hey, we got silver!”
We walked out, accepted our medals, and waved to the crowd.
“And finally,” the MC went on, “our gold medalists, in first place, Saccade, Greg Kennedy & Chris Ivey!”
Greg and Chris, both amazing jugglers, walked out and accepted their medals.
* * *
Afterward, Jonathan and I went back to the green room, and I immediately took off the silver medal, dropping it unceremoniously on the countertop.
My mind raced; if we’d tried the nine clubs again, would it have mattered? If we’d nailed it, could that have made the difference? Saccade had also done nine, and they’d landed it. What if it all came down to that one decision, my decision? Was it my fault we lost?
Normally, in a team, you get to celebrate the victories, as well as the defeats, together; it’s one of the best parts of being a team. But in this case, I kept it to myself. I felt too awful to even voice it. To think that Jonathan had worked so hard to get here, and my decision might have ruined it.
We packed up our gear, and I looked at my medal with distaste; the year before, when we’d won the silver, I felt like a winner. But this time, second place felt like the first loser.
And boy, did I know about being a loser. All those years of playing soccer, I always ended up on the teams that never won. Same with high school basketball, I went to every game and practice, but I only played in one game, and then only for two minutes before getting subbed out. At the end of the season, I got the Coach’s Award for being the most dedicated to the team, a consolation prize for the number one bench warmer.
The universe was determined to teach me good sportsmanship, instilled through unending defeats.
I looked at my medal again, and I knew I was being ungrateful. They’d thought enough of us to give us a silver in the world championships, and I have the audacity to feel butthurt about it? But this realization, far from making me feel better, only made me feel worse.
Jonathan and I popped open one of the theater’s emergency exits and slipped out the back door.
The cool air hit my face, and the weight of it all washed over me.
My internal dialog pulled no punches. I’m sick of losing; I’m sick of being a loser! I’ve been the good sport! And I’ve done the work! When the fuck do I get to win at something?!
It all boiled out at once, and feeling the weight of the silver medal in my hand, I suddenly snapped and hurled it down the alleyway.
As it clattered noisily along its path, Jonathan exclaimed, “What the?!” but seeing I’d reached the breaking point, he cut it short. Instead of being critical, he walked down the alleyway and retrieved it, then holding it out to me, said, “No matter how you feel about it now, one day, you’re going to want this.”
I took the medal back, feeling more ashamed than ever.
Looking down in the dim light, I saw the medals’ once crisp face was now scratched from where it’d skittered across the asphalt, an etched-in reminder of my ingratitude.
Emerging from the alleyway, we ran smack into one of the judges. “Oh, hey, nice work tonight,” he said.
“Thanks,” I said, trying to put on a good face.
“Why didn’t you guys try the nine clubs again?”
I explained that it had been my call and the reasoning behind it, that I hadn’t been sure we’d hit it.
“Ah,” he said, “That makes sense, and you’re 100% right if it’s a trick in the middle of the routine, you should move on. But in this case, it was your final trick: you should always leave the stage victorious. I tried to make an argument for you guys being the winners, but Saccade nailed their final trick, and you didn’t.”
I just nodded.
“You’re a good act, lots of potential; I think I could help you. If you ever want to do cruise ships, gimme a call.” Then he turned and disappeared into the crowd of stragglers still vacating the theater.
His words confirmed what I’d already suspected: it was my fault…
* * *
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The next day, the convention was in full swing, but I was still feeling gloomy. Jack Kalvan, a wonderful juggler and human being, came over to try to cheer me up. I don’t think I responded warmly, and I feel bad about that. Sorry, Jack, if I ever have the chance to make it up to you, I owe you a late-night convention dinner at Denny’s.
Then I saw Jon Wee of the Passing Zone walking across the gym, and I flagged him down to show him our new VHS tape.
“Hey, we finally got our tape out. What do you think?”
It’s not like we had a VCR on hand, so all he could do was glance at the cover. But after a quick look, he said,
“Well, I can tell you this, you’re way ahead of most.”
He handed it back, and I thanked him.
The tape did look great. We’d used the photos Michael Voorhees had taken, and the VHS cover read as clean and professional. It was only when someone actually watched it that everything unraveled. The footage was a mix of rough clips, bad lighting, and scratchy audio. But it was better than the one we’d made on the Sony Vaio with all the digital glitches, and these small improvements eventually add up. We might not have topped our silver medal from the year before, but we were improving in other ways.
* * *
A few months later, the championship videos came out, and I had a chance to review our act compared to the gold medalists, Saccade.
It was decisive; they had done the better act. They were more technical; they’d gone clean, succeeded in their presentation, and nailed their final trick. Even if we’d done nine clubs again, it wouldn’t have been enough to win.
I wondered if silver was the best we’d ever be able to do. We’d started so late, and the other competitors were so good. Maybe we were just kidding ourselves.
Maybe it wasn’t to be.
Chapter 63: A Standing Ovation
I’d hoped we would win the championships and that the gold medal would skyrocket us toward some version of juggling fame and fortune. But instead, we were back to the local gig grind, trying to fill the calendar.
I’d just discovered a scrappy little website called performers.net, full of resources for working entertainers. They had a booking section where performers could post their availability and bookers could list upcoming gigs, so I sent out promotional materials for anything that seemed remotely a fit, casting a wide net and hoping something would bite.
Most were dead ends, but one gig seemed promising.
It was for an event in upstate New York hosted by a company called The Omega Group. I tried looking them up beforehand, but couldn’t quite figure out what they did. Their website was vague, more vibes than information. Still, it was a paid booking, and they were willing to fly us out, so we figured it was worth a shot.
When we arrived, we discovered the venue was a repurposed Boy Scout camp converted into a holistic retreat center. The grounds were beautiful, with quiet trails, old wooden buildings, and pine trees everywhere. There was zero cell service, all the food was vegan, and there were bugs floating in the punch dispenser.
I asked one of the volunteers if there was any bugless punch available, but he said there wasn’t. So I drank bug punch.
The evening’s show was quite varied. One of the opening acts was a former Cirque du Soleil contortionist who moved with precision and grace, a real pro. The group before us was a four-woman hula-hoop act who performed completely nude.
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Illuminated only by a circle of candlelight, it managed to be sensual and ceremonial without feeling gratuitous. Each performer was coated in thick clay or mud, giving them a sculptural, almost mythological look.
Then it was our turn, “Please welcome our headliners! Rootberry!”
We opened with the three-ball juggling routine I’d been developing, and the audience ate it up. These weren’t jugglers; they were regular people, but to them, we were doing wizardry. Every throw landed, every joke hit. The crowd was fully with us, not just tolerating the variety act slotted between the “real” performers. They were loving us, laughing, clapping, and cheering.
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When the final bit landed, the crowd leaped to their feet. Our first standing ovation ever! We bowed. They clapped. We bowed again. They kept going. And for the first time, I felt like we belonged up there.
That show marked a turning point. We finally had the complete package: juggling, comedy, sword swallowing, weird variety bits, and stage presence all working in sync.
It was a break-even gig, financially. But creatively? The night was priceless!
Unfortunately, creative wins don’t pay the rent. When we got back home, reality was waiting.
Though we’d been picking up little gigs here and there, it wasn’t enough. And with only two months of unemployment benefits left, we were heading for a wall, and fast.
To make things worse, our apartment complex had been bought by new owners. They were sprucing the place up, nothing fancy, just new door locks and ceiling fans in the bedrooms, but we knew what that meant.
Renovations were just an appetizer; a rent hike was likely to follow.
Jonathan and I started having the kinds of conversations you don’t want to have, the kind where every option feels like a compromise.
“What if no real contracts come in?” Jonathan asked.
I shrugged, already knowing where the thought led. “Then we’re in trouble.”
He leaned back, staring at the ceiling. “And if the rent goes up?”
“That’s worse,” I said. “That probably means we can’t stay.”
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“So we give up the apartment,” he said slowly. “Go back to renting rooms.”
“Yeah,” I said. “Not ideal.”
He was quiet for a moment. “But doable.”
“Doable,” I agreed. “At least short term.”
We kept thinking, and in the rush of ideas, flair bartending popped up — the flashy kind, with bottle flips and choreographed pours. It wasn’t juggling, exactly, but it was still object manipulation. We might even be able to get in at Typhoon Saloon, bartending with a performance or two thrown in every shift. This wasn’t the dream, but it might keep us afloat long enough to continue the chase.
As our remaining funds trickled away, we kept training as usual. No matter how financially uncertain things felt, our commitment to improving never wavered:
Jonathan and I both became proficient at unicycling and rolla-bola balancing.
I learned to walk on an unsupported ladder.
We built a 150+ pound knife-throwing target in our apartment living room so I could learn to knife-throw.
And when the day’s training was over, we still did more.
Ten to sixteen-mile mountain bike rides, multi-hour surfing sessions, plus our two weekly juggling club meet-ups.
The training only stopped when we were sleeping.
* * *
Then, as if the universe sensed I needed a win, in early August 2002, at the Encinitas YMCA, a little after 11:00 am, I threw ten, 2 1/4 inch Ruby’s, Silver Lamé juggling beanbags in the air.
Five in the right hand, five in the left hand, “wimpy” pattern, all went up in sequence, and all returned into my hands.
Ten catches of ten balls, or a flash of ten balls.
I looked at my hands in disbelief, then double-counted to ensure one hadn’t slipped by me, but they were all there.
Excitement surged through me; a massive goal, two years in the making, and now I’d done it, I’d actually juggled 10 balls! As far as any of us knew at the time, fewer than ten people in history had ever successfully flashed ten balls.
Knowing nothing could top a flash of ten, I wrapped up for the day.
I walked over and dropped the ten beanbags, one by one, into my training bag.
One of my biggest goals, and the crowning achievement of my numbers juggling journey, was now done.
I zipped up the duffel, and as I did, I somehow knew that I’d never throw ten again. I was content with ten…
Walking towards the parking lot, I wondered if I’d ever felt content about anything before now, but couldn’t think of a time.
Chapter 64: Guinness World Record
(Warning: Adult Themes)
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When I’d originally bought my first sword-swallowing swords on Pier 39 in San Francisco, they’d come in a two-pack. And one day, after a mountain biking session with my brother, as I put my bike away, I saw the extra sword sitting in my car’s backseat. I didn’t really need it, so I asked him, “Hey, you want this sword-swallowing sword?”
My brother said, “Sure,” so I gave it to him.
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And I probably wouldn’t have ever thought about that moment again if I hadn’t gotten this e-mail:
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Dear Bill,
My name is Dan Meyer, sword swallower and founder of the Sword Swallowers Association International (SSAI). I just bought a sword-swallowing sword on eBay, and when I messaged the seller, I reached your brother. He gave me your information, so I wanted to reach out and say hello.
We’re hosting the world’s first-ever Sword Swallowers convention with the Sideshow Gathering in Wilkes-Barre, Pennsylvania, and I wanted to extend you an invitation. Representatives from Ripley’s Believe It or Not, Guinness World Records, and major media will be there, and we hope to set a group record for the most sword swallowers in one place, all sword swallowing at the same time.
Let me know if you’re interested, and I’ll get you more details.
Keep your chin up!
Dan Meyer
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Dan Meyer… I didn’t recognize the name, but an online search said he was one of the most decorated living sword swallowers. Known for pulling a car with chains attached to a swallowed sword, sword swallowing underwater while surrounded by sharks in the New England Aquarium, swallowing a car axle, and lots more. A sword-swallowing badass!
I wrote back.
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Dear Dan,
It’s so good to meet you, and I appreciate you reaching out. That all sounds amazing. I’d love to be a part of it. Just send me all the info, and as long as I’m available, I’m in.
Sincerely,
Bill Berry
—
When I got his response, I learned the event was being held in conjunction with a sideshow and tattoo convention. I also heard that fire-eater, performer, and tattoo artist Levi Cross of the Black Adder Cabaret would be in attendance. I’d run into Levi at a few festivals, and I knew he was a fixture in the NY scene, so I reached out and asked how he was planning to get to the convention.
He said he planned to drive and graciously offered me a spot in his van. This was a win; Levi had been running his DIY cabaret for years, and he had a reputation for being a walking encyclopedia of road stories. A few hours in a van with a guy who’d survived that many tours sounded like an education in itself.
I thanked him and asked for all the details so I could arrange my flights.
Levi gave me his home address and told me the day/time he intended to leave. Armed with all the necessary information, I booked my flights.
* * *
I didn’t have a penny to spare, and just attending would stretch my meager resources. So when I landed in New York, I pulled out some directions and maps I’d printed off the internet, hoping they would help me get to Brooklyn via the subway. I didn’t grow up in a place with subways or a culture of public transportation, so I was worried I’d get lost. After collecting my bags from the baggage claim, I followed the signs to the subway, bought a ticket, lugged my gear down some staircases, and got on a train. There wasn’t a direct to Brooklyn, and I wasn’t sure where I needed to transfer. I stood in the moving car, balancing myself and gear, poring over the maps I’d printed, listening to the announcements, and praying to hear something about Brooklyn.
Nearby, a guy with muscles that looked as if they might tear through his wife-beater shirt asked, “Yo, where you tryin’ to get?”
“Brooklyn?” I answered hesitantly.
He nodded sagely, “You’re gon hafta transfer. Relax, I’m’za tell you when.”
“Thank you,” I said, not 100% certain if I could trust him, but having no better option. I folded up my map and put it in my pocket.
The next few stops went by, and the big guy didn’t look at me or give me any indication. I started to get nervous again; I didn’t have enough time to miss a stop, so I started paying attention to the announcements again. Noticing this, the man waved his hand reassuringly as if to say, “You good, chill.”
I nodded and tried to “chill.”
Finally, an announcement came, and the man nodded, “This yo stop.”
I thanked him and gathered my gear for another run of the underground gauntlet.
As the subway doors opened, people flooded out, weaving effortlessly through the crowd that was waiting to flood in. I tried to do what they did, but they were all lightly encumbered; with all my gear, I was clumsy. Once I’d cleared the crowd, an attractive woman in her early thirties came alongside and matched me step for step. “Bhooklyn,” she said in a German accent. It wasn’t a question.
“Uh, yeah,” I said in surprise.
“Follow mehh,” she commanded.
I did, and she led me through another labyrinth of walkways and tunnels. When we emerged onto another platform, she instructed me to look for a particular train with a particular name and board it when it arrived.
I nodded my understanding, and without another word, she left me. I wanted to say thanks, but she was already ascending a nearby staircase. As she went, I noticed that her dark stockings had a thin black line down the back, ending in shiny black three-inch heels.
When the correct train arrived, I boarded along with a few other passengers. Once we were in motion, a man in a hat and business coat asked, “What stop are you supposed to take?”
“What?” I asked.
“In Brooklyn, which station do you need to get to?”
At this point, I was tempted to look around to see if I was on camera. How do all these people know I’m lost? And where I’m going? Was he on the first train, too? Or did he see the German woman giving me directions? I wanted to think about it more, but he was waiting for an answer, so I had to say something: “Uh, I need the Marcy Ave stop?”
He nodded, “Ok, I won’t let you miss it.”
“Thank you.”
He nodded, then opened his newspaper. His demeanor was the opposite of mine; clearly a veteran of this commute, he hadn’t a care in the world.
When the stop approached, he waved and said, “You’re next.”
I thanked him and debarked. Once on the platform, there were multiple options to reach street level, and I didn’t know which was correct, so I chose one at random. As I lugged my cases up multiple sets of stairs, I began to second-guess the efficacy of my Pelican luggage strategy. It worked well on flat ground, but this subway and staircase stuff, not so much.
Reaching street level, I tried to get my bearings. Opening my map, I looked for easily identifiable landmarks. As I did, a little old lady who was walking by stopped and asked, “Where are you headed?”
I told her the address, and she pointed, “Cross over there, go down nine blocks, then make a right.
I nodded, and she continued along her way.
I watched her as she went. I’d heard so many things about New Yorkers. They’re supposed to be fast, rude, and indifferent to others, too caught up in their own affairs to be bothered with anyone else. But when I’d landed and become lost in their city, they had helped me along every leg of the journey. Not because I’d asked, but because they’d noticed I needed help. Silently coordinating to pass me along to the next guide at just the right moments. The NY stereotype was far from accurate; they’re caring, salt-of-the-earth Americans who help one another out. At that moment, I no longer felt lost; millions of would-be friends surrounded me, and you can’t ever be lost with friends all around.
I followed the little old lady’s directions and found myself in a warehouse district.
Row after row of bare-faced buildings, two to six stories high, lined each side of the street. I walked along them, thinking I must have taken a wrong turn because this wasn’t like any neighborhood I’d ever seen. I checked my notes for the address and tried to find the matching number on a building, but I didn’t see it. Most of the buildings didn’t have any addresses, signage, or even mailboxes. A concrete jungle, row after row of rusty roll-up doors, with loading docks extending right out to the street. The few sidewalks were intermittent, and where they existed, they were jagged and strewn with rubble from hard industrial use. This street was designed for commerce rather than foot traffic. Yet, neither a truck, a person, nor a trace of life could be seen. I pulled out my flip phone and tried Levi’s number, but there was no answer. I didn’t want to nag, but having no other options, I called a few more times, but still, no answer. Waiting is a part of life; sometimes, you have to wait. I sat on one of the concrete loading docks and waited for something to happen.
Eventually, a yellow taxi turned onto the street. It was the only car I’d seen since I got here, and I didn’t know who it was or what its intention was, so I watched its approach carefully. It wove back and forth between the two lanes, dodging broken-up pallets, concrete rubble, and the many cavernous potholes before stopping at the curb beside me.
The far-side backseat door flew open, and a brown-haired guy in his mid-twenties leaped out. Running to the curb side, he opened the other backseat door and stood at attention like a chauffeur. An alabaster-white hand with perfectly manicured nails reached out, and the man took it, helping the occupant disembark. It struck me as unnecessarily theatrical, like a western movie where a lady is helped out of a carriage by a love-whupped cowboy.
Standing fully, she considered her assistant, evaluating his performance of duties and, finding it neither lacking nor exceptional, stepped past him. No thanks escaped her lips.
Her long, straight mahogany hair, thick and full, framed her distinctly Mediterranean face, with a sharp nose and hazel, gold-flecked eyes.
She looked at me and gave me a slow, deliberate, head-to-toe-then-back-to-head scan. We held eye contact, a long, penetrating exchange, silently looking into one another’s souls. Then she held her hand out, palm down, creating a shape that could easily be shaken, but equally invited a kiss. I popped myself off the loading dock and shook her hand, “Bill,” I said.
“Isadora,” she responded, holding my hand longer than was necessary.
At 6'5", I towered over her, but she stood confidently, chin lowered, looking up through thick eyebrows, wordlessly incanting a sultry spell that was surely the ruin of many men.
Noticing the protracted meeting, the chauffeur coughed, “Ahem.” He slammed the door loudly before heading to the trunk of the cab. Knocking twice to get the driver to pop it, he started unloading the gear.
Hearing him at work, Isadora said to me, “Help with the bags, would you?” It was asked nicely, but it wasn’t an ask.
“Looks like he’s got it under control,” I replied pleasantly.
She frowned slightly, looking at me with exaggerated disappointment. Then, telepathically, her eyes whispered, You’re going to be difficult, I see. That’s ok, you’ll be mine soon enough.
My eyes whispered back, Some men exist to take orders; others are born to give them.
Her eyes widened a thousandth of a millimeter, then one eyebrow arched in silent response. We shall see. She walked dismissively past me to prove my unimportance.
I looked over at the chauffeur, who stared daggers at me as he set another piece of luggage on the curb. His expression was clear, and I read his thoughts: Don’t you dare. She’s mine, all mine. Soon, you’ll see. She’ll come around if I do enough; I’ll show her. And she’ll fall in love with me; she must, so you stay away!
I shook my head from side to side, half telling him to give it up cuz it was not going to happen, and half telling him I wasn’t trying to take her.
But he’d already decided I was a threat, and could hear neither of my messages.
Turning, I saw that Isadora was surveying the building, clearly trying to find an entrance just as I had.
“I called him a few times, but no answer.” I supplied.
She rapped loudly on one of the metal roll-up doors, causing it to rattle in its tracks. The echo bounced around inside the warehouse space.
Without looking at me, she said, “So, what do you do?”
“I’m a juggler.”
“A juggler? Do you know Dimitris Papadopoulos?”
“I’ve met him.”
“He’s the best,” she declared.
“He is very good,” I responded.
Turning steely eyes on me, she said, “No, he’s the best.”
This quickly degraded into an argument over the nuances of juggling, what it means to be the best, whether art can be judged, the name-dropping of Anthony Gatto, Sean McKinney, and Jay Gilligan as competing candidates for the title of “best,” and her doggedly standing by the statement that Dimitris Papadopoulos is “The best.” I think it was partly because she believed it and partly because she enjoyed riling me up by being adamant. I recognized it as a deliberate row but still found myself drawn into it. We’d have turned up the temperature a few more degrees had there not been a loud whirring of cables and a scraping sound from inside the building. We waited expectantly, then heard heavy locks groan as they were pulled back. Next to the roll-up door, a normal-sized door screeched in displeasure as it was pulled wide, the post-modern equivalent of the main gate at Dracula’s Castle. Then Levi, groggy-eyed but with the ever-present “I’ve just thought of something amusing” smile he’s known for, appeared.
“Well, good morning,” he said, sounding like he was addressing an audience from the stage.
Greetings and hellos were exchanged, then he invited us inside.
We, along with our luggage, crowded onto a small platform, and Levi pulled closed an eight-foot-tall, industrial-sized accordion gate to encase us in a freight elevator. Levi reached for a giant button, nestled in a rusty metal box with a broken faceplate, and said, “Keep your hands in; there’s no safety on this thing.” Then he pressed the button. The whirring cable sound we’d heard from outside returned, only much louder, and we were slowly lifted off the ground.
::whirrrrrrr::
I watched as shattered bricks and crumbling mortar passed just inches outside the wire cage as we rode; the original red bricks were punctuated by other types, clearly patches, multi-colored, yellow and white, marking where repairs had been made over decades.
We rose two floors without speaking, as it would have been hard to be heard over the squealing cables.
Arriving at our floor, Levi let go of the button, then tapped it a few more times to align the floor of our platform with the floor we’d be stepping out onto. I’d never seen an elevator that didn’t automatically align with the arrival floor, so I asked about it. Levi said, “Depending on what you need to load or unload, sometimes it’s easier if you can fine-tune it.” He grabbed the steel accordion door, pulled it back, and we were presented with a vast warehouse space. Despite being on the third floor, the ceiling was two stories high, and before us were row after row of bookshelves stacked high with thousands of books. I’d never seen anything like this, and sensing our unasked questions, Levi began a tour. “If you’ve ever gone to a bookstore to get a book, only to find that it’s out of stock, and they tell you they can order it. This is where those books are stored.”
Walking over to one of the industrial bookcases, I saw that the shelf had dozens of copies of the same book. Looking at the shelf above it, I found the same book. Walking to the next shelf, I saw different books, but always in droves, some with hundreds of copies. There was no overhead electric lighting, so my eye was drawn to the far corner of the space, where the light from what I presumed to be a big window shone in. Wanting a closer look, I walked towards it, but when I got there, I came upon a giant pile of brick rubble instead of a window. The entire corner of the building had collapsed into the space, toppling several of the bookshelves in the process. The books lay where they’d fallen, victims of the decay. The floor itself, made from thick, old-growth wooden planks, felt secure enough, so I climbed onto the pile of rubble to look out the hole. Below, I could see the rooftops of a few smaller buildings and the street where we’d just been waiting. I silently wondered if Levi had come to this very spot to see who was banging on his door before coming to greet us.
I heard Levi’s voice from behind me: “Last winter, we had six feet of snow blow in here. I cleared it, but it came right back, so I just left it. We’re responsible for watching the place to make sure there’s no theft or vandalism, but there’s not a lot of maintenance going on.”
“But why? Why is it like this? Why don’t they fix it up?”
Levi looked at me, trying to think of the best way to answer the question: “The buildings on the block have been condemned, so it’s supposed to be torn down, but the owners and residents have it all tied up in court, so everything is in limbo.”
“How long will it be in limbo?”
Levi shook his head, “Years, maybe even decades, no one knows.”
“What happens if they make a ruling to tear it down?”
Levi shrugged, “Then we’ll move, but for now, it’s cheap, and it’s home. I just wish it didn’t get so darned cold in here.”
“How do you deal with the cold?”
“We wear our winter coats.”
“Inside?”
Levi smiled, “Inside.” Then he turned, “Shall we continue the tour?”
I glanced out the collapsed wall and saw a rusty metal fire escape meant to service Levi’s building. It dangled ominously off the side of the structure. Looking at the attachment points, I saw that all but one of the bolts that initially anchored it to the building had given way, and now that one bolt was preventing the entire thing from crashing down to the street below. I wondered if it would hold if someone had to escape a fire on it, and whether I’d trust it enough to even try. The sound of the group’s departing footsteps broke my reverie, and not wanting to be left behind, I ran to catch up with Levi as he traveled deeper into the building.
Beyond the rows of bookshelves was a large industrial door, big enough to drive a forklift through. As we passed through it, we found ourselves in Levi’s home. Walking into the Black Adder lair was like the circus equivalent of when Harry Potter went to Ollivanders to buy his wand. A two-story stack of antique circus props, posters, books, and old medical paraphernalia, all wrapped around a room that served as a bedroom, kitchen, office, and training space. I slowly turned in a circle, trying to take it all in, wanting to appreciate what I was seeing, but it was impossible to absorb it as individual items or treasures. I got the feeling that I could pick up any item and, by asking, “What’s this?” send Levi into a nostalgic story of who, where, when, what, and why it had come into his possession.
Levi gave us a quick tour, but my ADD was kicking in as I tried to take it all in, so I ended up missing most of what he said. Then it was time for us to load up, so it was back to the elevator and down to the street. Levi went to get his van and pull it around. I waited with Isadora and her chauffeur. As Levi pulled the van to the curb. I thought, I really should offer her the front seat; it would be the gentlemanly thing to do, but then I thought, I don't know her, and I don't know the chauffeur. I know Levi, and one of the things I was most looking forward to was talking to him. So when the van’s back doors were opened, I quickly loaded my gear, then claimed the front passenger seat to ride shotgun. Isadora and the chauffeur got into the backseat, and we hit the road. Levi said it would take us five hours to get there, but assured us that all would be well since we'd be blessing our trip with a stop at Cracker Barrel.
“What’s Cracker Barrel?” I asked.
Levi’s jaw dropped, “You've never been to Cracker Barrel?!”
“I haven’t.”
“Well, it’s only the single greatest contribution to American life. You have not lived until you’ve had Uncle Herschel’s fried apples and hash brown casserole.”
Before he said that, I had not realized how hungry I was. But with that description, I was now very much looking forward to this Cracker Barrel place.
As promised, we stopped, and I enjoyed the old country store feel of my first Cracker Barrel. For the uninitiated, it’s essentially a diner, but a diner unto itself. It has an old-timey gift shop featuring toys and treats from a bygone era on one side, and the restaurant on the other.
After that, it was back on the road, and that’s when I got to hear Levi’s own story. He had been putting together touring circus shows for many years, playing clubs and dive bars across the country, bringing entertainment to any place that would have them. I asked him how profitable these touring shows could be, and he said that they had been quite profitable at one point. But with rising fuel costs, putting on a show was getting harder and harder — especially so because he insisted on having a live musician on stage and a diverse lineup to ensure the audience got a fantastic show.
“I know you can do almost everything: glass eating, fire manipulation, juggling, and lots more… So what kind of performers do you typically hire for these shows?” I asked.
“We’ve had just about everything,” he said, “I used to have a guy who would paint himself silver. And not with special silver makeup; he would take silver spray paint and cover himself.”
“Wait,” I interrupted, “isn’t spray paint super toxic? And how did he get it off after the show?”
“It is VERY toxic,” Levi confirmed, “which may explain why he was so crazy. As for taking it off, I saw him scrubbing down with gasoline one time; that seemed to work. But most of the time, he didn’t take it off. We would go into restaurants or wherever, and he’d be all silver.”
“Wow,” I whispered.
“What else, oh, we had a pee drinker one time.”
“What did he do?”
Levi smiled his easy smile, “Well, he drank pee. Usually his own, but I saw him drink other people’s a time or two.”
“Ew, gross!” I exclaimed.
“Well, not everyone can be a skilled act like a sword swallower,” he teased, “Some of us gotta do it the hard way.”
We kept this friendly banter going all the way to Wilkes-Barre, Pennsylvania.
I’d already liked Levi before this trip, but as the miles passed, he quickly became one of my favorite people.
* * *
The tattoo and sideshow convention was non-stop stimulation. Anywhere you turned, booths were set up, and people were scheduling tattoos, getting tattooed, talking about tattoos, or showing off fresh tattoos. Mixed up in it all were we freaks and geeks. I met Dan Meyer in person, the one who was organizing this “Big Swallow,” as this event was being called. He was every bit the gentleman in real life as he had been over our email correspondence. I met representatives from Ripley’s Believe It or Not and Guinness World Records. Natasha Veruska performed a sword-swallowing act while belly dancing. I got to meet Red, the Scottish sword-swallowing dwarf. And, of course, Eric was there, though you might know him better by his stage name, “The Lizard Man." He is tattooed head to toe in green, his teeth have been filed into fangs, and he has had subdermal implants installed that give him bony-looking ridges and protrusions around his face and body. Judging him by his appearance, you might assume him to be the biggest freak of all. But if you give him a chance, he’s pretty down to earth. And highly intelligent, but not the kind of intelligence that tries to assert and prove itself. That humble intelligence that reveals itself through knowledge and articulation without being trumpeted. A quintessential example of why we can’t judge a book by its cover, there’s a great thinker under those tattooed scales.
On the second day, Friday, August 30, 2002, all of us sword swallowers took to the stage. In front of countless camera flashes and as many rolling cameras, we upended our swords. Nineteen sword swallowers, swallowing fifty swords in total, all at the same time. Once the photos were snapped, we all pulled out our swords, and that’s how I got my first Guinness World Record.
Excitedly, I went to shake Dan Meyer’s hand, but he waved off my hand and hugged me instead, “I’m so glad you could be here!”
“Thank you for inviting me; really, this means so much for all of us.”
Always humble, Dan said, “I’m honored that all these amazing people came together to make it happen; you and they deserve all the credit.”
I wanted to say more, but the legend of sideshow, performer Todd Robbins, wearing his iconic straw boater hat with a red-and-white ribbon around its crown, walked up to shake Dan’s hand and offer congratulations.
Not wanting to overstay my welcome, I turned to roll off, but Dan put his hand on my shoulder to stop me and said, “Bill, have you met Todd?”
“I haven’t,” I said, reaching out my hand.
Todd shook my hand, said he was pleased to meet me, and congratulated me on a job well done. Then he turned to Dan and said, “Something like this has been far overdue. We should do this every year.”
Surprised, Dan said, “Aren’t we going to do this every year? It wouldn’t be much of a tradition if we didn’t do it again next year, and bigger, of course!”
“Of course,” Todd smiled.
Dan continued, “You know, technically, just having nineteen sword swallowers in one room is a world record; you think they’d let us submit for that?”
Todd laughed, saying, “Dan Meyer, always the showman.”
I quietly slipped away as they laughed to allow them this rare opportunity to catch up. As I did, I spied Needles and Isadora beside the stage in one of the booths, so I walked over to see what they were up to.
I’d only met Needles in passing, but he had the demeanor of someone with clout, so I’d made a point to remember him.
He didn’t look up as I approached; he was deep in the zone, his heavy, black-rimmed glasses sliding down his nose, held in place only by sweat and concentration. With gloved hands, he was carefully installing a series of barbless, oversized, stainless steel fish hooks into Isadora’s back, from the top of her shoulder blades down to the small of her back. He gently adjusted one that was trickling a steady rivulet of blood. The leakage had traced a crimson line down the small of her back before it was interrupted by the just visible elastic band of her underwear. She was topless, with only pasties stuck over her nipples for modesty. Looking over her shoulder, she asked, “How is it?”
“It’s ok,” he said, pushing his glasses back up with the gloved knuckle of his pinky finger. “But we might have to reposition this one if it doesn’t calm down. How are you doing?”
She nodded her head, clearly in pain but unwilling to acknowledge it, “I’m good,” she lied.
Grabbing another three-inch hook, he pinched a wad of her back flesh. Hooking it in low so it would curl around and re-emerge a little higher up, he pressed it through her body. She “Umpff’ed” as it went, and I heard her exhale sharply. She looked at me as he settled this new piercing and admitted, “I felt that one.”
“Why are you doing this?” I asked.
“For my wings.”
“Wings?”
As if it were the most normal thing in the world, she said, “For my angel wings so that they can attach to me.”
I nodded as if that made sense, though I didn’t know what she was talking about.
A gentleman acting as MC while the various performers took turns performing walked over and asked Isadora if she was ready. She nodded and said, “We just have to attach the wings, then I’ll be ready.”
He nodded and said, “Ok, let me know when, and I’ll introduce you.” Then he walked back to the stage to wait.
Isadora told her chauffeur to make preparations, and he nodded. Standing to go, he graced me with a scowl, reminding me of my place, then disappeared backstage.
Needles leaned back to inspect his work, and seemingly satisfied, he waved his hand, “I think that’s good.”
Leaning over, I saw the eight hooks looping through her back flesh, neatly aligned in two rows of four. The one was still oozing, but it had subsided somewhat.
Isadora took a deep breath, then stood and regally made her way backstage. Whenever she walked, she appeared to be floating just above the actual earth that the rest of us were condemned to walk on.
Once backstage, I couldn’t see her anymore, but I could tell when she was ready because the MC nodded and reached for the microphone. Taking it, he shifted into a Greatest Show on Earth type announcer voice and said, “Ladies and Gentlemen, please make your way to the main stage because we have a special treat in store for you. All the way from Patras, Greece, please put your hands together for The Incredible Isadora!!”
The crowd was appropriately enthusiastic, and the DJ pressed play. A haunting instrumental track exuded a melancholic atmosphere throughout the room. Its brooding, somber tones were slow and deliberate, promising performance with emotional weight. As the moment grew heavy, Isadora stepped out on stage. Scantily clad, she slowly walked to the center of the stage, each step revealing more and more of the fabric wings as they unfurled from off-stage, until finally the chauffeur became visible. He was holding two long poles, each attached to the fabric at its tip, then, as the music built, he lifted them. This raised the large wings, which he then flapped up and down rhythmically as she moved and danced. I’d never seen anything like it before — dark, elegant, beautiful. Admittedly, she looked quite good moving under the lights. As I watched, one of the sword swallowers, Thomas Blackthorne, walked up and, getting my attention, said, “Have you swallowed the sword yet?”
Breaking away from the performance, I asked dumbly, “Huh?”
“Do you know about the sword?” Judging by my blank look, he continued, “You don’t know about the sword. Okay, so I made this.” As he said this, he lifted the sword he was holding. “I’m trying to get every living sword swallower to swallow it, and once they do, I ask them to sign this book.”
“How many do you have so far?” I asked.
“Seventeen now, eighteen if you say yes.”
“Can I clean it?”
“Of course, do whatever you need to prepare.”
I nodded, then opened one of my nearby road cases to fetch my sword-swallowing kit. Opening it up, I went through my normal cleaning protocols, wiping the blade thoroughly with an alcohol wipe, then opened a second and wiped it again for good measure, since seventeen other people had already swallowed it.
I sprayed it down with a few spritzes of cool mint Listerine, my preferred sword spray, then upended the large blade. It slid down smoothly, and I was impressed by the craftsmanship; a truly fine blade. Then I pulled it back out.
Opening another swab, I cleaned the blade and returned it to the man.
“If you could just sign here, it’ll be officially eighteen.”
I took the pen and signed his ledger.
“Thank you,” he said, then he wandered off to find number nineteen.
Having finished her performance, Isadora returned to the booth where the hooks had originally been inserted, and now Needles began removing them. He worked with the detached efficiency of a mechanic, his glasses perched precariously at the very tip of his nose as he squinted at the wounds. Based on her groans and grimaces of pain, the removal was as painful as the piercing itself, and her already pale skin whitened all the more.
Once he had finished the extractions, Needles dropped the last bloodied hook into a tray with a hollow clink. He gave her back a final, clinical pat with a piece of gauze and muttered, “You’re clear, kid. Just try not to lean on anything. You got your bandages?”
Isadora reached for her bag, but after some searching, realized her bandages were still in the hotel room. So she draped herself in a white, see-through cloth, which promptly soaked up the blood trickling from the wounds. This created a gunshot wound sort of splatter effect across her back. Far from concealing, it only made the black pasties over her nipples, and the little black booty shorts she’d performed in seem more sensual.
Turning to me, she said in a waifish, damsel-in-distress voice, “Would you accompany me to the room to tend my wounds?”
The gentleman in me wanted to leap to her assistance; after all, it would be difficult to dress wounds on one’s own back. But I also recognized it as a transparent attempt to get me into her room. In the split second I was considering this, another performer who was standing close enough to hear the request excitedly said, “I’ll help you!”
A wave of displeasure washed across her cheeks, and she glared at me unhappily, clearly wanting me to speak up and tell him I’d handle it, but I said nothing. She turned to him and, with a feigned smile, said, “Why, thank you, what a gentleman, in fact,” she turned to look at me again, “I think I’ll need both of you.” Without waiting to see if I’d agree, she turned and started for the elevators. The other performer fell in on her heels, and I figured, why not, so I trailed along as well.
When we arrived at the room, she stripped off the little clothing she still wore and, now fully nude, walked towards the bathroom. Over her shoulder, she instructed me, “Grab a washcloth, would you?”
Immediately, the other performer said, “I’ll get it,” and darted over to grab one. She gave me a truly stormy look before turning and stepping into the tub. Once there, she turned on the water and, once it was temperate, activated the shower. She stood in the flow until the worst of the leakage had been rinsed away, then she sat on the edge of the tub and unenthusiastically told the other guy to clean the wounds, which he dutifully did. For all but the most painful moments of the procedure, she looked over her right shoulder, past him, through the door of the bathroom, until her eyes found mine. We held eye contact for a long time, all while he cleaned, until he finally said, “I think you’re good.”
She nodded silently, then said, “Thank you, I’ll shower now.”
It was clearly a dismissal, so he stood to leave, and I stood to go, too. But as we started to leave, she said to me, “Would you bring me the small black bag from my suitcase?”
The other performer started to oblige the request, but she stopped him. “Not you,” she said, then indicating me. “He’ll bring it.”
The other performer nodded, then left us.
I walked over to the luggage, picked up the small bag, and brought it to her in the shower. She took it, then tiptoed to the edge of the tub and leaned out so far she fell into my arms. I had to hold her so she wouldn’t tumble out. I felt her bare wet breasts pushing into my chest. She tilted her head back sensually and whispered, “Thank you,” in a breathy voice, then closed her eyes in anticipation of my kiss. Still supporting her so she wouldn’t slide out of the tub, I bent my head down and planted a loud peck on the top of her nose.
Her eyes shot open, blazing in anger. But just as quickly, her composure returned, and turning back into the shower with a “humpfh,” she slid the glass door shut.
I let myself out of her room and went back down to the convention floor.
* * *
The next morning, I checked out of my room at 10:00 am, but since we weren’t going to return to NY until much later, I was “homeless.”
Dragging my gear through the lobby, I ran into Isadora, and she asked why I had all my gear. I explained the situation, and she offered to let me keep it all in her room. Puzzled, I asked, “Did you book for an extra night?”
“No, I asked the man at reception to extend my checkout, and he told me to take as much time as I needed.” She shrugged modestly as she said this, as if such a thing would have been offered to anyone who’d asked, but I knew she’d sweet-talked him into giving her perks.
I didn’t want to schlep my gear around all afternoon, so I accepted her offer. But on the way to the elevator, one of the tattoo artists, who’d been aiming a romantic eye at Isadora all weekend, walked up and said, “We’re loading up some vans to go to breakfast, are you coming?”
Isadora smiled at him and said, “Yes, of course, we’ll be right there.”
“Well, we’re all loaded up and ready to leave, but I wanted to make sure you knew; I’ll tell them to wait.” Then he hurried off to hold the vans.
Isadora and I went up to her room, and I set my cases unobtrusively off to one side. She went into the bathroom to touch up her makeup, and I looked out the window over the little square of Wilkes-Barre, Pennsylvania. Time passed, and more time passed, until I got antsy because they were all waiting for us.
Despite this, Isadora was in no hurry, going about her tasks as if there was nowhere we needed to be. I watched this for a bit and decided that she probably liked that everyone was waiting for us. Finally, fifteen minutes later, she walked over to me and, assuming a stance similar to the one she’d taken the day before in the bathtub, she leaned in close, head back, and breathily asked, “Are you ready?”
I thought it was sweet that she’d let me store my things in her room, and despite our initial off-putting row, she was growing on me. So I leaned in, and we enjoyed a real kiss. Which, I had to admit, was nice.
Then we made our way down to the vans.
I was sure everyone would be irate, but no one said a word. Isadora had a power, especially over men, and since the majority of the van’s occupants were men, none dared complain.
Lunch was uneventful.
* * *
Later that afternoon, I was back in Isadora’s room, and she asked when my flight was leaving from New York.
“Tomorrow, early in the morning,” I answered, “5:00 am.”
“That is early, where did you book your room? Are you staying at the airport hotel?”
“Actually, no, I didn’t get a room; I figured I’d just go to the airport and wait there until morning.”
Isadora’s eyes widened, “No, no, that won’t do, you’ll stay with me, at least until it’s time for you to go.”
“Thank you, but I’d have to leave your place at like 2:00 am to make my way on the subway.”
“Yes, they’re open then, you’ll be fine, I’ll make sure you make it.”
She was so confident about everything, and the way she spoke was hypnotic, so I acquiesced, “Okay.”
She smiled, “Okay then.” And, as if it had only just then occurred to her, she said, “You know, if you’re leaving that early, we should probably shower now, the place we’ll be staying tonight has a shared shower situation, and… It would be better.”
She stood up as if this plan was already agreed upon and made her way into the bathroom. I watched her unrobe, then she stood with her back to me. Her nude form was a perfect hourglass shape that flowed into a fit bottom with strong legs. Like something straight out of a Playboy photo spread. After giving me a moment to take in her perfection, she said over her shoulder, “Join me.” Then she stepped into the tub.
I stood and made my way to the shower. I don’t even know why; as sometime only moments ago I’d still been thinking for myself, but now it was just so easy to do what she suggested. I stripped off all my clothes and joined her in the shower. She turned to me and leaned in, offering her intoxicating kisses. We kissed deeply, passionately. Hooking my arm around the small of her back, I pulled her tightly against me. Her round breasts pressed against my chest. Then, trusting my arms to arrest her, she arched back in invitation. I leaned in to kiss her neck, slowly kissing my way down to her breasts, then I took one of her nipples between my teeth. I bit down gently, gauging her sensitivity. In response, she grabbed my neck and pulled me in, asking for more. I did as commanded, and she let out a moan of pleasure. She pulled again, pressing the other breast into my face. I gave the second nipple some attention, but this time, I bit ethereally, beyond gently, lightly flicking my tongue across it. She melted in my arms, and I bit a little harder, then inhaled to draw cool air across her wet nipple flesh. When I was sure she’d felt the cold of the inhalation breeze, I’d warm her skin again with a fleshy lick from my tongue, then repeat the inhale to send the alternating hot and cold sensations buzzing through her. Instinctively, she lifted one leg, suggestive of a standing face-to-face love-making session. But I pushed her leg down. Righting her, I slowly kissed my way down her chiseled abs, until I was suggestively kissing the creases where the upper leg and hip meet. I switch from side to side, kissing and teasing my way, but careful not to go between her legs, I wanted her to savor the touch, wanted her to want it more than anything. She grabbed my head and began to direct me to her center of pleasure. Obeying, I kissed and licked all through her well-trimmed mound, my tongue slowly making its way lower, edging closer and closer to her bliss. I could feel the start of the ridges of her outer lips, and knew I was only millimeters away from diving full-long into her sex. But at that moment, my senses returned to me, I remembered that I hardly knew her, and more than that, I wasn’t in love with her. Every intimate moment I’d had up until this moment had been with someone I loved. I stopped and looked down at my fully erect penis, clearly turned on by what was happening, but something about it not being love took me all out of the moment. Rather than delivering on the promises my tongue had been making, I stood up. Isadora took this surprisingly in stride; she looked at me with her bright, beautiful eyes. Then, unhesitatingly, she dropped to her knees and took me fully into her mouth.
“Oh wow,” I whispered.
She looked up at me, and her eyes smiled knowingly, as if to say, “Of course it’s good, what’d you expect?”
Then she slid her mouth erotically down the sides of me, masterfully conducting a biological orchestra. She continued for a few more delicious seconds, then she stood up, leaving the promise unfinished.
Sexual as it all was, the moment broke, we exchanged a few kisses, then had a relatively normal shower experience, mostly washing ourselves, not really interacting. Near the end, she turned to me and said, “You go ahead, I need to do a few more things.”
I had expected to finish the shower together, so I was curious what these “things” were. But I wasn’t going to argue, I got out to dry off and get dressed. And she did whatever she needed to do, which took about twenty minutes.
After that, we packed up and went to the lobby to meet Levi. Isadora, of course, checked out, which surprised the receptionist, who’d probably never seen anyone do their morning check-out at 5:00 pm before.
We got in the van and headed back to New York…
* * *
​
By the time we arrived at Isadora’s flat, I was exhausted. The weekend itself had been non-stop, and I’d had little sleep.
Our room was “private,” but was part of a larger apartment which housed other residents. So I asked, “Where’s your guy, the chauffeur, is he gonna turn up?”
With a reassuring smile, she said, “No, he won’t be around.”
I didn’t ask how she knew this.
“Would you like a drink?” she asked, already preparing something.
“Sure,” I said.
Isadora made us both drinks, a tea of some sort, but with an earthy flavor I’d never tasted before.
“What do you think?”
“It’s good,” I affirmed, still not 100% certain about it.
While we were drinking our tea, there was some commotion in the hallway: two men fighting about something. I wanted to investigate and make sure we were safe and that the commotion wouldn’t spill into our room, but Isadora reassured me that everything was okay, and I felt so very tired.
Isadora took our cups to the kitchen, then dimmed the lights and settled in next to me. She was relaxed and reassuring; I’d even say snuggly, which was so different than how she’d been all weekend. It seems her normal, larger-than-life persona had been hung in the closet with the other costumes.
Then, as if by magic, she was suddenly wearing comfortable pajama-like clothes. And I wondered how I’d missed that. I felt like I couldn’t keep my eyes open, and seeing this, she said, “Here, lay your head in my lap.”
At that moment, nothing in the world could have sounded better, and I lay down in her lap. She gently scritched her fingernails across my scalp, which felt amazing. Then, I looked up at her, into her big, hazel eyes. As I did, the whites around the edges began to retreat, as if black ink had been poured into them, gobbling up all the whites. I couldn’t believe what I was seeing, so I kept staring in shock. Seeing my reaction, she asked, “What is it? What do you see?”
Now the black ink around the edges reformed in the middle, her round pupils elongated into cat-like slits, and their middles flared with a dark yellow glow. My own eyes must have widened because she asked again, “What is it? Tell me?”
Turning my head away and closing my eyes, I said, “Your eyes,” as if that explained everything.
“What about my eyes?” she asked, her voice a calming salve of milk and honey.
“They’re changing,” I said, not explaining.
I felt her hand grip my shoulder reassuringly, and she said, “It’s ok, everything is going to be ok.”
“Okay,” I said, sinking deeper into her lap.
I lay there feeling as if I were outside time, and I marveled at how strange everything felt. Then, somewhere in the far reaches of my mind, a quiet question sounded: What kind of tea was that anyway?
Then everything went dark.
* * *
My next memory was Isadora shaking me, “You have to go; you’re going to miss your flight!”
The thought of missing my flight brought me back to full awareness. I was so broke I couldn’t afford to re-book it if something went wrong, so I leaped up and started gathering my things.
Rolling everything to the door, I suddenly realized that I didn’t know where I was, where the nearest subway was, what times they were running, how to get to the airport, or even what time it was!
Seeming to read my thoughts, Isadora said, “Don’t worry, just walk three blocks, turn left, then two more blocks, and you’ll see the subway. Not having time to do anything more than act on that information, I dashed out without a kiss or even a goodbye.
Bursting out the front door, I leaped down the steps of the brownstone with my road cases thunking heavily on the stairs behind me. Despite it being the middle of the night, there were a surprising number of people on the street for 2:00 am.
Turning in the direction she’d indicated, I jogged the three blocks and made the left turn. As I did, I came face-to-face with a tall, thin homeless woman. She stared right into my soul, then screamed something unintelligible at me. Not knowing what she wanted, I apologized and tried to go around her. As I did, she sidestepped directly into my personal space, as close as could be without touching, and continued shouting her unintelligible tirade. I quickened my step to get around her. As I gained distance, I realized she was interspersing bible verses with words I could not understand, as if she were speaking in tongues. I continued my two-block jog to the subway, still hearing her shrieks all the way. When I got to the steps, I looked back to see where she was, and even from that distance, she still stared unblinkingly at me. She must be demon-possessed, I thought, and somehow, the demon had my number.
I fled down the stairs, my cases bouncing loudly behind me, until I disappeared into the underground.
Chapter 65: The High Price of Staying
Arriving home from the sword-swallowing convention, I found a notice in the mailbox.
In thirty days, our rent would increase from $675 to $950.
​
I’d known it was coming, but it still stung. The nail in our coffin was slammed home. With no steady work available, we’d have to move.
​
We notified the office that we’d be out on October 1st, 2002.
​
Far as we’d come, a little part of me wondered if we’d reached the end.
​
Everything with Jonathan was great; there wasn’t any tension between us, we just hadn’t managed to break through to those bigger and better things as we’d hoped.
​
As if the universe had noticed the precariousness of our situation, Isadora messaged a few days later. She said there was a juggling position available in a touring show in Greece.
​
I wrote back to ask if there was room in the budget for two, since we’re a duo, but she said no.
​
This left me torn. I needed the money badly, but if I accepted the gig, I’d have to do it without Jonathan. That would send me down a new pathway. A pathway building connections in Greece, and potentially a new relationship, personal and professional, with this sultry alabaster angel. It wasn’t anything like what I’d imagined. I wanted to succeed with Rootberry; I wanted us to win the championships; I wanted to overcome the seemingly insurmountable odds every artist faces and prove it can be done. Crack the code of artistic and financial success!
So, I wrote back and told her how much I appreciated the offer, but turned it down.
​
* * *
​
​
A few weeks later, I got another message from Isadora; after I’d turned down the initial opportunity in Greece, she’d redirected her energy to the States and managed to land a four-week-long Halloween Horror Nights-type gig at The Lost Atlantis Resort in Gulfport, Mississippi. She told me it would be a sideshow-type performance that Jonathan and I would be perfect for.
I asked about the dates, and she said it started on October 3rd and ended on November 2nd.
​
OMG, could it be any more perfect?!
We could move out of our apartment on October 1st and drive straight there for the month-long contract.
​
I talked it over with Jonathan, then we accepted the gig.
​
Finally, thanks to Isadora, we had something on the calendar.
Chapter 66: Lost Atlantis Resort
(Warning: Adult Themes)
​
Because of the Legoland contract, I’d been able to stay in one place for almost four years, the longest I’d been in one spot since I left home at nineteen. As is prone to happen when you stay in one spot for too long, we’d acquired “stuff.”
For example, Jonathan had won a big-screen TV in a raffle, which was cool; it made watching juggling tapes on VHS feel like a theater experience, but it was an item we never would have spent real money on. Since it wasn’t going to fit in his little Honda Civic, it had to go.
Conversely, I’d spent substantial time learning to throw knives, with the ultimate goal being to throw them around Jonathan in a show. But after building a seven-foot-tall behemoth target made of 2x6 Douglas Fir planks, a backstop that easily weighed 150 pounds, we’d learned that any sort of target big enough to stop knives is also too big to lug to gigs. I tried to find a home for this wooden oddity, but unsurprisingly, no takers.
Still, all that was minor compared to the most painful concession of all: I knew I wouldn’t have room for all my surfboards. Our place was less than a mile from the beach, and we surfed three or four times per week, so I’d acquired a small quiver of boards. But now we were leaving, and who knows if or when we’d be able to surf again. I looked at the four boards, thinking about the amazing waves we’d caught together, and a deep soul-ache settled in my heart. I can’t do it. I grabbed my favorite board, a 7'0" Merrick FCS Trifin Squashtail, and said, “Not you, you’re coming with me.” Then, apologetically, to my 6'10" Merrick, and the 7'4" locally shaped hybrid I’d learned to ride on, and the yellow 6'9" Rusty that absolutely came to life in surf ten feet high or bigger, I said, “Sorry guys, I gotta sell ya.” None of them answered; they were good boards, and they understood what it takes to chase dreams.
* * *
Two days before we were to hand in the keys and leave forever, I had most of my things test-packed in the car. That’s when I realized there was no way my bed was going to fit. I thought about strapping it to the top of the car, wrapping it in a tarp or something, but it didn’t seem worth it. I’m gonna be gone for at least a month, and who knows what will happen from there? We might not even come back to California, so I'm not going to pay for a self-storage here just to store my bed; it has to go. I’ll find another one somewhere down the line.
Then I reached the worst sticking point. No matter how I Tetris’ed my items around in the car, there was no room for my surfboard. I considered strapping it to the roof, but worried it would be stolen within days. So, with a heavy heart, I took it to the used board shop, too. When the surf bro handed me the cash, a little piece of my soul died. It wasn’t just that I was giving up a much-loved surfboard; I knew in my heart this was the closing of a chapter I’d never get back.
* * *
On the morning of October 1st, 2002, Jonathan had already moved his essential belongings back to his mom’s house, and I’d left my car in my mom’s driveway. Then we piled the last few of our personal belongings into Jonathan’s car in preparation for the drive to Mississippi. Before turning in the keys, I did a last sweep through the apartment to make sure we had everything. As I closed the door, I wondered what the maintenance guy would think when he opened the door and found a seven-foot-tall, chewed-up knife-throwing target with a human silhouette painted onto it. I imagine it gave him a fun story to tell back at the office.
We dropped off the keys and started the grueling drive to Gulfport and our Halloween Horror Nights contract.
* * *
I texted Isadora to let her know when we’d be getting in, and she said she’d be there when we arrived.
When we did arrive, by some miracle of convergence, we walked into the lobby, and there she was, with a hotel rollaway cart fully loaded with luggage.
The young man behind the hotel desk was busily checking her in, and after a couple of flirtatious comments and batted eyelashes, he upgraded us to the presidential suite, at no extra charge, of course. Keys in hand, she marched straight past the cart, leaving Jonathan and me to gather our luggage, her cart, and drag the lot to the elevator.
When we got to the room, we were presented with the biggest hotel room I’d ever seen. Floor-to-ceiling windows spanned one wall, offering a glittering postcard view of the city. Off to one side was a full kitchen with stainless steel appliances and granite counters, the kind of setup you’d expect for a legitimate chef, not a hotel suite. The living room sprawled with overstuffed couches, a huge entertainment center, and, most outrageously, a massive, jetted, porcelain-white jacuzzi tub planted dab smack in the middle of the living room. The suite had two separate sleeping areas: Jonathan’s room had a queen-sized bed with its own bathroom, while Isadora and I would share the master, a king-sized bed, with its own spacious en-suite bathroom. It wasn’t Motley Crüe rock star fancy, but it was definitely, I’ve-heard-of-them rock star fancy.
I started unpacking my toiletries kit when Isadora said, “I think I’ll have a bath.” She walked over to the big living-room tub and turned on the water. While the tub filled, she stripped naked in front of us like it was the most natural thing. Her tight, round breasts prickled with chilly bumps as she stepped into the warm water, nipples visibly hardening. Then she lowered herself slowly into the water, a perfect striptease-esque move that only briefly revealed a meticulously trimmed patch of hair above her mound of Venus. Sinking deeply, she extended her legs out the end of the tub seductively, then, turning to us, asked, “Well, are you coming?”
Though her question was vague, we knew she was inviting both of us.
Jonathan answered first, “Ah, you go ahead,” as he patted me on the shoulder. “I’ll go shower in the other bathroom,” he added as he gathered his things.
Isadora smiled, enjoying the moment, then she looked at me and said, “Well?”
I was uncomfortable with the whole situation, so I stripped down to my underwear and climbed into the tub with the underwear still on. This sent Isadora into a bout of head-back laughter. “You’re such a good boy; I like good boys.”
Sensing my unease, Isadora raised one small snowy white foot and, in a soft voice that carried an air of command, said, “Wash me.”
I took the little bar of hotel soap, scrubbed it into a lather, and grasping one foot, pressed my thumbs along the arch in a way I knew would be pleasing. Isadora smiled as I worked, tilting her head back and closing her eyes. I continued, taking my time. I thought back to the stack of massage books I’d bought and read in high school, and the many techniques they contained. I’d become interested when someone I’d met said they were making $100 an hour for a massage, and I’d thought, I’d better learn how to do that, so I studied. My girlfriend at the time was happy to let me practice whenever I liked, so I practiced.
Returning to the present, I moved to Isadora’s calf. I drew two fingers along the muscle, bringing forth a moan from my ivory-skinned water nymph. I wasn’t doing anything sexual; the touch itself would have been professional in any other setting. But I sensed the unspoken invitation. Still, I kept it friendly, washing and massaging, without overstepping any boundaries. Which made me wonder, why was I resisting? Her beauty was undeniable. I just didn’t feel in love, and aren’t you supposed to love someone before having sex with them? I repeated my routine with her other leg until I reached the professional line at her upper thigh, then worked a little beyond that. Having finished the lower half and unable to reach any farther with her reclined, I rolled onto my knees. From there, I began to wash her arms, shoulders, and, eventually, breasts. As my hands passed over her nipples, they firmed pleasantly, showing their appreciation of the attention. I gently rolled them between my fingers, and Isadora arched her back, pressing forward, inviting more. Instead, I glided my fingers gently up to her neck, gently slathering her throat in suds. It was suggestive of a choke, suggestive of power play, but soft and gentle. She lifted her head to make eye contact and, grabbing my arm, pulled me onto her, inviting a coital embrace. I resisted, and a flash of displeasure appeared in her gaze. Suddenly, the pull became a push, and I fell back, sitting on my heels. Now she lifted herself and, rolling onto her knees, crawled onto me. I had to rotate to shift my own knees from under myself, and as I did, she reached under the water, pulled back my underwear, and grabbed me.
We kissed, we touched, we teased, but we didn’t have sex. She felt my resistance, and I’m sure wondered about it.
I wondered, too, why I wasn’t jumping at this opportunity.
I guess I’m still so heartbroken over the breakup with my seven and a half year girlfriend that I’m not ready to be with anyone, especially if my heart isn’t fully in it.
I had years of relationship experience, but all of it had been with one woman, a woman I loved.
Anything else still felt strange.
Chapter 67: Halloween Horror Nights
The next day we all went over to The Lost Atlantis Resort to see where we’d be performing. Once upon a time, it had been a Dolphinarium, and you could still see the ghosts of that park everywhere: empty tanks, rusting bleachers, coral-colored signs sun-faded to pale ghosts of themselves. The roller coaster next to our stage, however, was still very much alive, a twisting mass of creaking timbers that rattled and roared at regular intervals.
​
Our stage was a temporary raised platform, the kind they erect for seasonal events, just enough space for a crowd and enough riser to make our show feel official. We got our schedule and learned that we’d be performing three times a night, starting just before dusk. It was decided that Jonathan and I would kick things off with our passing routine, which had been steadily getting sharper. Isadora would follow with one of her flow acts, and then I’d close with sword swallowing. There was also an MC who warmed up the crowd and tied it all together with magic and charisma, the kind of performer who could roll with anything and keep the audience hyped between acts.
​
Between shows, I discovered a nearby hideaway, the backstage area of an old diving show. It was big, empty, and no one ever went there, so it was the perfect place to train. I slipped right back into my old Legoland rhythm: show, practice, show, practice. This was also the first time since A Christmas Carol at the Repertory theater that I’d been swallowing swords so regularly. I could feel my confidence with it growing each day.
The crowds, though good, were a particular kind of audience. By the time they got to us, they’d been at the resort all day, baked in the sun, fueled by alcohol, and whatever questionable food they had consumed. Then, after a full day of this abuse to their person, they’d wander into our “freak show.”
​
One night, during my sword-swallowing bit, it became too much for one guy in the crowd. He vomited. Loudly. The sound of which was enough to make someone else gag, and then they vomited. And then another. Four people lost their lunch in rapid succession. This thinned the crowd notably, but enough stayed that we couldn’t see the extent of the damage until the very end. When the last bow was taken, and everyone cleared, it all came into focus: four distinct puddles of offal. It’s the only time in my career that sword swallowing caused a full-blown chain reaction of nausea.
​
* * *
​
​
Somewhere in the middle of the contract, a familiar face showed up: Mick Thorne, creator of Neon Gravity. An accomplished juggler in his own right, he worked as a videographer in his day job. And had asked if he could come out to film us.
​
We said, “You want to put us in a movie? Heck yeah!”
At one point while he was filming, I asked, “How much do you want?” and he said, “Well, I’ve almost turned the camera off a few times, but then you do something else I’ve never seen before, so keep going!”
So I did, trying to hit him with everything I was working on that I had never seen anyone else do.
​
Innovation was always one of my primary interests; if I could break new ground somewhere, that’s where I wanted to be.
He ended up getting enough to put a two-minute segment of us in the final video: In it, I hit five-club backcrosses, a run of seven balls, and a whole bunch of my ever-developing ball work, especially three-ball stuff I’d been refining. I nailed a three-up out of five-ball pirouette, straight into an all-five-out-of-five pirouette, and even a three-up out of five-club pirouette.
Jonathan couldn’t resist slipping in a few funny bits, which gave it the feel of a skateboarding video meets juggling.
​
I don’t know how much play the finished video got; it was a limited-run on VHS, now lost to time. But we were happy just to be included. It feels good when a peer whose work you respect thinks your work is worth recording.
Chapter 68: Barriers
(Warning: Adult Themes)
In a blink, the contract at The Lost Atlantis Resort was winding down, and the three of us planned to head in different directions. Isadora was flying back to Greece, while Jonathan and I would return to San Diego, he to his mom’s house, and me to… well, nowhere in particular, I’d be homeless again. But I wasn’t ready to think about that yet.
​
The hotel reservation had expired, but Isadora had invited us to stay one last night in a nearby suburb, Bay Saint Clare, at a loft owned by a friend of hers. Jonathan took the sofa in the living room, and Isadora and I shared a small studio, on what would likely be our last night together.
​
We started with our now familiar “light intimacy,” but tonight she was more insistent. Not pushy, just determined. She used her hand on me, then lowered herself, trying to take me in her mouth. I wasn’t comfortable, so I held her back, quite literally holding her head with both hands, preventing her from proceeding. She fought gently against my resistance, eyes locked on mine, until suddenly I thought: Gah, what am I doing? I have this beautiful, patient, talented woman trying with all her might to give me pleasure, why am I fighting it?
So, I stopped fighting her and lay back. She wasted no time, taking me deeply until I could feel her nose press against my stomach. It was a warm, unhurried, blissful experience, different from what I’d ever experienced before, but tremendous in its own right. My last girlfriend knew exactly where all of my buttons were and could press them all in one minute and forty-two seconds (yes, I timed it). But Isadora was exploring, savoring, taking her time, making sure the journey was as good as any destination.
​
When she finally lifted her head, she asked, “Do you have a condom?”
“No, I don’t, do you?”
“I think I have one,” she replied, rummaging in her purse. “Unless you’ve had a vasectomy?”
“No, I haven’t.”
​
“Aw,” she teased, “boys with vasectomies get spoiled.”
That sent my head spinning. Sure, unprotected sex was amazing, and I’d enjoyed that very much with my ex, but I wasn’t ready for that tonight, not that she was offering it. But the fact that she’d said it made me wonder if she was more concerned about pregnancy than disease, and in the height of the AIDS scare, that made me wonder about her sexual history. Then I thought, of course, she’s had more experience; she’s clearly more comfortable with sex than I am. Maybe this is why my Christian upbringing taught that you should find one woman, marry her, and stick with her forever. You don’t have to think about all this stuff. But then again, how many people actually live that way? Despite being raised Christian, I hadn’t. And I knew a ton of “Christians” who’d been married and divorced, many multiple times, so how effective is that “save yourself for marriage” strategy anyway?
Isadora found the condom, a yellow one, and handed it to me. I rolled it on, she lay back, and we started in missionary. It “felt” great, I guess it usually does. But it was mechanical, not like the lovemaking I was accustomed to. I cared about her, but it wasn’t love, and my movements reflected that. She offered suggestions, ways I could hold her, angles to make it better, and though she was right, it still stung a little. I knew what to do; I just wasn’t ready, and she was reminding me of it.
Then she suggested, “Let’s switch positions.”
​
She turned onto her hands and knees, a position that had always suited my body mechanics. Moving behind her, I slid my hands along her toned back, tracing the lines that led to her shapely bottom. I looked down at her soft, smooth, freshly waxed lady parts, and I’m finally in the moment. I entered fully, pulling her hips tight against me, and it clicked. We moved together, her pressing back to meet me, until we found a beautiful rhythm. But now, it’s too good, I’m trying to hold on, but she’s so warm and insistent. I hover at the edge, trying my best to slow down, but she pushes back harder, chasing her own release. I can’t hold it, and I finish hard, filling the condom.
​
She lets out a disappointed “Oh…” and the motion stops.
​
I know from experience this doesn’t have to be the end. A lot of the time, I can start round two without a break, and I can feel this is one of those times. I start to thrust again, but then remember something I’d read once, how you’re not supposed to keep going with a full condom because it’s more likely to break or slip off.
​
Ugh. I pulled out, tied it off, and tossed it in a nearby trash can.
​
“I can keep going,” I said. “Do you have another one?”
“No, that’s the only one.”
​
“Oh.”
​
I felt bad leaving her hanging, something I never would have done to my ex. I seriously considered going down on her, something I’d made a study of, even reading books and practicing enthusiastically to hone the skill. But I didn’t feel comfortable doing that with someone I didn’t love.
​
This sex without love business felt so very complicated, full of rules and barriers, all of which were my own, I knew, but they were there nonetheless.
So we just lay in a sort of awkward cuddle until we both fell asleep.
​
* * *
​
​
The next morning, she left for the airport, and Jonathan and I started the drive back to San Diego.
In the end, we’d shared a bed, played around, and finally crossed the line into sex, but it hadn’t felt intimate, largely because of my own inhibitions. Isadora had been patient and inviting, but I was still mourning the love I’d lost.
​
I wasn’t ready to give anyone else that part of me yet.
Chapter 69: Seattle Juggling Festival - November - 2002
Once back in California, I camped out on my mom’s sofa.
I felt more lost than ever. The time with Isadora had torn open the old wounds of heartbreak and reminded me how much I missed that kind of relationship. I also started reeling spiritually. I’d always believed in god, but the more I saw of the world, the more I experienced, the less any of it made sense. I went to a local church where I didn’t know anyone, and during the service, the pastor invited anyone who was hurting or needing prayer to come forward. I did, and when I got there, I knelt on the stairs that led to the pulpit. As he led the congregation in prayer, an usher put their hand reassuringly on my shoulder, and I just cried and cried. Over heartbreak, hope deferred, hard work, and the feeling that no matter how hard I tried, it would never be enough to bring this impossible dream to life.
I snuck off to the bathroom to clean myself up, deeply embarrassed about having lost it, and already certain I would never show my face in this church again. But then, as I was leaving, there was a small group of young people talking, and I slipped into their ranks. They were planning a bar-ble study, a bible study get-together, that they did in local bars to take the word out into the world. I didn’t drink, but I thought it sounded cool, so I got the information to-go.
A few days later, I went, and I met someone, the girl who organized the bar-ble study. On a whim, I asked her out, and she accepted, so we met for tacos. I learned that she was valedictorian of her high school, highly athletic, religious, and a late bloomer romantically, which felt comfortable. The only real red flag was that she planned to move to Costa Rica to attend medical school. I joked that I wasn’t ready for a long-distance relationship after only one date, and she said, “Well, come visit me.”
I wasn’t ready to get that far ahead of myself either, but it was an interesting idea.
In the meantime, Jonathan and I had one more major obligation to fulfill.
Now that we had two silver medals, we were starting to get occasional invitations to perform at juggling festivals. One such invite was for the Seattle Juggling Festival on November 15, 2002, a fantastic opportunity, not least because it would give us a chance to debut the new routine we’d been refining for the next International Jugglers Association Championships in Reno, Nevada, scheduled for July 2003. We wouldn’t be paid to perform in Seattle, but they were covering our flights and lodging, and we never missed a chance to attend a juggling festival.
* * *
​
The stage at the Seattle festival was large and beautiful; however, in rehearsal, we had a bad showing. The lighting was all from the front and above, making juggling challenging. But we didn’t stress about it too much; Jonathan and I had a habit of putting down bad rehearsals only to turn it around come showtime.
That night, performer after performer melted down, with the lighting being the clear culprit. Even our friend, the unsinkable zen-master, Matt Hall, succumbed to drops.
Finally, it was our turn, and it didn’t go much better. Everything except the ultimate back crosses, our most challenging trick, went down in flames. The crowd was gracious, but I felt like we’d let them down.
Back in the green room, I plopped down in a chair to fight off the ever-present bouts of imposter syndrome. What if we go back to the championships and have the same disaster there that we just had tonight? It would be awful.
Afterward, Jonathan, Matt Hall, Ben Jennings, Robert Nelson, and I headed to a pub someone had recommended. Sensing the mood, Ben declared it a “Tequila-shot kind of night.”
I’d never had tequila before and said as much.
“You’ve never had tequila before?” Ben exclaimed, eyebrows raised.
I shook my head.
He stood, and with the air of a high-bred British gentleman, decreed, “Tonight we teach you the ways of the world.”
By now, I’d been training for years. Living and eating clean, taking daily vitamins, lots of water, and working out. And we’d still made a mess of things on stage. It made it feel like none of that hard work and preparation even mattered. So what the heck? Why not let loose?
While Ben was at the bar ordering tequila shots, Robert Nelson pulled Jonathan, Matt Hall, and me into a quiet heart-to-heart, and the theme was authenticity. He’d known us for years, watched us chase medals, and spoke from deep experience, not just as a performer and seasoned juggler, but as a wise man. His advice was simple but powerful: be yourselves. Trust that you are enough exactly as you are. Don’t try to imitate someone else’s style, movements, or tricks; lean into your own. At the time, it might not have looked like his words sank in; we were all raw from the rough performances. But we heard him. Everyone who ever had the chance to listen to Robert Nelson heard him.
Ben returned with five small glasses, a plate of limes, and two salt shakers.
Matt Hall asked, “What kind of Tequila?”
“Patrón, of course,” Ben said, pretending to be wounded, “I’m not going to give him the cheap stuff for his first time.”
Distributing the lot, Ben instructed, “Just do what I do.”
I nodded.
“Take the salt shaker in one hand, then lick your hand between the base of the thumb and wrist.” He did so as he said it, and I copied him.
“Shake some salt onto your hand so it sticks. Then set a lime in front of you.” I did as instructed until we had it all set up.
“The full sequence is lick, shake, lick, drink, squeeze.”
Everyone got set up, and then it was cheers in multiple languages. Jonathan and I said it in English, Matt and Robert in Japanese, and Ben in French, and then we all licked, drank, and squeezed.
The tequila tasted light and green, like a field of fresh summer grass. The citrusy blast from the lime was the perfect chase. The whole process was bright and ritualistic; I liked it.
I’d tried Captain Morgan spiced rum before and Jack Daniel’s whiskey. And someone somewhere along the line let me try scotch, but all of those left me cold, and I didn’t see the appeal. I’d never understood why anyone would drink those things. But this, this I understood.
I set my glass down, and Ben asked, “Well, what do you think?”
“I think we’re gonna need another,” I answered.
Everyone laughed at this. Then Ben, in his British accent, said, “Right away, sir,” and made for the bar to acquire another round.
When he returned, the setup was repeated, but before the shots were taken, I took an exploratory sip of the tequila. Huh, it’s good just the way it is, I thought. The cheers went around again, but this time I didn’t bother with the salt. I just drank the shot as it was, and again, it was magic. I held the lime at the ready in case I needed it, but I didn’t.
Ben looked at me and said, “Like a duck to water, it seems.”
We all laughed, and then Ben gathered our glasses and returned to the bar for a third round.
Funny, that’s the last I remember of the bar…
* * *
Sometime later, I found myself standing with Jonathan in line at a late-night burger joint, though I have no recollection as to how we’d gotten there. Jonathan was looking at the menu, deciding what to order, and I thought I was hungry, or maybe felt I should be. But one whiff of the burger cooking on the grill aromas, and my stomach turned. I walked out the door and barfed in a planter box.
Funny, that’s all I remember of the burger joint…
* * *
The next memory I have, we were in the backseat of someone’s car, and the driver had stopped for gas. As I sat there, I caught a whiff of gasoline as the driver pumped. The smell turned my stomach, so I opened my door and barfed in the gas station lane.
Funny, I don’t remember anything else from the gas station…
* * *
Turns out that you can train for years, eat clean, stay sober, keep your body a temple, and the entertainment gods will still piss on you when the lights go up.
And tequila, well… Two shots tasted like summer grass. Three shots (or was it a lot more?) and I was puking in a planter box at two in the morning.
Tequila doesn’t care about clean living.
Now I was embarrassed about our performance, and about getting smashed-sick drunk. But at least I’d managed to blow off a little steam.
Maybe I’m taking everything too seriously? Maybe some part of this journey is supposed to be fun?
I dunno…
Either way, there’s nothing to do but keep going.
I sat and wondered over what it all meant. And as I did, a little poem popped into my head.
Grabbing a nearby pen, I scrawled it on a napkin:
Though the lights they blind you,
and the booze blindside you,
you get back up and you do it again.
Chapter 70: Costa Rica
I came back from the Seattle Juggling Festival with no clear plan. I just knew I couldn’t keep sleeping on my mom’s sofa.
The girl I’d been seeing for just a few weeks had moved to San José, Costa Rica. As crazy as it sounded, I thought I’d go down for a visit. We didn’t have any gigs booked, and I had a little money saved from our run at The Lost Atlantis Resort, enough for a few weeks if I were thrifty. I figured: if things between us went south, I’d just pitch my tent on some lonely beach, surf, and wait to see where the winds and tides took me.
I booked the ticket for December 1st.
When I packed my bag, I didn’t bring a single juggling prop.
It felt so strange to bring no clubs, no balls, and no rings; I hadn’t gone a day in years without touching these items. Not having props felt like missing a limb. But maybe that was the point. This trip wasn’t about being a better performer or chasing the world championships; it was about something else, maybe discovering who I was again.
* * *
​
San José wasn’t the quiet little town I’d pictured. It was big, loud, and the roads seemed to follow their own instincts. Still, the place buzzed with energy, wrapped in mountains and rainforest, and I could feel something promising in the air. I hadn’t come for the city anyway. I was here for the girl, for the beaches, and the legendary waves.
I made my way to the address she’d given me. We spent the weekend in her small rented room, then we took off for the Pacific coast in a beat-up rental car, visiting Dominical, Jacó, and Tamarindo. In Dominical, I saw something I’ll never forget: army ants on the march. Not the tiny kind you can crush under a finger, but thick, muscular creatures in such numbers they’d carved a five-inch trail across the jungle floor, their own little hiking path.
We camped on the beaches, shared meals of fried plantains and grilled fish, and talked about our dreams. I’d been so burned in my last relationship that my heart had built a stone castle around itself. But she was different. She didn’t storm the gates; she simply climbed up to the ramparts and waited. I noticed I was letting my guard down without even meaning to. Every love is different, I guess, but this one felt new in a way that was hard to define, maybe even worth trying for, though the long distance still seemed daunting.
The time on the beach was amazing. But we had to get back to San José so she could start school. I tagged along when it made sense, and worked on my laptop computer whenever she was in class. One afternoon, we spread a Mexican blanket under a shade tree in a quiet park. The intermittent breeze carried the smell of fresh-mown grass and waves of warm air from the nearby soccer field. My girlfriend’s keyboard was clicking busily as she worked on her homework, its sound gently lulling me towards sleep. Everything was right. Even the itchy scratches from the blanket felt good. The park was a hidden treasure in the busy San José landscape. I could see why she liked to work here. We had the place to ourselves. I heard a moped engine nearby. I figured it was someone on their lunch break who wanted to get a little sunshine. The engine puttered out and was soon replaced by a strange shuffling sound. It was familiar, but in my half-slumber, I couldn’t place it. The sound got louder, and the tempo sped up. It was like the sound I used to hear when I played soccer as a kid. When I would run through the grass, the longer strands would hit my shoes and rustle. It kept getting louder, and suddenly I knew what it was: someone was running toward us! Snapping out of my reverie, I tried to sit up, but it was too late. I felt the broad blade of a butcher knife press against my throat, and with his other hand, the attacker grabbed my shoulder. In one movement, he dropped to his knees, forcing me back onto the blanket. In a thick Spanish accent, he shouted, “Don’t move!” I nodded my head gently as if to say, Yeah, I know, and slowly raised my hands in capitulation. Out of the corner of my eye, I saw another man walk past. He was thinner than the man with the knife, tall too, but barely more than a boy. I made eye contact with him, and he quickly looked down at the ground. He wasn’t proud of what he was doing. Despite this, he continued his work. He picked up my backpack and slung it over his shoulder. My laptop, camera, and most of my belongings were inside. Then he grabbed my girlfriend’s backpack, but as he hefted it, she caught the shoulder strap with her hand and refused to let go. A violent tug of war ensued. He might have been thin, but he was standing up, which gave him leverage. Yanking hard, he pulled her forward from her seated position. She landed in an awkward sprawl on her belly. This brought her outstretched hand within striking distance of the knife wielder. Fast as a cat, he slashed at her hand. Instinctively, she pulled back, letting go of the backpack strap, and he returned the knife to my throat.
Having successfully collected most of our valuables, the thin guy ran back to the moped and started the engine. The man with the knife looked me in the eyes and pressed the blade hard against my throat, repeating, “Don’t move.” Then, as quickly as they’d arrived, he leaped up, covered the distance, and jumped onto the back of the bike. I pulled my knees to my chest and exploded them outward to roll to my feet. But it was too late. They were already speeding away.
I had to hand it to them. It was a perfect crime, and it was entirely my fault. The serenity of the place gave me a false sense of security, and I knew better than to let my guard down so completely. The two men reached the edge of the park where the grass turned to asphalt, and then they disappeared down a side street. A plan began to form in my mind. Breaking into a full sprint, I raced toward a different exit from the park, one that would let me head them off if they kept going in that direction. I knew they were traveling toward a stoplight, and if they got caught at a red, I might be able to intercept them. Yes, they still had the advantage. There were two of them, and they had a knife. But this time I would be surprising them, and we would be in a public space where more people could see what was happening. My adrenaline surged. The initial fear turned to rage, and I covered several hundred yards in what felt like seconds. Bursting out on the main street, I saw that the traffic was indeed stopped at the red light. I ran along the rows of cars looking for my adversaries, fully intending to do a de-biking flying sidekick at full sprint if I found them.
But they weren’t there. I returned to the sidewalk when the light turned green, but continued scanning the area. I knew every second that passed lowered the chances of me catching them. A little side street I hadn’t noticed before caught my eye. They saw us in the park, so maybe they lived nearby and pulled this stunt all the time. If so, that could be where they went. Jogging over, I slowly worked my way down the small street, looking for any sign of the bike or guys. Halfway down the block, a loud, sharp sound came from directly behind me. It was a threatening sound, the sound of an attack. Instinct took over. In one motion, I pivoted 180° and launched a murderous left-footed roundhouse kick.
Everything moved in slow motion. My foot was a bullet, and the trigger had been pulled. I was just a bystander now. All I could do was watch to see what it destroyed. My foot flew straight towards the little black and brown Yorkie who’d stealthily snuck up behind me to nip my heels. His little expression dropped, and I realized he knew. He knew that this was the moment of his death. I heard his thoughts as clear as spoken words: “Why did I have to be so brave?” Instantly, I wanted to change everything, but it was too late. Reflexively, he ducked his head low and closed his little eyes so tightly his eyelids quivered. I heard his thoughts again: “This is gonna hurt so bad.”
My foot flew straight through the space where his head had just been. The longest hairs on the top of his head brushed the sole of my foot, and the greasy fur along the side of his body rippled from the wind of my foot’s passing. My leg continued upwards until it reached the end of its available travel, but it still didn’t stop. My grounding foot was pulled from the earth, and I soared at least three more feet up off the ground before gravity overpowered adrenaline. As I touched back down, I saw the dog sprinting away with tail tucked so tightly it made his back legs wobble funnily as he ran. He looked back over his shoulder with a doggish, “I’m so sorry,” grimace on his face.
Realizing my anger over the actions of the two criminals was nearly taken out on a little creature who had nothing to do with the crime, sobered me. I felt foolish and regretted losing my head. Yes, the stuff they took was important. And yes, putting a knife to my throat wasn’t the nicest thing they could have done. But the most important thing of all is that neither my girlfriend nor I had been hurt. Stuff can be replaced, life cannot.
Still, losing my computer felt like the last of all hope slipping through my fingers. I’d hand-coded our first website from scratch on that machine and stored every photo we’d ever taken. The résumés we’d written, and goal lists for the future, countless digital bits and baudles and settings and passwords, and now it was all gone. They got my 35mm Marlboro camera, the one Jonathan had given me for the Edinburgh trip, and all the undeveloped photos from this trip that were still on the roll. They even got the little red bible I always carried, the one I could instinctually flip open to find the countless passages I’d marked or dog-eared. This last reinforced more than ever the sense that I’d been forsaken and left to resolve this riddle of life on my own.
I felt like this was a sign that it was time to give it up. Time to stop chasing foolish dreams and just accept whatever life handed me. The thought of starting over from scratch when I was already at rock bottom was too much to comprehend.
Soon enough, though, the unsinkable side of myself re-awakened. The side that reassured me and encouraged me to see this not as a loss, but as a blank slate, an opportunity to grow fresh, as a forest does after a fire.
And, maybe I’d learned an invaluable lesson: never be caught without backups of your data. It’s a lesson I should have already known; I’d chosen not to get a backup drive because money was so tight. But maybe that’s why this happened, so I don’t lose even more later on because I’m unprepared. At least this is what I told myself, and true or not, it kept me going.
When the time was up, I flew back to the States with no place to stay, no computer, and no idea how a long-distance relationship with a medical student in Costa Rica might work.
But I had a world championship to train for, and a dream still waiting to be brought to life.
And that, as always, drove me.
Chapter 71: Doubling Down
I returned from Costa Rica and was right back on my mom’s couch. This meant she could get in trouble at any moment, because I had already far exceeded the park’s fourteen-day visitor allowance. I looked for a room to rent, but I was wary. I wanted to make sure I didn’t end up in a situation that would totally suck.
A day or two later, my brother, who was living in Escondido as well, offered me the empty spare bedroom in his place. I suspect my mom had something to do with this, likely planting the idea in his head when I didn’t find a room right away. Staying with him was the best option available, and since jugglers can’t be choosers, I took it. I drove over there the next morning, a Saturday, and unloaded my car, which took all of ten minutes. Then I hung my toiletries kit in the spare bathroom, and was all moved in. How funny, I thought, all I need to feel moved into a place is to hang up my personal care kit.
I went into my new room and leaned against the wall, then I slid down to sit on the beige carpeted floor.
I felt a small pang of regret over leaving my bed behind when we moved out of the Encinitas place, because now that I was here, I had nothing.
No bed, no computer, no camera, and no furniture.
Just a couple of kitchen items, my clothes, a blanket, and a pillow.
I took a minute to think.
I’d committed to this entertainment path when I quit all my part-time jobs, and I’d committed to making it on performance money alone. Against all the odds, I’d succeeded. Legoland had been a solid contract. But now I was rapidly approaching a make-it-or-break-it, rock-bottom reality. I knew this was the most precarious stretch of entrepreneurial desert I’d yet faced, so I needed a plan.
I pulled out my most recent bank statement and saw that I had just over $4,000.
$4000 might sound like a lot, but when you’re working for yourself, money isn’t there to live on; it’s there to get things done. And I only had $4000 worth of get-stuff-done available to me.
It wasn’t much, and hitting the brakes felt insidiously tempting.
That’s when my answer hit me.
If slowing down feels like the reasonable thing to do, I have to do the opposite. I’ve gotten this far by taking the most reckless paths imaginable, and I’m going to trust that’s the right thing to do now.
Instead of saving for a rainy day, I’d championed the “spend yourself rich” strategy. Aggressively investing in things that could make me money.
Right now, what we need most to make the next leap is a kick-ass demo video and a website. But I can’t do either until I replace the stolen computer.
So that’s first!
I went out to my car, drove straight to CompUSA, and put a brand-new Pentium 4 desktop PC in my cart for $1,400. Having always worked on PCs, I planned to make it my primary workhorse. However, because we’d had nonstop trouble with the Sony Vaio digital editing setup and Macintosh was making a huge push in the video editing world with iMovie and Final Cut, I decided to get a Mac laptop, too.
I wandered over to the Apple aisle to browse.
I’d only used a Mac a few times at my now ex-girlfriend’s house, and way back in elementary school on an Apple IIe, so I wasn’t entirely sure what I was looking for. Eventually, I settled on a Titanium PowerBook G4—667 MHz, $2,200.
It was a beautiful machine, but the price tag tore my heart out through my wallet. Honestly, I didn’t have a high opinion of the brand, so my expectations were modest. I figured I’d use it for video editing and the occasional email while traveling for work. Into the cart it went, and I checked out.
With my bank account drained to all but zero, $4000 - $3,879 (don’t forget tax) = I had $121 to my name.
With the computers still boxed up in the backseat, I stopped at a thrift store and found a nice used office chair. It had the standard up-and-down hydraulics, but the seatback and arm heights were also adjustable. I knew it would have been $150 new, maybe even more, but I got it for thirty dollars. They also had a folding table, so I grabbed that for another ten dollars.
$121 - $40 = $81
With my new home office secured, I drove home and got to work setting up the PC. After several hours of installing drivers, updates, restarts, and a stupid amount of time spent figuring out why the damn speakers that come bundled with the machine wouldn’t work, I got the PC up and running.
Then I turned my attention to the Mac. I plugged in the cord and pressed the power button. The machine booted up, asked me to run through the quick setup, and that was it. Ready to rock in only five minutes, I was impressed.
With both machines operational, my first order of business was digitizing my CD collection. Back in high school, I’d amassed a collection of over 200 discs, partly for fun, partly because I’d toyed with DJing. But now, with the iPod having come out, I could see the writing on the wall. CDs wouldn’t be the standard for much longer, so I figured I’d unload them while they still had value. And I desperately needed the money.
One of my high school friends managed at CD Warehouse, and I knew she’d give me the best possible price for the collection. I always took good care of my stuff, so most were in excellent shape, and many were classics: Guns N’ Roses Use Your Illusion 1 and 2, Smashing Pumpkins, Metallica, Tool, Soundgarden, Stone Temple Pilots, Pearl Jam, Green Day, The Offspring, Nirvana, Ozzy, Collective Soul, Live, Creed, some movie soundtracks, and lots more.
I opened the PC’s CD tray, inserted the first album, and launched the extraction software; then, while it churned away, I slid another CD into the Mac and started the same process. After a few minutes, the Mac emitted a cheerful “bing,” to announce it was finished. So I fed it a second CD, “bing,” then a third, “bing.”
In the time it took the PC to finish one CD, the Mac had completed three! Though far from a definitive test, so far, the “workhorse” PC was losing badly to the little Mac laptop. I continued this process, running both machines in tandem, which still took all afternoon, even with the Mac maintaining its ruthless pace.
Once they were all done, I hefted my cardboard box full of jewel cases and drove to CD Warehouse. Inside, busily labeling products, was my friend Darcy, wearing her signature Beatles-style haircut and black Ramones T-shirt. We made eye contact, and she smiled her tight-lipped, no-teeth showing smile, and waved meekly. Darcy had always been quiet, one of those students who didn’t make waves, but you knew she lived and breathed music, probably spending hours in her room listening to obscure bands and filling her head with underground gems. Sorting through my box, she lit up over a few, like my double album of Smashing Pumpkins, the one with the moon and the sun on its cover. She also thumbs-upped a couple of the Guns N’ Roses albums, which she said always sold well. She sorted the whole into piles as she went, and I soon realized she was sorting by value. In the end, she set aside ten CDs they wouldn’t take at all, plus another ten worth only a couple of bucks. In the remaining stacks were the mid-range and premium titles, some worth as much as five, six, or seven dollars each. But the vast majority were stacked in the middle, all going for two to three dollars each. She offered me store credit, which would have been worth more, probably around $500, but I needed cash, so she opened the register and counted out $422, a much-needed boost to my working capital.
On the way home, I treated myself to a large Coke and two burritos from the local Mexican place. I ate one burrito immediately; the other I kept in a bag for later.
When I got home, my brother called me into his office to see his new digital camera. He’d been trying for several hours to get his PC to recognize it, but was having no luck. We fiddled with it for a bit, but his computer refused to recognize it. I brought it into my room and plugged it into my PC desktop. Same issue, no matter what we tried, the PC and the camera did not want to be friends.
“Let’s try the Mac,” I suggested, connecting the cable. Instantly, the Photos application popped up, recognized the camera, and asked if I wanted to import the images. “Yes, I would,” I clicked import, and seconds later, they were downloaded.
“Doesn’t seem to be a problem on Mac,” I said.
“That’s great, but that doesn’t really help me,” he muttered, taking the camera back to his room to continue his PC battle. After several hours, he finally got it working, but the lesson was not lost on me.
I’d always considered myself an “OK” PC user. But anytime I worked on my PC, I’d spend the first hour just getting things working—constantly installing drivers or troubleshooting hardware that wouldn’t behave. Like what just happened with my brother’s camera, it required fiddling.
But when I worked on the Mac, I’d just sit down and start working, no fiddling.
Within days, I’d stopped using the PC completely, with the Mac being the only machine I’d reached for.
By the end of the week, I realized the PC wasn’t helping me move toward my goals, so I listed it for sale and priced it to sell. I ended up taking a several-hundred-dollar loss, but the cash was worth more to me than a computer I wasn’t using.
With my computer situation squared away, I dove into web design, specifically this new thing called Dreamweaver. It was a WYSIWYG (What You See Is What You Get) web development tool that let you code directly if you wanted, but they claimed you didn’t have to know any HTML to build a website, and that intrigued me.
I didn’t have a clue how to use the software, and no one was around who could teach me. So I figured I’d go to Barnes & Noble to buy some instructional manuals and teach myself. Based on my previous experience buying Photoshop books, I knew computer guides usually cost around fifty bucks. Though I had the money from selling CDs and the PC, I didn’t want to spend it on books.
I started mulling over the problem, and suddenly a solution popped into my mind.
I went to my book pile and separated all the books that looked brand new or that I’d never read. Mark Wilson’s Guide to Magic, a thick book I’d received as a gift the previous Christmas, was the first to go in the stack. Next, I grabbed a Photoshop book I’d never found time to work through. Then another twelve to fourteen random books, all in excellent condition, with no creases or damage.
Huh, I thought, this is becoming a valuable skill, this trading of one thing that I didn’t need for another that I did.
When you’re broke, you have to get creative.
I made my way to the Barnes & Noble bookstore, knowing they would accept trade-ins without a receipt. I set the tower of books on the cashier’s counter like it was the most normal thing in the world, and said, “I’d like to return these, please.”
She eyed the stack suspiciously. “I can only give you store credit.”
“That’s fine,” I waved.
She rang up the books, and I watched as the values appeared. Several of them received only a portion of the original cover price; if a book had been sold at a sale price, that was the maximum she would offer. But a couple landed in the twenty-five to thirty-dollar range.
Two didn’t ring up at all; they must not have come from a Barnes & Noble (oops).
When she was done, she handed me a receipt: $120 in store credit.
I thanked her, then headed to the computer section to look for Dreamweaver books. I’d learned from my Photoshop studies that not every book’s teaching style suited me. So I thumbed through several, trying to work through the lessons in my head and see if the explanations made sense. I finally settled on two as the core of my study strategy:
•Macromedia Dreamweaver MX: Training from the Source, $49.99, 400 pages, ISBN 13: 978-0201799293 — my primary guide.
•Dreamweaver 2 for Windows & Macintosh, Second Edition, Visual QuickStart Guide, $29.99, 392 pages, ISBN 13: 978-0201354355 — useful for redundancy and pleasure reading.
I also grabbed two other books from the self-help and real estate sections; I was always reading and learning about business, social dynamics, communication, and strategies for personal and financial growth. Personal development, across all subjects, can never stop. I might be a high school walkout, but I refuse to be uneducated.
Returning to the register with my picks, I was rung up. The store credit covered the lot, plus a few dollars left over. Books in hand, I headed home, ready to dive in.
Knowing time was against me, I set myself a schedule. I’ll wake up around noon, drive to the Mexican place for my daily large Coke and two burritos, then come home. I’ll eat one burrito, stash the other in the fridge for later, and crack open the Dreamweaver MX book and study all day and into the night. I won’t stop until I’ve completed both books. So that’s what I did, day after day, ten to fourteen hours at a stretch, stopping somewhere between three and 5:00 am each morning when my brain gave out.
I learned about layout, tools, exercises, tables, anchor tags, menu design, framesets, layers, forms, assets and behaviors, CSS, JavaScript, and more. It was full immersion, cramming my brain, day after day.
By the end of the week, I’d covered around 600 pages of instruction across the two Dreamweaver books. I was ready to start building our first “worth looking at” website. Seven days later, on the fourteenth day of study, at 3:00 am, the website was really coming together, and I could see the finish line. I knew that if I could just power through to 10:00 or 11:00 am, I could finish it.
But there was one big obstacle between me and that goal: I had to pee. BADLY!
“No,” I told myself. “You’re not getting out of this chair until this website is done.”
I hung on for two more hours, until 5:00 am.
Now I’m doing the pee dance in my chair. It’s unbearable, and I consider rolling down the hall without getting up so I can abide by the letter of my own law: not getting up from the chair. I quickly dismiss this idea. I don’t think the chair will fit through the bathroom door, so I give up and keep working.
Now it’s 6:00 am; I’m delirious, and stuck on a formatting problem I can’t solve, and the pressure in my bladder is impossible, but I’ve made up my mind, I CAN’T go until this thing is done!
Then, a thought crossed my mind: What if I just pee myself right here? That way I won’t have to leave the chair. Huh, I thought, seriously considering it, but then it will be a nightmare to get this office chair clean. It’s fabric, it’ll soak through to the foam, no!
I returned to the formatting problem, but I just could not think. I've been staring at it for at least fifteen minutes, too distracted by my bladder to come up with any solution.
UGH! This is stupid! I jumped up and ran to the bathroom, where I experienced the best pee of my life. Once the worst of the urine had flowed out and the pain had subsided, my head cleared, and the solution to my formatting issue became clear.
Hah! I thought. That’s it! Maybe there is some benefit to taking a break once in a while.
I tried the fix when I got back to my desk, and it worked perfectly, which felt good.
Noticing a change in the ambiance, I realized that the sunrise was peeking through my blinds. Looking back at the screen, I admitted that I still had five or six hours of work left. While it would be nice to knock it out tonight (err, this morning), I decided to learn from the pee lesson and take a break.
I rolled out of the chair and curled up on the carpet with my pillow and blanket. I wondered for a moment if I’d be able to sleep, but the next moment I knew it was high noon, so sleep had come fast.
Keeping with my routine, I drove the few blocks to get my burritos and Coke, and upon returning, finished the website that afternoon.
I had taught myself to use Dreamweaver and built a professional(ish) website in just fifteen days.
I called Jonathan to tell him it was done.
“That’s great!” he said.
“Yeah, it’s been a saga, but I learned a lot. Oh, and one more thing, I know you just bought a new computer, but you’re going to have to get rid of it and buy a Mac.”
“What?” he protested, “Get rid of it? But I JUST bought it!?”
“I know. But trust me, we’re switching to Mac. You’ll see. I’ll have our demo video out in two weeks.”
“Two weeks? Impossible! Does it make that big a difference? If you can have a demo out in two weeks, I’ll buy a Mac!”
That afternoon, I returned to Barnes & Noble and, not having anything to trade, bought two Final Cut books with my own money.
On the way home, I stopped at the Mexican place and bought, you guessed it, two bean and cheese burritos and a large Coke. Then, I ran the exact same schedule I’d run to get our website built, but this time working on Final Cut and our demo video.
Two weeks later, I called Jonathan back.
“Have you had a chance to look at Mac computers?”
“Yeah, I checked them out a little.”
“Well, which one do you want to get?”
“Oh, I don’t know, I didn’t look that closely… Wait, why?”
“I think you’d better… I mean, you did promise.”
“No way, the demo video is done? Like done done?”
“It is, and it’s by far the best one we’ve done yet.”
I hear Jonathan laughing through the phone, “Allllright, I guess I’m buying a Mac.”
“Sounds good. Once you have it, come on over, I’ll show you the new demo, and we’ll get your machine set up.”
“See you in a few hours.”
I ended the call and leaned back in my office chair.
In four weeks and one day, I’d learned to use Dreamweaver, built a website, learned Final Cut, and edited our best demo video to date.
True to his word, Jonathan went out and bought a Mac with a copy of Final Cut. From that day on, he took over video editing while I focused on the website, print media, graphic design, and, most importantly, our promotional packet.
We finally had a video that was as good as the cover we’d been sliding it into.
I picked up the phone and ordered a run of fifty VHS demo tapes to be recorded, delivered, sealed in cellophane, and made ready for distribution. Then I put together fifty packets with our eight-by-ten headshot, résumé, bio, business card, and a cover letter.
Once the tapes arrived, I packed and sealed all the envelopes. I sent them out to any agent or booker who might listen. I had high hopes that we would get a gig somewhere. But the cost of this push had caught up with me.
I’m out of time and money.
If something doesn’t happen soon, like in a matter of days, I’ll have no choice but to get a job or start doing something else…
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Pictured: Back cover of our demo tape, post receipt, with minor damage.
Chapter 72: Bartending School
I’d been staying at my brother’s house for about five weeks, and sleeping on the floor was getting old. I started telling people, pretty much anyone I met, that I needed a bed. Most of the time, this got me funny looks; people couldn’t tell if I was serious, and when they realized I was, it got weird. But then I mentioned it to a friend and entertainer I was having lunch with, and he said, “We have an extra bed in our spare room, you’re welcome to it.”
​
I accepted immediately, then he asked, “Um, why don’t you have a bed?”
I told him the situation, how we’d given up the Encinitas place, then I’d gone to Costa Rica, gotten robbed, and now I was crashing at my brother’s place.
​
He thought about this a moment, then said, “How about this: Why don’t you stay in our spare room? In trade for rent, you can coach me on my show?”
“Well, that’s an idea,” I answered. “So, you’re saying free room and board, and I’ll help you develop your act, write routines, and build up your skills?”
“That’s the offer,” he affirmed.
​
I thought about it for a few seconds. Things at my brother’s were okay, and I’d been getting a ton done, but I didn’t have any money for rent, and I didn’t want to overstay my welcome. “You know what, okay.”
“When do you want to move in?” He asked.
​
“What are you doing this afternoon?” I countered.
​
“Nothing.”
“How about this afternoon then?”
He reached into his pocket and took a key off his key ring and handed it to me, “Here’s your house key.”
“Wait, don’t you need it to get in?”
“No, I’ll just use the secret key. Take the first bedroom on the left side of the hall, the one with your bed in it!”
“Ha,” I laughed, “that’s right, my bed is already there, I’m already half moved in!”
I thanked him and went home to pack. It was my typical twenty-minute move-out. Then I drove to my new place and moved in, another ten-minute affair. Once I’d gotten my things settled, I told my new student, “I don’t know how long I’ll be here, could be a year, could be a month. Once I land a good contract, I’ll be gone. So we need to treat every session as if it were the last. Take everything I say to heart; we might not have much time.”
​
He nodded. “When do you want to start?”
“Right now. Go set up your show in the performance space. I’ll meet you there in a few minutes.”
The house was big, a regular full-sized home with an entire second wing added on to accommodate multiple generations. But now that the kids were off at college and the older relatives had passed, only a skeleton crew of residents remained. This extra space meant an entire room had been set aside for training, with mirrors along one wall so you could watch yourself from the audience’s perspective. It was an excellent rehearsal space.
​
After giving him time to set up, I joined him there.
​
“What do you want to work on?” I asked.
​
“I was thinking about adding a ball-spinning act, but I don’t have a routine.”
​
“Okay, let’s write one.”
​
I grabbed my own spinning ball, and we spent the next few hours experimenting. We tested several music tracks until we found one that felt like a fit. By the end of the session, we’d created a three-minute-long ball-spinning act.
​
He was a great student: driven, talented, smart with money, and disciplined. I was sure he’d go on to become a successful entertainer.
​
* * *
​
​
That same week, Jonathan and I heard that world champion flair bartender Christian Delpech was in town, performing his signature bottle-flipping, shaker-juggling, high-energy bar work. Our disciplines were different, but there was plenty of crossover between juggling and flair, so we reached out to see if he wanted to train together. He’d heard of us, too, and was stoked to meet up. So we agreed to meet on the cliffs overlooking Moonlight Beach in Encinitas.
​
When he arrived, he looked every bit the legend: lean, tan, and carved like a statue, with jet-black hair pulled into a tight ponytail. He moved with the casual precision years of practice give, as if gravity behaved just a little differently toward him.
We practiced together for two hours, swapping tricks and techniques. And he told us stories about bartending in Vegas, confirming the rumors we’d heard that top flair’tenders were pulling in over $100,000 a year.
​
Afterward, we asked if he thought we’d make good flair’tenders. He laughed, “You guys would crush it. Your juggling skills would transfer over easily; you should even think about competing.”
“Huh, that’s an idea,” I said, “we just might.”
We thanked him for the session, and he split.
​
Jonathan and I went to Rubio’s to get some tacos. Over lunch, we decided we needed to learn flair bartending, if only as a backup for when the juggling gigs were thin. Jonathan pulled out his phone and searched for bartending schools. He found one and called. A woman answered and said that if we were willing to come in to do the paperwork and interview today, we could start classes the following Monday.
“All right,” Jonathan said, “we will see you soon.”
​
After lunch, we drove straight over.
​
The woman doing our paperwork was kind and curious. We told her about training with Christian that morning, and she leaned forward with interest. “I’ve always wanted to learn how to do that stuff,” she said, “You mean like flips and spins and all that?”
“That’s exactly it.”
​
She sat back, thinking for a moment, then grinned. “Okay, how about this? You teach the other instructors and me some flair tricks, and in exchange, we’ll give you the full bartending course for free. How does that sound?”
Jonathan and I looked at each other. “Sounds like you’ve got a deal.”
​
She gave us our class materials, and by Monday, we’d both memorized the twenty most common drinks. From the get-go, it was obvious we weren’t typical students. Not just because we’d memorized the drinks, but also because of our juggling skills, we were ridiculously fast. During class, there were often speed competitions, but the only fair matchups were when Jonathan and I went head-to-head; any other student got crushed, as we’d often finish all three of the assigned drinks in the time it took them to finish their first.
​
I learned a lot, and we graduated at the top of the class, but there was no time to celebrate. I was broke, so I’d already mapped out a list of bars where I planned to drop off applications. Jonathan and I sat in his car outside the school, talking through the places we each wanted to hit. I told him I was about to start pounding the pavement, but as I finished the sentence, his phone rang.
Chapter 73: Pebble Beach
Jonathan answered his phone and put it on speaker.
The voice on the other end of the phone said, “This is Dave Sterling from Sterling Entertainment. I received one of your promotional packages, and was interested in booking you for a corporate event we have coming up.
Jonathan looked at me as if to ask, “Did you send this guy a packet? Do you know who this is?”
I shrugged my shoulders as if to say, “Maybe?” I’d been sending packets to anyone I could get an address for.
“Hi Dave, this is Jonathan Root of Rootberry. What kind of experience are you looking to create for this event?”
“Well, good question. It’ll be at Pebble Beach, and the audience will be very VIP. Are you familiar with the Passing Zone?”
Jonathan nodded, “Yeah, Jon and Owen, they’re two of the best, why?”
“Yes, they are, and we’d originally thought to bring them in for this, but they’re a tad over the budget. Then I got your package, and this looks really great, so I wanted to get a quote from you.”
We’d heard that the Passing Zone was going out for $15,000–$25,000 per show, giving us an idea of what “out of budget” might mean. So this wasn’t some small-time agent; this guy was big league.
Jonathan looked at me and said into the phone, “Well, if you’re looking for a forty-five-minute show, we could do it for you. How about $4,000?”
My jaw dropped. I couldn’t believe Jonathan had asked for so much, but at the same time, if they were considering the Passing Zone, if we’d said a number too low, he’d of probably thought we weren’t up to the task.
The pause was agonizing.
Then the voice on the other line said, “Sounds good, let’s do it.”
Jonathan got the rest of the event info, which was only a week away, and we blocked the day on our calendar.
When Jonathan hung up, he pressed the end button repeatedly just to make sure it was hung up. Then we exploded!
“$4000!!!” I shouted!
“Our highest paying gig to date!” Jonathan answered.
Oh my god, we both needed the money so badly, and this was a godsend.
I thought back to Owen telling me on the rooftop that night, “Keep getting better, keep raising your prices, and don’t worry, there’s plenty of work for all of us.”
He was right, we’d just landed a gig for $4000, and all the hard work I’d done sending promo packs out suddenly felt worthwhile. Most of the attempts you make in this business fall flat, but now and then, something sticks.
On the day of the gig, we arrived early to set up.
We met the booker, Dave, who was nice enough, but he kept reminding us how important this show was. “Hit a home run here, and I can get you a lot more of these.”
His promise added pressure; getting gigs like this on the regular was what we needed.
After rehearsal, he told us to go to the restaurant next door for a bite to eat. “Don’t worry about the tab, I’ll come over in forty-five minutes to square up the bill.”
We thanked him and walked over to the restaurant.
When we walked in, we were the only customers there. We opened the menu, and the prices made my wallet wince.
I looked over at Jonathan, and he nodded silently in agreement.
When the waiter came over, we both ordered the chicken with potatoes, which was the cheapest option on the menu.
Our plates arrived, and we each got two small pieces of chicken with a little scoop of nothing-special potatoes. Don’t get me wrong, the meal was good, not overly large, but well prepared. True to his promise, the booker came by right as we were finishing up. He sat and asked how everything was, and we told him it’d been great. The waiter dropped off the bill, and I couldn’t help but glance over to see the damage.
Our lunch, two plates of chicken with potatoes, plus tip, was an even $150.
Ugh, we gotta crush this performance, I thought. We have to.
When showtime arrived, the booker announced us, and we took the stage like it was the most important performance of our lives. There were only sixteen people in the audience. All of them were seated in folding chairs in the little meeting room off to the side of the restaurant. We did our best, but I could see in their eyes that we weren’t up to par. They were clapping and laughing to humor us, not because we were knocking their socks off.
After it was all done, the people shuffled out, and the booker thanked them for coming. Once they were gone, he came over and said curtly, “Nice show,” as he handed us our check. His tone made it clear that he didn’t think it was a nice show at all, but we thanked him anyway for the opportunity. He turned and left without another word, so we broke everything down and left.
We knew we’d blown it. But I tried to follow up with him a few weeks later anyway; he didn’t respond.
We learned an unexpected lesson in the process. We’d produced promotional materials that were better than we were. And because of it, we’d gotten a show we weren’t ready for.
Nice as the $4000 was, getting a show we weren’t ready for hurt us long term. Because if we’d gotten that agent just a year or two later, when we’d been a year or two better, we might have gotten all those additional shows he’d hinted at.
At least we had $2000 in each of our pockets, money we desperately needed, so there’s that.
On the drive home, I planned my next move. First thing in the morning, I’d start turning in those bartending applications.
But that evening, the phone rang again.
Chapter 74: Circus Circus
Jonathan answered the phone and put it on speaker so I could hear too.
“Hi there, I’ve got your promo pack here and I’m looking for a fill-in act. I’d need you for four weeks, three ten-minute shows per day, five to six days per week. Are you interested?”
Jonathan nodded as he listened and said, “It sounds interesting, when would you need us to start?”
“The act that was supposed to come was starting in ten days. Could you be here and ready to go in ten days?”
I was already pouring over my big paper desktop calendar just to be sure there weren’t any conflicts. I didn’t see any, so I gave Jonathan the thumbs up.
“Uh, yeah, looks like we could do it, what’s the pay scale?”
“I could give you $1500 a week to start. If your first four weeks go well, we can discuss extending the contract and possibly raising the rate.”
Jonathan looked at me, and I shrugged my shoulders as if to say, “We don’t have anything else going on.”
“Okay, we’re interested. Where’s the gig?”
“Circus Circus,” the voice answered back.
“In Vegas?” Jonathan asked excitedly, no doubt thinking about the conversation we’d just had a few weeks before with Christian about and the possibility of flair’tending.
“No, I book the shows in Reno, but it’s the same thing; you’ll be working on the midway.”
“Oh, okay, well yeah, we’ll do it.”
“Ok, great. In fact, can you get here a few days early so we can work through your act? You’ve got great skills, but I think I can help you add a little polish.
“We’ll look into accommodations now and try to get there a few days early.”
“Okay, great, I’ll send your contracts over.”
“Excellent, then we will see you soon.” Jonathan hung up the phone.
Turning to me, Jonathan said, “I guess we’re going to Reno.”
I smiled, excited, but also already thinking about what all it was gonna take to pull this off.
“So,” Jonathan began, “first question, are we getting a hotel, or are we moving?”
“If we knew for sure it would extend, I’d say move, but if it’s only four weeks, man, I dunno.”
“A hotel would be way more expensive than an apartment, so if we can find an apartment that will let us do month-to-month, I think we should move. Then, if it only lasts four weeks, we’ll just stay up there and try to find other work.”
“Yeah, and it’s not like we’re getting non-stop offers here, so we might as well. Plus, if it is a wash, we can move to Vegas and bartend.”
“Okay, that’s the plan, let’s do it.”
* * *
Later that night, I saw my student/landlord and asked him if he remembered what I’d said a few weeks earlier, on the day I’d moved in, about how I might be here for a month or a year.
He nodded and said, “Yeah, I remember.”
“Well, a contract came in; I’m moving to Reno to perform at Circus Circus.”
“Oh, well, that’s great; when do you start?”
“I leave in a couple of days.”
“Ah, that is fast…”
“It is, but I appreciate you letting me stay here for a few weeks. In fact, why don’t you set up the studio? Let’s do a couple more run-throughs of your bits; maybe we can add a little more polish.”
He brightened at this, “Yes,” and he was off to prep for rehearsal.
This would be the last time we ever trained and rehearsed together, but he had “it,” and I knew he would be okay. Some people have the it-factor, or the spark, that something that defies description, but is clearly there, and you just know they’re going to make it.
* * *
Jonathan found us a studio apartment just a few blocks from the Circus Circus casino, and he paid the entire deposit to secure it.
I mention it because after I’d paid all my bills, I didn’t have enough left for my half of the deposit. If he’d needed me to pay for my half right then, we wouldn’t have been able to secure a place. Not that that would have stopped us. We’d have found a way, we’d have slept in our cars if we had to, showered at a local gym, twisted balloons in freaking gas station parking lots along the way for tips if we had to. Nothing would have stopped us, NOTHING!
I don’t remember packing my car for the move. But I do remember the drive: we’d taken I-5 through Sacramento, then over to I-80, and were now chugging up Donner Pass. I was in my little white Suzuki Swift three-door, and Jonathan was just ahead of me. He was driving a little blue Honda CRV hatchback he’d bought at an auction for $1500. Neither of our machines was built for conquering mountain passes, most especially when loaded with all the worldly belongings of a couple o’ dreamers. It was all I could do to maintain 35mph on the uphills. Then it started snowing, and a few miles later, the snow had built up on the sides of the road and covered the surrounding mountains. I’d been to the mountains to sled as a kid, and I’d been snowboarding a few times, but this was the first time I’d ever driven in heavy snow. Each time a big rig passed me, I wished I could have afforded a more powerful vehicle, as the wind from its passing blew my little car all over the road. I wondered if this would be how the story would end. I could see the headline:
“Juggler in clown car blown off cliff in Donner Pass today, god have mercy on his foolish soul.”
But we didn’t get blown off the side, and eventually crested the mountain. There, nestled in the valley below, was our new home, the city of Reno.
We navigated to our apartment, located just a few blocks from the Circus Circus casino. Our “apartment” turned out to be an old blocky motel raised up on concrete pillars, with an asphalt parking lot tucked underneath. Finding our spots, we crossed the pothole-covered asphalt to enter the lobby. Once inside, the stench of old cigarettes slapped us in the face, and a bored man behind a glass check-in window ignored our entrance. We told him we were just arriving, and he gave us two keys.
The elevator was old and filthy, and the cigarette butts on the floor made it clear no one cared about the no-smoking signs. As we creaked up toward the second floor, I noticed the spot where the “last serviced” placard should’ve been—just a clean rectangle and four empty screw holes, like the elevator had given up on pretending anyone maintained it.
Exiting the elevator, we entered a dimly lit hallway with carpet that looked like it had been installed in the sixties and not cleaned since. Finding our number, we cracked open the door and entered a tiny room. Everything about the place screamed neglect. The only renovation they seemed to have made was installing a cheap laminate kitchenette along one wall. Looking at the window AC unit, I saw that the filter was encrusted with years of gunk.
It wasn’t nice, but it was cheap, and we needed cheap more than we needed nice. We made a few trips up and down the elevator to bring in our essentials. Then Jonathan said he was going to shower. He walked into the bathroom, then said loudly enough for me to hear, “Interesting.”
Curious, I walked over and saw that our bathroom had a shower and tub combo, but the tub had a series of ports installed. Looking at an emblem by the faucet, it proudly proclaimed this tub to be a genuine Jacuzzi brand bathing experience. There were also a number of knobs and controls on a panel, but the instructions for their use had long been worn or washed away. We’d never seen a Jacuzzi bathtub before, and curious, filled the tub halfway, then started fiddling with the knobs. The ports began to belch and wheeze as bubbles came out, then the jets vomited forty years of hair and filth into the bathwater. We looked at the knotted strands floating in the now-brown water and agreed we would never again turn on the Jacuzzi jets.
I heard a knock at the door, and I told Jonathan, “I’ll get that; you enjoy your shower now.”
“Oh, you know I will!” He answered sarcastically as he drained the water and looked for something disposable to wipe the tub out.
I closed the bathroom door as I left, thinking it was probably the manager at the door, needing to tell us something like, “Don’t use the Jacuzzi tub,” and opened the front door without looking through the peephole.
A man with wide and wild eyes stood before me, so I asked, “Can I help you?”
He looked past me, whether to see if I was alone or if there was anything worthwhile to steal, I’m not sure which, but it put me on edge. He didn’t say anything, just kept looking past me, so I moved so I was interposing myself into his gaze, “Can I help you?” I asked again more emphatically.
“Uh, yeah man, you got a lighter?”
“Nope, don’t smoke, sorry.”
“Oh, alright then,” he said, then he turned and walked down the hallway.
Without watching to see where he’d go, I closed the door and twisted the deadbolt home. He’d done nothing overtly wrong, but he gave me the heebie-jeebies. We just got here, and already I don’t feel safe.
When Jonathan finished his shower, I told him about our visitor so we could keep an eye out. We also decided not to open the door anymore unless we knew the person.
* * *
The next morning, we contacted Mark, the booker at Circus Circus, to let him know we were in town. He told us to come by the office and gave us directions.
We drove to Circus and parked in the garage. Then we found his office.
Knocking at the door, we heard a yell, “Come in!”
He greeted us warmly and started asking how the drive up was, where we were staying, and other similar questions. Luckily, Jonathan was holding up the conversation aspect, because I was hypnotized by the hundreds of VHS tapes, literal stacks of promo shots, and assorted performer/circus memorabilia piled head-high on every flat surface. Next to Mark’s desk was a TV and a VCR on a rolling stand, with at least eighty more VHS tapes haphazardly sitting on its shelves. Unable to contain myself any longer, I broke in, “This is awesome!”
Mark laughed, “Yeah, you wouldn’t believe the stuff that comes in. Check this out, I just got it a few days ago.”
He turned on the TV and loaded a tape. Pressing play, a trio of elephants running in circles with riders standing on their backs came on the screen. I watched as the riders began performing acrobatic balancing tricks on the moving elephants!
Mark commented, “The tape was postmarked from Africa, and it’s amazing, but obviously, I can’t book it here. Even if our stage could accommodate it, how do you ship an elephant from Africa?”
Stopping the tape, Mark popped in a few more for us. There were tight wire acts, Chinese acrobats, and of course, jugglers. He had the most insane repository of circus promo I’d ever seen, and I’d have happily sat there watching tapes all day. But Mark turned off the TV and asked, “So how did you guys learn? Did someone train you?”
Jonathan answered, “No, we watched tapes and practiced a lot. And we went to a couple of juggling clubs and a circus club, but we haven’t had any formal training.”
Mark listened, then nodded, “Well, like I said on the phone, you’ve got good skills, and with a few tweaks, I think we can make you into a real act. Are you free this afternoon? What’s your typical training schedule?”
“We are free, and we train all the time.”
Mark looked at his watch, “Let’s take a break for lunch, then you guys can go grab your gear, and meet me back here at 1:30 pm. We’ll go to one of the conference rooms to run through it, and then I’ll show you the midway where you’ll be performing.
* * *
We returned at the appointed time, and Mark led us to a conference room with garish carpet and high ceilings.
“I’d like to see your full act. Do you guys want to warm up a bit?”
Unpacking our gear, we said, “Naw, we’re ready. We just need to set up real quick.”
Mark nodded, then pulled up a chair to watch.
Once set up, we hit play on our boombox, and our track started.
We ran through our routine, which was essentially the same one we’d performed at the 2002 IJA Championships in Reading, Pennsylvania.
We started with six clubs, worked up to seven and eight, and eventually reached nine; however, we struggled with nine.
To his credit, Mark didn’t say a word; he just watched, taking occasional notes.
Once we were done, Mark told us how much he liked it overall, which was great, but we were braced for the inevitable “notes.”
“Do you have any ball or ring routines?” he asked.
“Um, yeah, we could do something with either?”
“Ok, why don’t you work up an opening sequence with rings, just to mix it up so it’s not all club juggling. Then, can you show me some of the transitions? The poses you do at the end of each sequence?”
We obliged, showing him the sharp poses we’d put in throughout the act to cue the audience to clap.
“Hum, yeah, these aren’t working for me,” Mark said, “it seems robotic, like you’re Olympians instead of performers. I want something warmer. Why don’t you try something like this?” Mark mimed juggling, then gathered the invisible props and just raised his arms to the side, as if offering the audience a hug.
“So, like this?” I asked, holding my arms out to the sides in a crisp “T” shape.
Mark shook his head no, “Close, but look.” He walked over and physically turned my hand over. I’d been posing with my arms stretched out, with palms turned down, which felt crisp, but read as impersonal. Turning our palms up and adding a slight bend at the elbows created a warmer, more inviting feel that didn’t just look better; it felt better, too. I tried it out a few times and liked it, so I committed it to memory.
He then ran us through all of our poses, correcting each until they “felt right.” Then he asked us to do some nine-club runs.
We did, bringing it in cleanly about half the time.
“Okay, so nine clubs is hit and miss for you, but I think we should still put it in. Let me ask you this: Do you feel nervous when you’re about to throw it?”
I admitted that I did feel nervous.
“Why do you feel nervous?”
“Because it’s hard, and I’m never 100% certain we’ll nail it on the first try. I hate dropping on stage.”
“If you had three tries, and it didn’t matter if you got it on the first or second, would you feel less nervous?”
“Yeah, that would be great.”
“Are you confident that you’d always get it if you had three tries?”
“Pretty confident, it’s not out of reach, it’s just inconsistent.”
Mark thought for a second, then he said, “Okay, try this, I want you to get a nice run of nine going, and then, instead of just stopping, I want you,” he pointed at me, “to start gathering the clubs, however it works for you, tuck them under your arms or whatever.” Then he pointed at Jonathan, “And I want you to keep throwing until Bill has all the clubs, make sense?”
“Yeah,” I said, “kind of like the club gathering competition they do at festivals.”
“Exactly, just like that. But here’s the kicker, when the ninth club is coming down, I want you to bobble it. And not just bobble it, I want you to make it the most dramatic, club pops out, then you recover, but it pops out a second time, so you run for it, and it just slips through your fingers, kind of bobble. Really milk it. Can you do that?”
I wrinkled my nose at this, “You want me to drop, DELIBERATELY?”
“Yes, and the more dramatically the better, create as much drama as you can without actually catching it in the end.”
“Okay,” we threw nine again, and when it was time to bring it in, I started gathering the clubs into my arms. Clubs six, seven, and eight get tucked into the pocket of my arm, and then I reach up for the ninth as it comes in, but instead of catching it, I leave my hand open, which causes it to bounce erratically back into the air. Taking a few steps, I chased it, then deliberately bobbled it again, chased it more, then it hit the ground with a plop.
“Yes! YES! Just like that, can you do that every time?!”
“Probably, I’d just have to practice it a little.”
“Perfect. Okay, here’s what I want you to do. The first time you throw nine, it doesn’t matter what happens; if you drop, so what, pick up and try again, it’s fine. But if you get a nice long run, I want you to do the gather-and-bobble at the end to build the drama. Then throw it the second time, and if you legitimately drop, well, you still have a third try. No reason to stress out. But if you have another nice long run, and it’s feeling solid, maybe you do the bobble on the gather again, which will build the audience into a frenzy, and then when you finally get it on the third try, they’ll go nuts! But, if it’s feeling unstable on that second try, you can just bring it in and finish the act there, and not have to do it that third time.”
It was so smart, and I liked it; it took away so much of the pressure and gave us a battle plan for any eventuality. No matter how we were feeling, we had options. And, it was showmanship. I’d never really thought about how the things we were doing actually affected the audience, other than “drops are bad, so don’t drop.” Being given permission to drop, as a way to make the show better, was new.
“Alright, we’ll try it, thank you.”
“Excellent, the only other thing I can think of is numbers. You know how many you’re juggling, and I know how many you’re juggling, but the audience doesn’t know how many you’re doing, so maybe get some big posterboard numbers to hold up each time you add a prop, then hang it somewhere on the case, I dunno, just a thought.”
“That’s a great idea, we’ll work on incorporating it,” Jonathan said.
“That’s enough for now, pack up your gear, and I’ll show you where you’ll be performing.”
* * *
The Midway is a long, high-ceilinged area with all the classic carnival barker games. Bright colors and blinking lights fill the space. As we walked the rows, we saw guests trying to toss a ring over a bottle to win the big prize, shoot water into the clown’s mouth until the balloon attached to his head popped, throw darts at balloons, and toss softballs into baskets perched at just the right angle so it’s almost impossible to get the balls to stay there. At each of these booths, there were countless stuffed animals of differing sizes, prizes meant to tempt the foolish, or be claimed by the rare winners of these carnival games.
In the center of this buzzing amusement was the Midway Stage, a place where visitors could gather to see a free show every thirty minutes, all day long. To the right of the stage was the musicians’ pit, featuring a keyboardist, drummer, and guitarist. On cue, these three would bring forth all the sounds and drama of the circus. As we approached, a tall ringmaster in appropriate garb took the stage. Holding the microphone, he gave an elaborate introduction about the Far East and the amazing talent we were about to see. “Ladies and Gentlemen, from Beijing, China, please welcome Je Shou Gwong and Qiuyue Shu Xue.”
The audience that had gathered cheered, and Mark said to us over his shoulder, “Right on time.” Then he clapped excitedly.
The lighting shifted to a more somber blue as two performers in traditional Chinese attire marched stiffly onto the stage. Each carried a large red ceramic jar. To begin, they swung the jars deep between their legs, then launched the jars high into the air. After a few of these tosses, they began to switch places after the throws, so as to catch the jar thrown by the other. Then, they swung the jar between their legs, and, throwing it head high, caught it in a balance on its rim, directly on their foreheads.
​
Holding this balance, they slowly turned their heads to the side to turn the jar; this movement was punctuated by quick jerks back to center. This caused the jar to slowly spin in its perched position until it had made a full 360-degree turn. Now they held their arms out stiffly to the sides and turned to face each other. Dropping to a crouch, they began to launch the jars at each other, one throwing higher than the other, causing the jars to switch from one performer’s head to the other. They’d repeat this, switching the jars back and forth. This insanity continued, even escalating to include acrobatics, a shoulder stand, and all manner of impossible exchanges. For the finale, they threw the jars up with a snap of the wrist, causing them to spin dramatically on their heads. The audience clapped in appreciation, then dispersed to find other entertainment along the midway. Mark led us to “the pit”, an area next to the stage where the performers entered and exited, and introduced us to the two performers. Both spoke minimal English, but were friendly and shook our hands. When I shook the larger of the two’s hand, it felt like I was shaking hands with an iron statue; he was a solid man. As we spoke with them, I noticed that both had patches of hair missing from their scalps where the jars would land. And looking closer, I realized that those areas had built up thick bony ridges of tissue, the body’s reaction to the relentless years of abuse, like a skull callous.
The performers took their leave, and Mark led us onto the stage to check out the space. The stage itself was wooden and laminated, like a raised basketball court, and a large red carpet was rolled out over it. Mark pointed up into the rafters, bringing our attention to the flying trapeze and tightwire rig. “The flyers tend to be the stars of the show, but we have had just about everything on this stage over the years.”
The MC walked over and introduced himself, “John,” he said.
Mark interjected, “Not just MC, he also does the Dog Gone Silly Dog Show, a long-time house favorite.”
John laughed and said, “True, me and the guys like to get out here and raise hell now and then.” Then to us he asked, “Do you have an intro card? What do you want me to say about your act?”
“Oh, we don’t, but I’ll get you one,” I said.
Mark interjected, “And what about music? Do you have sheet music?”
“Um, no, we’ve always been canned, just CD or whatever.”
Mark thought about this, “Maybe we give the guys a little break during your set, play your CD, and just have the drummer keep with you so we still have the energy of a live band.”
John nodded, “That’ll work.”
Just then, a couple of the stage technicians walked out and introduced themselves. “Pedro”, said one of them as he heartily shook my hand, “what do you need before each performance?”
Mark said, “Pedro and the guys will be in charge of your setup. Once they know it, they’ll make sure all your gear is exactly how you want it. When you arrive for your sets, all you have to do is warm up and have a great show.”
“Oh, great, yeah, I can show you,” I said. Pedro and I retreated to the pit to set up our gear, while Jonathan stayed on stage to talk with Mark and John.
Once our show cases were assembled, Mark instructed Pedro to place our cases and props. Jonathan and I grabbed some clubs to work out our lighting cues. We weren’t performing, but a crowd began to gather — we were on stage juggling after all. Having an audience for a tech rehearsal made me really nervous; I’d never had to work these things out in front of a crowd before. But there was no curtain around the space; it was a “live” circus, and everything happened right out in the open. I knew we were just rehearsing, but it felt like a performance. We did a few mock/simplified run-throughs to familiarize the tech team with our act. Throughout, the drummer listened and thumped along with us, slapping down background beats. It was all happening so quickly, and I guess I don’t know what I’d been expecting. We’d been hired, this was happening, and we needed to rise to the occasion.
After rehearsals, Mark showed us where the weekly schedule was posted, and I saw that we were already listed; our first show was in three days, at 11:00 am.
Three days to implement all of Mark’s notes and convert our little theme park act into a world-class juggling presentation. We had a lot to do.
* * *
After rehearsals, we stopped at a little Mexican joint we’d spotted earlier, Beto’s Taqueria. Over burritos and horchata, we mapped out a plan: First thing in the morning, we’d find a practice spot, and run the act nonstop for the next three days until it was time for our first show. Fired up, we jumped into Jonathan’s car and tore out of there, with Jonathan driving like a man on a mission.
As we turned down the side street behind the rundown strip mall that led to our equally rundown apartment-hotel, I heard the unmistakable slurp-slurp of my straw reaching the bottom of the cup. My horchata was gone; only ice remained in the large Styrofoam cup with the generic Smart & Final lid.
That’s when I saw it, the big green trash can sitting at the curb, the kind garbage truck lifts with steel forks. One lid was flipped open, just enough to tempt me. As fast as I could, I hand cranked the window down. Jonathan glanced at me, puzzled, but didn’t ease up on the speed. We were doing at least forty, and mid-turn. Holding the cup out the window, I loaded up for a hook shot, intending to chuck it over the car’s roof and into the tiny square opening.
The odds? Ridiculous. One in a million. In my head, I’d already pictured myself jogging back to pick Styrofoam off the street. But I figured, why not give it a try? At worst, we’d get a laugh. At best… well, I didn’t even let myself imagine “at best.”
I trusted my intuition and whipped a fast hook shot.
Because of the car’s roof, we couldn’t track the cup’s arc, so both of us craned toward the driver’s side window, waiting. A heartbeat later, it appeared in our peripheral vision like a little Styrofoam meteor, dropping from the sky, then swish. Nothing but net. Straight into the can.
We exploded. Shouting, laughing, pounding the dashboard as if we’d just won the championship. Sure, it was largely luck, but also, it wasn’t. Jugglers develop an uncanny sense of timing, honed from thousands of catches and throws. In that ridiculous, split-second stunt, all that training had channeled itself into one impossible shot.
For us, it felt like an omen. A wink from the universe. Day one, and we’d already pulled off the impossible.
Chapter 75: Blood on the Pine
Jonathan found a gymnastics space just a block from our apartment, so we went to check it out first thing in the morning. The facility turned out to be a grocery store-sized building with wall-to-wall gymnastics flooring, a juggler’s dream come true. We signed up for a month-long membership and went straight to work.
Mark had given us notes on the general direction he’d like us to take the act, but we still had considerable flexibility in how to execute them.
He’d asked us to incorporate ring or ball juggling, so we worked out a ring routine, something we could put into the act quickly. We decided to start with six, work up to seven, then eight, and finish with a run of nine in ultimates pattern, plus a fun finish. We weren’t really ring jugglers, but we managed to create the act and run it clean several times in only an hour.
One of Mark’s notes was checked off.
Then we sat down to discuss what else might work.
Jonathan said, “Your three-ball work has gotten really good. Maybe we could open with that?”
“I’d like to develop it, but I don’t really have an act yet.”
“Do you have an opening sequence?”
“I do,” I admitted.
“And what about a strong closer?”
“Um, yeah, I think so.”
“Okay, do the opener, add-lib the middle, and end with the closing sequence.”
“And just make up the whole middle?”
“Sure, and in two weeks, you won’t have to make it up, you’ll just have an act.”
“True…” I couldn’t think of a good counterargument.
Jonathan changed the CD and started a track I’d been thinking of using for a three-ball routine and said, “Alright, let’s see it.”
Grabbing three balls, I stood up and said, “Wait, wait, restart it from the beginning.”
“Are you ready?” He asked.
I stacked my three bean bags, one on top of the other, and nestled them between my hands. “Hit it.”
The track’s distinctive bap-bap, buh-bap, bap-bap, buh-bap, bap-bap, bap-bap, BOP! came on, and I threw all three beanbags straight up. Ripping a fast pirouette below them, I came around and went directly into a side-stepping weave pattern.
And just like that, my three-ball act was in the show.
* * *
I don’t remember a lot about our first few shows on the Midway. It was super stressful trying to remember all the changes and new tricks. We’d open the act with my two-minute three-ball act, which got a little stronger each day. Then we’d go into our team’s work, starting with the brand new ring act. Then we’d transition into our club passing routine, the routine we’d competed in the IJA championships with, so it was all the hardest things we could do. We’d also added in Mark’s other suggestion, holding up cards with numbers printed on them each time we added another club, and of course, at the end, we were doing the nine clubs bit where I’d miss once or twice to build the drama. It was all great stuff, but also a lot to assimilate.
Like anything, though, it gets easier with repetition.
* * *
About a week in, Jonathan and I were having lunch at the Circus Circus employees’ cafeteria, and the progress of my three-ball act came up.
Jonathan said, “It’s good, but I think the ending needs to be a little punchier. What else could you do to finish stronger?”
“I’ve thought of doing an ass catch, but dang if that wouldn’t be a hard one to get consistent. And to end with it, there’s no way to cover if I botch it.”
Jonathan nodded, “It would be hard, it would be risky, but it would be awesome too.”
“So you think I should learn it?”
Jonathan held his hands up nonchalantly, “I’m just saying it would be awesome.”
I shook my head because I knew he was right. An ass catch needed to be the final move of my routine, a make-or-break, Hail Mary kinda move that any audience, even a non-juggling one, could appreciate.
So I started practicing the ass catch a little every day. At first, I was happy to get it five to ten times in a session, but after a week of training, I landed it nine times in a row. Unfortunately, I missed the tenth, which was so sucky. One of the old rules of thumb in juggling is, “If you can hit it ten times in a row in practice, you can hit it in a show under the lights, and with people watching.” I had missed the tenth, so I wasn’t ready to try it in a show, but it was getting close. I decided to keep going until I got it ninety-one more times, TODAY, in one session. Not in a row, just total, and all other juggling objectives for the day were abandoned.
Ass catches for reps, and go.
It took a few hundred attempts to reach the one-hundred successful executions. I’d get into grooves where I’d hit it multiple times, then I’d miss it thirty times straight. I’d start overthinking, misjudge the throws, but through failure, I learned every imaginable way for it not to work, as well as the very narrow margins needed to hit it.
97…
98…
99…
and 100 successful ass catches.
I was sore for two days after that one session. And I didn’t try the trick again for a few more days after that to give myself time to recover. But the next time I tried it in a practice session, I got it ten times in a row, which meant it was ready to go into the show. In just a few weeks, I’d learned and added a huge finale trick to my three-ball act.
* * *
​
The time flew by. We improved notably, and our four-week fill-in spot at Circus neared its end. Knowing we’d need a plan, Jonathan and I started talking about what we might do next.
The next IJA was being held in Reno, and the competitions would take place in a hotel theater just a few blocks from where we were living now. The main convention would be in a large conference center on the same block as Circus Circus. The thought of competing without having to go anywhere, sleeping in our own beds, and eating our regular meals sounded too good to be true, so we decided to stick it out in Reno, whether we had work or not, until at least the competitions had come and gone. Then we could move to Vegas, or wherever the contracts next led. And it’s not like Reno was bad; there were innumerable places to mountain bike and snowboard.
* * *
Two days before our contract was up, Mark came down to watch one of our shows, and then afterward, he invited us up to his office to talk.
Once we got there, he asked, “So, what’s ya’ll’s plan? Are you competing in the IJA again this year?”
“We are competing, and plan to stay in Reno at least until the championships.”
“And for the championships, would you essentially do the act you’re doing here?”
“Yes, we might make a few minor adjustments, but yes, we’re running the act on the Midway.”
Mark drummed his fingers on the desk, clearly weighing some possibility in his mind. Then he said, “I have Anthony Gatto scheduled to start on July 1st, so if you’d be interested in staying on until then, I could extend your contract by sixteen more weeks. That way you’d get to practice your act right up until two weeks before the championships, how does that sound?”
“It sounds amazing.”
“Okay, great, and I see that your act has improved noticeably, so I’m gonna bump you up to $1800 a week.”
“That also sounds great,” we said.
Mark looked at his desktop calendar and tapped his pen on the table in thought. “Actually, you know what, how would you feel about performing on the midway the week of the championships? Obviously, you’d be off on the day of the competitions, but if you filled in here, it would give you a chance to run the act a bunch right before you take it in front of the judges.”
“That sounds awesome, but I thought you said Anthony would be here juggling then?”
Mark smiled, “Well, it’s kind of a surprise, but Anthony is going to be performing in the IJA’s Cascade of Stars show, so I want to pull him off the midway so no one from the festival can see him beforehand. It’s a win-win, you guys would get to practice until the final moment, and we hold Anthony back for the main show, sound good?”
“As long as it’s cool with you and Anthony, it’s cool with us.”
“Okay, I’ll get your contracts written up.”
We stood to leave, but Jonathan stopped and said, “Actually, we’ve got an idea we’d like to run by you.”
Mark looked up from his desk, “Shoot?”
“What are the chances of bumping us up to six shows per day, so we could start doing a second act? Three of the juggling act, and three of another?”
Mark’s eyebrows raised, “What else do you want to do?”
“We’d like to do an extreme comedy and variety spot. Bill would sword swallow and juggle a chainsaw, and I’ll do some of our comedy bits?”
Mark thought about it for a second and said, “Can you show me the act?”
“Absolutely, when do you want to see it?”
“Can you do a run-through today?”
“Sure, what time?”
* * *
A few hours later, after we’d finished one of our regularly scheduled shows, Mark had all the technicians stay on to do a run-through of our new second act. Similar to how we’d done when we set up our act when we first arrived, I explained to Pedro and the guys how we wanted everything set, and they got the gear ready. Then Mark stood to one side while we ran through. Jonathan opened with our flying pig act, a bit where he’d put on a toy space helmet and spin a winged pig that was tied to the helmet around his head. As he did this, he’d tell jokes, and I’d throw bits of toilet paper over the string until they caught like streamers. Then I’d take a whip and whip the strands of paper off. After that bit, I’d sword swallow and juggle. Next, Jonathan would juggle while simultaneously jumping over a Skip-It toy, and for the finale, I juggled the chainsaw.
When we were done, Mark gave us notes, and we ran the whole thing again. After the second run through, Mark said he was seeing the vision and asked if we could do it again.
“We can do it ten more times if you like, whatever it takes to get it right.”
Mark recommended some changes, then asked us to run it again.
We did, and everything was feeling good right up until I juggled the chainsaw. While juggling the eighteen-pound monster, I suddenly felt a shock of pain through my right hand. I knew I hadn’t caught or bumped the blade, so I couldn’t explain what went wrong. I finished my final throws, then raised the saw above my head in victory.
Mark clapped and walked out to the center of the ring. “Very nice, it’s really coming together. Okay, almost everything is working, but there are still a few tiny tweaks we can make.”
As he was saying this, I glanced down at my right hand and saw that I had a huge gash in the webbing of my thumb. To control the bleeding, I pressed my thumb over the wound as tightly as I could, then squeezed the rest of my fingers over the top of it to try to staunch the flow. Mark began to give us his notes, walking animatedly around the stage as he did so, acting out the adjustments he thought we should make. Undeterred, the blood began dripping through my fisted-up fingers. As the drops fell, they made penny-sized red circles on the light pine colored stage. I started stepping on the droplets, then, as surreptitiously as possible, scuffed my shoes over them to try and make them disappear. Jonathan saw what I was doing and started distracting Mark, trying to keep him from seeing me. I kept scuffing the marks, but I couldn’t keep up. The blood was dripping everywhere, so the jig was up. There was no way I’d be able to get through another run through without everyone knowing something was wrong. We were going to have to fess up, and we both knew Mark would cut our act if he thought it was too dangerous.
I was about to confess, but Jonathan put his fingers to his temple and said, “Oh no.”
Mark looked at him and asked, “Are you okay?”
Jonathan closed his eyes and furrowed his brow, clearly in pain, then he opened his eyes and looked at Mark and said, “I’m sorry, I’m getting a migraine. If I don’t take my medicine, I won’t be able to see in twenty minutes. Mark, would it be okay if we took a break so I could run home and get my medicine?”
Mark was sympathetic, “Of course, whatever you need, we’ve pretty much got this down anyway, go ahead.”
I leaned in and said, “I’ll pack down the gear so we can go.”
Jonathan nodded, eyes closed in pain again, and Mark, fully focused on Jonathan, asked if there was anything else he could do to help.
I slipped off the side of the stage and, out of sight, opened my hand to look. My entire palm was filled with blood, and it had thick streaks where it had dripped out the backs of my fingers. The web of my thumb was ripped open as if I’d grabbed a jagged piece of metal, but that was impossible; I’d caught the handle of the chainsaw, just like I’d done countless times before; it made no sense. I examined the chainsaw and found that the handle had blood spatter all over it, but otherwise it was the same as ever. Now I was at a total loss as to how to explain what had happened. I picked up the saw in my uninjured hand and held it as if I were catching it. As I did, the bolt that attached the handle to the saw itself stabbed into my hand, not enough to cut me, but enough to be uncomfortable. That’s when I realized where things had gone wrong.
Because the saw was too long to fit in a travel case with the handle attached, we’d devised a half-inch bolt-and-wingnut fastener for the handle to make it removable. That solution had been just the ticket. From the very first time I’d ever put the bolt through the handle, I’d always placed it with the bolt facing up, or away from my hand. It wasn’t something I’d done consciously; it’s just how I’d put the handle on the first time when I tested it. When all the testing had gone well, I’d just kept putting the bolt on that exact same way every time after. But now, we had the technicians helping set up the gear, and they didn’t know I put the bolt in a certain way each time. As a result, they assembled it with the bolt facing the opposite direction. The first few times I’d juggled it, I hadn’t choked up on the handle at all, so I hadn’t noticed this change. But on that last run through, I’d choked up on the handle, and when I did that, the full weight of the chainsaw drove the sharp bolt straight through my hand.
Satisfied with the discovery, I made a mental note to explain this nuance to the technicians and to shorten the bolt to reduce the likelihood of a repeat incident. I grabbed a black hand towel from my case and wrapped it around my hand. Looking over, I saw that Mark was leaving and Jonathan was coming over to me. We finished packing up and, without a word, made our way to the parking garage to leave. As soon as we’d gone through the glass double doors, Jonathan asked, “How’s your hand?”
“It’s ok, I just couldn’t stop the bleeding.”
Jonahan laughed, “I know!”
Then I asked, “How’s your migraine?”
We both laughed at this, knowing full well he’d faked it to get us out of there. “It was the only thing I could think of!” he defended. “I didn’t know how bad it was, but I knew you couldn’t continue.”
“No, it was brilliant, thank you! At least now we have a shot at getting our second act out there and developing more show material.”
* * *
​
Thanks to Jonathan’s quick thinking, Mark approved our second act.
Starting the next day, we were doing six shows a day: three juggling and three comedy sideshow.
I had to bandage my hand with layer after layer of tape, but no matter how I wrapped it, the wound tore open time and time again. Six shows a day, six days a week, three of those shows filled with intense juggling, and three more with high-impact chainsaw juggling. It took weeks for the gash to heal enough that I could stop taping it. But despite these setbacks, we were getting better.
A lot better.
