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Off Course On Purpose

Chapter 76: David Iannaci

One night between our sets, I decided to check out the Just For Laughs comedy club at the Sands Casino, which was just a short walk from Circus Circus. When I arrived, a distinguished-looking gentleman in a suit was greeting and seating everyone. He was friendly, cracked a few jokes, and then led me to a table near the front. I didn’t know it at the time, but he was carefully seeding the crowd, helping to ensure that the show would be as good as possible. When showtime arrived, I was surprised to see the doorman get up on stage and introduce himself as the MC, “My Name’s David Iannaci, David— Iannaci— half Jewish and half Italian, which means if I don’t get it wholesale I steal it, Ehhhh!” The crowd laughed at this, and he did some more schtick, getting us all warmed up. Then he introduced the first act of the evening. “Yo Vinny, get out here!”


As we applauded the next performer, David turned and opened a suitcase. He quickly put on a big headpiece with sunglasses and a sparkly gold coat, then turned back to us and played Vinny, a cool, hip groove master. It was an impression act. He then switched to another character, then another, then he talked about how he’d always dreamed of being a drummer, so he

carefully set up a table with a short mic stand on top, and began to drum on the table. He started slow but built to a genuinely impressive cacophony, and just as he was about to hit his final notes, the vibration through the table caused the microphone to break loose from its stand and clank noisily onto the tabletop, trailing its cable as it went. David Iannaci, the old-skool

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seasoned vet, threw his sticks down in frustration, and the audience roared. Another thing I didn’t know at the time: he did this mic-drop bit every night, and every night it slayed. After that, he introduced the middler, who got up and did their thing, then he brought out the headliner. Start to finish, it was a great show, but David, the doorman, was the best of all.

​


As I was leaving, David made a point of stopping me, thanked me for coming, and asked where I was from. “Here,” I said, “my friend and I are doing a contract on the Midway at Circus Circus.” 

​


That was all he needed to hear: “You wanna come do an opening spot for me one of these nights?” 
“Yeah, that’d be great,” I said, so we exchanged information. 

​


Because the Sands was so close, and Jonathan and I had regular downtime between shows, I started popping over periodically to see the comics and say hi to David; then, as we became friends, I started hanging out there on the regular. 
I remember one night, David calling me up and saying, “Hey, you free? If so, you gotta come see this comic from the valley!”
“Is he good?” I asked.


“No! He’s terrible, very blue, can’t read the room, has no act. You gotta see it!”
So I’d pop by the club and learn just as much from what didn’t work as I did from what did. 


By now David started taking me back to the green room before and after shows, and whenever we’d be back there, he’s always give me sagely advice, the advice of a seasoned pro, advice from the guy who’d done it all, seen it all, played the big rooms, and, as he put it, “I would own this casino if I hadn’t put it all up my nose.” 


He’d been clean and sober for years now, but at the peak of his career, he’d been a slave to cocaine. 
“You know how I quit?” he asked one night.
“What, the cocaine?”
“Yeah, it was right before a show, and I was jonesin’. I needed to be fixed up real bad, sweating, paranoid, so I had my dealer meet me in the green room while I was getting ready. Thing is, he showed up, and took his sweet time — he always did that — drove me fruuugggiun nuts. He knew I was in a bad way, and he’s dragging it out, practically making me beg for it, and suddenly this thought came into my head: I don’t need this shit. So then I turned to him and said, ‘Hey, I don’t need this, why don’t ya’ take a hike.’


He was shocked, ‘What, I thought you wanted to get fixed up.’
‘I did, but not anymore, get out, and don’t ever come around me again, I don’t wanna see you, I don’t know you, get out!’
The dealer gathered his things and got ready to leave, but as a parting shot said, ‘Later, when you got your head back on straight, call me, I’ll pretend this conversation didn’t happen.’


As the door closed, I shouted after him, ‘Go ahead, wait by the phone, but you won’t be hearing from me!’”
I waited to see if David would say anything else, but he didn’t, so I asked, “And that was it, you never used again?”
“That was it, been clean ever since. Though I think my doctor’s tryin’ to do the same with these here percocets. Damn sciatica gets me,” he cut into one of his character’s voices and crossed his eyes wildly, “Whaa Whaaa Whailll pifff rererere!!!”
When I didn’t know how to react to this, he said in his normal-ish voice, “I’m sayin it huyts!”
David took me under his wing, and he taught me all the old-skooler rules, like don’t eat at events. 


“You’re the talent, not the guest. You wanna have spinach in your teeth or fish dip breath when people come up to talk to you after the show? You gotta be classy. You glide through the room, because when you get on that stage, you never look better.”
And on costuming: “Don’t ever sit in costume, you work hard for those creases, and they should cut straight through to the back row. You need to look immaculate, and when the show’s over, you come straight to the green room, change out of costume, and immediately hang everything up so those creases stay perfect. Has anyone ever shown you how to properly hang a pair of slacks?”
“No,” I admitted.


So he showed me the right way, the way I’ve hung my slacks up every time since, the way I’ve shown my own students, and anyone else who would listen. I’ve been classy: I’ve kept my costumes immaculate — though I admit I do sit down in them sometimes — and I almost never eat at a gig. If I do, I brush my teeth right after. I’ve upheld these classy standards and taught others to do the same. David taught me a lot about being a performer and a man. 


Soon enough, David was putting me on as an opener and paying me a little on the side for it. The stage at Just For Laughs was very small, though, so most of the time I’d just hop up and do my three-ball act. Which by now had been refined down to a tight one minute and fifty-six seconds. The Sands shows fell right in between our sets at Circus, so I’d do five shows at Circus, then walk over to the Sands with three balls in my hand, do a set there, then walk back to Circus to do our final set of the night on the Midway. 


We’d been running our shows so consistently that I would try to get through entire days, six to seven shows, without any drops. I remember one day we’d gotten through our five Circus shows flawlessly, so I was trying to make it a dropless day. I got up on the stage at The Sands to do my three-ball act. I did my opening sequence, then I had a blowout. No biggie, I picked up and started raging again, no sooner than I’d started, another blowout, shit, pick up and go again. Now I was trying to redeem myself, and blam, another blowout, then another, and another. UGH, what is happening? The audience was trying to clap for me as encouragement, but I couldn’t get through more than five to ten throws without another miss; it was excruciating. Throughout I was counting in my head.
10… 
11… 


juggle juggle, drop
12… 
13…


juggle juggle, drop
14…
15… 
And then I went for my final trick, the ass catch, the most important move of the routine, BAM, MISS!!! URGGG!!!! I throw it again and nail it, blessedly. I tried to take the front of the stage and bow, but it was awkward. The audience could tell I was good; I was clearly doing hard stuff, but I’d completely failed to accomplish the act with my sixteen drops. I left the stage in defeat, but David defended me to the crowd, called me his protege, and claimed me as his own even though I’d just stunk the place up. Any other comic would have made a joke at my expense, but David didn’t need to take cheap shots at me to get laughs. I walked back to Circus, and in our final show that evening, we went flawlessly. 


So it was five flawless shows, a sixteen-drop meltdown, and another flawless show. No matter how good you get at juggling, you can never assume you’re going to slay it; the gods of gravity can frown at any moment. 


Another time, David and I were hanging out in the green room, and he started talking about the bell curve of an entertainment career. He talked about how he was on the down slope of the backside, and how I was on the up slope on the front side. “When you are on top, it seems like it will never end, but no matter how high you climb, eventually, you have to come down. So make sure that you have a good place to land when you do.”


That was David, always honest, always practical. He’d seen enough to know how quickly the spotlight fades. But he was also quick to remind me to push harder than the next guy: “If you are working on your act fourteen hours per day, there’s someone else working on theirs fifteen hours per day.”


* * *

 


Another time, David had to go out of town, so he asked me to cover the club for him. Basically acting as the host and doorman. The day before he was set to leave, we were hanging out in the green room after a show, and he asked me, “While you’re covering the club, what do you do if the comics ask you for something?”
“Um, try to be helpful and make sure they have a good show?”
“NO,” he rocketed back, “You tell them, ‘NO!’” 
I laughed, thinking this was a joke, but David remained serious, so I asked, “Okay, I’ll tell them no, but why? What are they gonna ask me for?”
David cut into his Vinny voice, “Oh, you name it buster, they’ll ask for it, and when they do you just remember what David told youze, you tell ‘em NO, David you see, he’s on your side, he’s one of the good guys.” 
I laughed and said, “Okay, I’ll tell ‘em no.”


David looked at me for a second, then, in his normal voice, said, “I hope so.”


* * *

 


The next day, I opened the room, got the comics settled, seated the audience, all the things I was supposed to do. And through it all, I was on guard, careful to ensure that any special requests from the comics would get a swift no. But neither of them asked me for anything. They came out and did their sets, the audience had a good time, and it was easy peasy. After the show was over, I cleaned up the room, reset the chairs, and when it was time to lock up, told the comics it was time to wrap up. As before, they were easy-going, cracking jokes, just a couple of funny guys. As I locked the place up, one of them asked, “Do you live here in town?”
“I do, my teammate and I are doing a contract at Circus Circus on the midway.”


“Teammate? Are you a ball player or something?”
“No, no, we do a juggling act, but we’re a duo.”
“Oh, that’s cool, so where do you live?” 
Pointing off in a northwesterly direction, I said, “Over on that side of town.”
“Oh, that’s great, is there any chance you could drop us at -he named some small casino- it’s right on your way.”
David’s voice rang in my head, “If they ask for anything, you tell them NO!!!”
But then I thought, it is on my way, what’s the harm in just dropping them off, so I said, “Sure, hop in.”
We got in the car, and I set off for the casino. The drive was pleasant enough, but as we drove, the comic in the backseat discovered that I had a stack of promotional packets tucked into the pouch on the back of the seat. 
“Hey, is this your promo? Can I take a look?”
“Yeah, sure,” I said over my shoulder. 


He pulled out the packet and started ooh’ing and ahh’ing. “Man, so you send out a team headshot, a second headshot that has four different photos on it, a VHS tape, a résumé, a bio, and a cover letter? Damn, how much does one of these cost you?”
“Uhh, I don’t know, including shipping, probably fourteen to twenty dollars a piece.”
“How many do you send out?”
“We thought our contract at Circus Circus was going to end, so I just sent out a bunch, sixty to seventy maybe, but then we got extended by four months.”


“Where do you send them?”
“Agents, bookers… We sent two dozen to the cruise lines, and we even sent a few directly to entertainment managers on board ships. Anywhere we can think to send them.”


“Man, I need to be better about that. I’m actually supposed to be sending out a couple this week. Could I have a couple of these mailers?”
My initial impulse was to say yes, but David’s voice rang in my head again, much louder this time, “You tell them NO!!!”
I was torn. Here’s a guy who’s trying to move forward in his career, so I wanted to help him out. But then I thought, wait a minute, I’m spending a small fortune sending out all this promo, and it’s not like he’s asking to borrow a couple of empty envelopes lying in the backseat, he’s asking if he can disassemble packets I’ve already got packed and ready to go, essentially pulling me backward a step so that he can move forward a step.


David’s words came out of my mouth, “No.”


The comic waited a moment. I think he thought I’d explain myself, but I didn’t.


“It’s just a couple of mailers, is it really gonna hurt you if I take a couple?” the comic argued. 


I felt a storm begin to brew in my belly. I’ve given up everything for this. I’ve busted my ass to get here, and now you’re gonna guilt-trip me, while I’m giving you a ride, motherfu…
Sensing the explosion, the other comic turned to the guy in the back, “Man, that stuff’s expensive; if you need to send out mailers, go get yourself some mailers.”


The guy in the back dropped the issue, and I didn’t say anything else about it. 
Soon after, we pulled up in front of the casino, and they climbed out. The comic who’d been in the front seat thanked me graciously for the ride, and the comic who’d been in the back hovered in the door to say, “Hey, sorry about that, I was out of line.”


I said, “It’s all good, we’re all just trying to make it.”


The backseat comic nodded, then he stepped out. Before closing the door, he turned back to me again and said, “Hey, we’re only gonna be here for an hour or so, would you mind picking us up and dropping us back at the Sands?”
Oh my god, David was right, if they ask for anything, you gotta tell them NO!!!”
Before I could say anything, the other comic said, “Dude, seriously?” Then he said to me, “Thanks again, we can make our own way back, have a good night.”


He closed the door, and as I pulled away, I heard the cool comic railing the other for being a mooch. 


Gah, David was right, but how did he know? He was certain enough that this would happen that he warned me. 
I know it’s hard to come up as a comic. The years it takes doing the club circuit, making crap money, it’s a tough life. I guess up-and-coming comics have to find every way imaginable of getting ahead, just like Jonathan and I had to find our way.
I covered the club for the next two days with the same two comics. They were nice enough, and they didn’t ask me for anything else the rest of the weekend. 


A few days after that, I saw David, and the first words out of his mouth were, “Did you tell them no?!”
I hesitated, the words catching in my throat, but it’s not like I was gonna lie to him.


David looked at the sky, threw his hands in the air, and, in Vinny’s voice, exclaimed, “Oy Jeezuz!”
Then he looked back at me, and I interrupted whatever was coming next, “You were right, and I learned my lesson. After the first night, they didn’t ask for anything else.”
“After the first night…”


“Yeah, I gave them a ride after the show.”


Vinny: “A Reide? Whare’d did dey wanna go? To the stwipcleub?”
“No, just to a casino, and they did ask for more, but I did what you said, I told them no.”


David considered this, then he nodded. “You did good,” then in Vinny’s voice, “cuz if nots, I tell ya’ there’d be hell ta pay when I gots deze hands on thooose guuyyz!”


* * *

 


David was a friend and a mentor who taught me so much. And he’s been with me, in spirit, at every gig since, his voice forever in my ear, always reminding me to glide through the room. 


In your journey, you’ll find your David. And when you do, learn their ways, cherish the time you have together. Because no matter how much time you get, it’ll never be enough. 


If you’re reading this, David, wherever you are, thank you…

Chapter 77: Machetes and Misunderstandings

We didn’t know what would happen after the Circus contracts, so we kept it on the down-low that we’d moved out of San Diego. We didn’t want the agents and bookers we’d worked with to take us off their rosters just in case we ended up moving back.


So it wasn’t surprising when the Fern Street Circus called to see if we were available for a high-end corporate event. The money was good, and the event was on our one day off from Circus, so we accepted it. 


Pulling it off, though, would be pretty breakneck. We’d have to drive to San Diego, bust the show, then drive back to Reno, all in one day. We talked about it and decided to rent a car to avoid putting wear and tear on our own cars. They’d always been reliable, but the fear of breaking down was real. So we rented a car in Reno and drove to San Diego to do the show. After the gig, around 11:00 pm on Sunday night, we left San Diego to return to Reno. It was a ten-hour drive, and we had shows the next morning, so there was no time to lose. 


With me behind the wheel, we passed Los Angeles, Bakersfield, and Stockton. By then, it was so late there were hardly any cars on the road, and I didn’t want it to take the whole ten hours to get back, so I let my foot get heavy on the pedal. The rental car we’d gotten was a luxury sedan, not what we’d reserved initially, but they’d offered a free upgrade, so we figured, why not? As we crept up to ever higher speeds, it remained smooth, even into triple digits. After a bit, I glanced down and realized we were going 117 mph. Ekk, that’s not safe, so I slowed us down to a more reasonable 109 mph. The miles were ripping past, but then I saw a car’s lights in my rear-view mirror. 


It was taking the on-ramp with intent, like it might be giving chase. 
Uh oh, I immediately dropped us down to 90 mph in case it was an officer. Yes, still speeding, but at least a defendable speed. Once the car caught up, it swung over behind us and got really close. Based on this vehicular body language, I figured I was about to get zapped. Looking over at the passenger seat, I saw that Jonathan was dead asleep, so I tapped him and said, “Hey, take the radar detector down and hide it.” 


Jonathan woke and slipped the anti-speed-trap device off its windshield mount and threw it under his seat. A few moments later, the telltale cherries and berries lit up the night, and we were being pulled over. 
I pulled to the side of the road, and the officer walked up to my window.
“License and registration?”
“Yep, here’s my license, and here’s the rental car paperwork.”
“This is a rental?”
“Yes, sir.”


“Okay, sit tight,” the officer said as he walked back to his car. 
He was gone for a while, so I was sure I was getting a ticket. 
A little later, a second police car pulls in behind the first. But I didn’t think much of that; it was the middle of the night, and hardly anyone was out, so maybe the second guy was just popping by to lend support. 
The original officer returned to my window and asked, “You say this is a rental?”
“Yes, sir.”


“Where’d you rent it?”
“Reno.”


“When were you in Arizona?”
“We weren’t in Arizona.”


“Where are you coming from?”
“San Diego.”


“So you weren’t in Arizona?”
“No, sir.”
The officer nodded, but seemed troubled by this. He raised his flashlight and aimed it through the windshield while scribbling in his notebook. His beam kept drifting back toward us, quick little sweeps like he wasn’t sure what we might do. Once he’d finished writing, he turned and walked to his car.


He was gone for a long time. Then I heard a crackling sound, and a voice rang out over the police car’s loudspeaker, “Driver, drop the keys out the window.”


Jonathan sat up straighter in his chair, “Here we go.”


I rolled the window down and dropped the keys out on the asphalt. 


“Driver, with your right hand, reach out the window and open the door from the outside.”


I did as commanded. 


“Step out of the car with your hands up.”


I complied. As I stood, I put my hands on top of my head and turned to face the blinding spotlights and headlights.
“Hands higher, and turn around.”


I raised my hands higher and turned my back to the voice.


“Walk backwards towards the sound of my voice.”
I started walking backwards. 
“Stop right there.”


I did, and waited. I hear footsteps, then an officer grabs my right wrist and twists it behind my back. “Spread your legs,” he commanded.


I took a step out to widen my stance. The officer then kicked my right leg out, with an angry shout of “WIDER!” 
I turned to look over my right shoulder and said curtly, “I’m not giving you any trouble.”


His face was backlit, but I could see he’d heard me. He reached up and grabbed my other hand, twisted it behind my back, and put me in handcuffs. The cold sensation of the metal encircling my wrists was foreign; I’d never been in cuffs before. He gave me a pat-down and went through my pockets. Satisfied I wasn’t armed, he grabbed my now connected wrists and lifted my arms to force me into a half bow, then turned me around to walk towards the cop cars. As we passed through the spotlights, I realized there were now five police cars in total, all with officers posted, guns drawn and pointed downrange. Damn, I thought, they take their speeding really seriously around here, then I was pushed into the back of a car. I was shirtless, and the cold plastic seat made my skin jump, so I tried not to lean against it all at once.


Looking through the thick wire security screen separating the front seat from the back, I saw that the officer who’d initially pulled me over was in the driver’s seat. He lifted his right hand to his mouth and, pressing a button with his thumb, said, “Passenger, reach out the window with both hands.” The words shot through his speaker system downrange to where Jonathan was still in the car. I saw Jonathan reach out of the passenger side window.


“Passenger, open the door from the outside and step out.”


I saw Jonathan open the door, but he didn’t get out; instead, he just held his hands out so they could see them.
Realizing the problem, I leaned forward and said through the security screen, “His seatbelt is still on.”
The officer didn’t acknowledge me; he just waited for a moment, then he pressed the button again: “Passenger, take your seat belt off and step out of the car.”


One of Jonathan’s hands disappeared from sight, then he stepped out of the car with his hands up. 
I saw that Jonathan, just as I had moments ago, wasn’t reaching his hands very high up. So I said from the back seat, in my most authoritative voice, “Passenger, put your hands higher and turn around.”


Again, the officer did not acknowledge me, but he pressed the mic button and said, “Passenger, put your hands higher and turn around.”


Jonathan did this, then, knowing what was coming next, I continued my impersonation, “Passenger, walk backwards towards the sound of my voice.”


The officer pressed the button and echoed me, “Passenger, walk backwards toward the sound of my voice.”
I watched as Jonathan made his steps backwards, and when it looked like he’d gone about as far as I had, I said, “Passenger, stop right there.”


The officer pressed the button and said, “Passenger, stop right there.”
To the officer, I said, “This is kinda fun.”


The officer glanced back at me over his left shoulder with a look that was half stern and half bemused. I got the feeling I wasn’t responding the way typical detainees do.
Jonathan stood there with his hands up. The officer pressed the button and said, “Passenger, slowly reach down and lift your shirt.”


Jonathan reached down and lifted his shirt, presumably, so they could see if he had a weapon. I piped in and said to the officer, “Ah, you got me on that one, but I didn’t know because I’m not wearing a shirt.”
Despite himself, the officer smiled at this. 


I watched as one of the officers walked towards Jonathan. Once there, the process was repeated; they put him in cuffs and put him into one of the other cars. 


Now that we were both “in custody,” the officer seemed to relax, if only slightly. Without looking at me, he asked, “Are there any weapons in the car?”
My head exploded at this question: “Uh, yeah, a bunch.”


“Really?” He lifted his notebook and, with a pen at the ready, asked, “What do you have in there?”
“Oh geeze, there’s six machetes, two swords, a couple of whips, a blowgun, a chainsaw, a big saw blade with a handle attached to it, seven torches, and a gallon of fuel in the back. Let’s see… Oh, there’s two backpacks in the backseat, and each of them has a pocket knife. Umm, yeah, I think that’s all, but I guess it depends on what you consider a ‘weapon.’”


He’d written down the first couple things I’d said, but he stopped writing somewhere around “blowgun.” For the first time, he genuinely turned around to look me in the eyes. “Okay, we’re gonna search your car. Anything else you wanna tell me?”
I thought for a second, “Uh, no, I think that’s everything.”


He picked up the intercom and pressed the button. “One Adam Victor Vector 48, Gobbledygook 157,” police-speak came out of his mouth, but I didn’t know what any of it meant. 


As one, four officers rushed our vehicle with guns drawn. The two in the lead tore open the driver’s and passenger’s side doors, while the support officers covered them in case someone was still in the car. Then a fifth officer with a shotgun jogged forward and posted up by the trunk. He shouted something to the officer by the driver’s side door, and that officer popped the trunk. As it flew open, he jabbed the shotgun into the truck, ready to apprehend someone, but all that was in there were our show cases. Satisfied that no one was hiding in our vehicle, they pulled all of our bags out of the car and started going through them. Out came the knives and swords, and whips, all the stuff I’d told him about. Then I saw one of the officers pick up one of our juggling clubs and look it over carefully with his flashlight. The officer next to him said something I couldn’t hear, and the first officer shrugged as if to say, “I dunno what it is?”
Now the officer with the shotgun signaled to the officer in the car with me, and he started asking me more questions.
“When were you in Arizona?”
“We weren’t, we were in San Diego.”


“Uh-huh, and who’s the other guy?”
“That’s Jonathan.”


“What’s his last name?”
“Root.”


“How long you known him?”
“Uh, about six years.”


“How do you know him?”
“He’s my teammate.”


“Your teammate?”
“Yeah.”


“You like a sports team or something?”
“No, we do a juggling show.”


The officer wrote down this important piece of information. “Right, so when were you in Arizona?”
“We weren’t in Arizona. Why do you keep asking that?”
“If you weren’t in Arizona, why do you have Arizona plates?”
“I told you, it’s a rental; those are just the plates it came with.”
“So you were never in Arizona?”
“On this trip, no.”


“So you have been to Arizona?”
“Well, yeah, like 9 years ago on a trip with my mom.”
“But not on this trip?”
“No.”


“Right…” He seemed unconvinced.  “Hang tight,” he said, then exited the vehicle. 


Through the window, I saw my officer huddle up with another officer; they seemed to be exchanging notes. 


I didn’t know it at the time, but Jonathan had been getting the same treatment: they asked him the same questions, and when they didn’t like the answers, they asked him the same questions again to see if his story would change.


After some time, two more officers joined the huddle. One of them spoke into his shoulder mic, and I heard cross-talk coming from the police radio in the front seat of the car I was in. A dispatcher responded, but it was more code I didn’t understand.

​

Then two officers returned to the rental car, pulled everything out of the glove box, and went back to the front windshield, where, with flashlights glowing, they took more notes. One of these grabbed his shoulder mic, and the radio came to life as he read off numbers to the dispatcher. More time passed, and my hands started to get uncomfortable behind my back. I suddenly wondered whether I could swing them under my legs so I could put my hands in front of myself. I really wanted to try but decided against it, thinking my Houdini-like display of flexibility might piss them off. Now the four officers huddled again, and I could tell from their expressions that something was troubling them. Police cars must have some sort of super-insulation that keeps outside sounds out, though, because I couldn’t hear anything they were saying. Now the big guy, the one who’d covered the trunk with the shotgun, joined the huddle. The other officers gave their reports, and I realized he was some sort of authority, maybe a Sergeant or something. As they spoke, he nodded his understanding, but he seemed to be getting mad. When they were done reporting, he raised his right hand and stabbed his index finger at one of the officers. I don’t read lips, but he seemed to say, “If we don’t have anything on these guys, we need to get them out of here NOW.” Then he turned and looked at me through the back window. Feeling included for the first time, I leaned close to the glass and flashed him my most winning juggler smile. 


His brow furrowed at this, then he pulled something out of his belt. With a twist, a flashlight came to life, and he shone it at me through the glass. Realizing he hadn’t been able to see what I did, I leaned close to the glass and gave him another angelic smile. I hoped this second one didn’t come off as contrived; the first one had been organic and in the moment, whereas the second one had been an act.


The big man shook his head side to side at my antics, an air of, “This can’t be happening,” in his demeanor. 
He turned off his flashlight and returned it to his belt. Then he turned to the officers, gave some instructions, and marched stiffly off to his car.


Two of the officers came over to my door, while the other two went to Jonathan’s car.
My officer, the guy who’d originally pulled us over, leaned in with a smile, “Let’s get you out of those cuffs,” and, grabbing my arm, helped me out of the car. I stood up, and he held my arm to steady me (not that I needed steadying) while the other officer unlocked my cuffs. My officer continued, “Seems this was all a big misunderstanding. When we ran the VIN number, the vehicle came back as stolen. And the plates didn’t match the VIN, so we thought you’d switched the plates to try to hide that it was stolen.” 


The other officer said, “We thought we had a couple of car thieves.”


My officer continued, “Turns out the dispatcher got one of the numbers wrong, so you gentlemen are free to go.”
The second officer piped in again, “Yeah, but look on the bright side, it got you out of an expensive speeding ticket.”
They both laughed nervously, and I laughed along with them.
“You gentlemen have a good night now.” 


As if someone had hit the end-of-shift alarm, all of the police cars fired up, and the officers quickly disappeared into the night. I got the feeling that they wanted to get out of there and away from us as quickly as possible. 


Their haste left me with the distinct feeling that our rights had been trampled on. I wasn’t mad, though, just happy it had all worked out. I appreciated the opportunity to experience the inner workings of our law enforcement system, without having to go to jail in the process.


Jonathan and I now stood on the side of the highway at 4:00 am, alone and cold, but free to go. 


As we walked to the car, Jonathan said, “Well, that was fun.”


“Exhilarating,” I responded with a laugh.


When we got in the car, our stuff was EVERYWHERE. They hadn’t been super careful unpacking. In the backseat, our backpacks were spilled out. I saw our two pocket knives on the seat between the backpacks, right where I said they’d be. Oh well, I thought, let’s get home. I started the car and pulled back onto the road. As we drove, Jonathan did his best to put everything back in order. He looked down at the floor by his feet and laughed. 
“What’s up?” I asked.


He reached down and picked up our radar detector. “They pulled this out from under the seat, so they know we’re speeders.”
I laughed out loud. Indeed, that was one thing we were genuinely guilty of. 


We were still in the Stockton city limits, and I knew they wanted nothing more to do with us tonight, so I let my foot get heavy on the pedal again. At least until the next city line, I knew we could drive as fast as we wanted.

Chapter 78: The Kickover Quest

As expected, our drive back from San Diego turned into an all-nighter, and we rolled into Reno with barely enough time to shower, grab breakfast, and load up for our first show at Circus. My body still felt the miles, but the fatigue didn’t affect the act. We were already halfway through our second show and were still dropless for the day. A few more clean throws, a quick side switch, then I picked up a seventh club to launch into our popcorn sequence. Popcorn is a shifting, lopsided run of patterns where the weight of the rhythm bounced between us, layered with self-throws and oddball passes to keep the whole thing feeling lively.


Halfway through this sequence, I noticed an attractive blonde walking away from the midway. I watched as she made her way to the escalator, did a 180° turn to enter it, and stood on one of the steps slowly descending to the floor below, where the hotel’s main casino resided. Throughout this, I kept juggling, passing all the right tricks at all the right times, and catching Jonathan’s incoming throws, but keeping my eyes on her all the way down until finally the safety railing interposed itself, blocking her from view. Only when she’d disappeared did I snap back and realize what had happened. I’d grown so comfortable with our act that I could do it quite literally, without looking. I thought about that as we juggled eight, and then nine, and finished with a flourish to the applause of the crowd. 


It’d been nearly five years since we’d decided to try and win the world championships, and for the first time, I thought we might actually be good enough to do it. And if we did do it, what then? What would the next objective be? Do I try for the individual’s championship too? Am I good enough? 
I shared these musings with Jonathan over lunch, and he thought about it for a minute, “How long would it take you to put together a routine for individuals?”
“I’ve got a couple of sequences that are strong, but I don’t think I’d stand a chance this year. But if I start working on it, I might be able to compete in individuals next year.”
Jonathan nodded, “Well, start putting it together, if by the time the championships are here you’ve got an act, enter it into prelims, you never know, you might get in.”


“Okay, but we’re here to win teams, that’s what we’ve been gunning for, I don’t want to dilute the focus.”
“Our act is the tightest it’s ever been; it’s not going to hurt anything if you work on a solo routine. If anything, it’ll give us another act for the show, and we’ll need a full hour of material if we’re ever gonna do cruise ships.”
“True, and I guess I don’t have to enter it if it’s not ready.”


“Exactly. Do you have a plan for how you’d structure the act?”
“I’d open with my two-minute three-ball act. Flow into five balls, do some of my quirky patterns, and end with something clean. Then I’d start into three clubs. I could do some nice tricks, but I was thinking that instead of focusing on the tricks, I’d put most of my energy into the transitions, finding as many interesting ways as I can to get from one pattern to another. For the finale, I’d end with five clubs plus sword swallow.”


Jonathan’s eyes widened at this last part, “Has that ever been done before?”
I shook my head, “No, it hasn’t.”


“It gives you a gimmick.”


“It does.”


“Have you already tried it?!”
“I haven’t.”


“Is it even possible?”
“I don’t know. But I’ve practiced five clubs with my head tilted back in the position I would be in if I were sword swallowing, and it seems doable.”


“If you can do that, it would be awesome!”
I nodded, “Okay, I’ll start working on it.”


* * *

 


Most mornings, before our shows were scheduled to begin, I’d squeeze an hour of training in at Circus. The Midway was all but deserted until the first of the free shows started, so I’d head down to a big open area by the stage and run my solo act. 
I didn’t need to invest much time in my three-ball act; I was already doing it every day in our stage spots, so the performance time itself served as training. I also didn’t have to put a ton of energy into a five-ball act because I’d done a five-ball act when we were working at Legoland. It wasn’t the most insane five-ball work around, but it was okay. For the grand finale, I wanted to juggle five clubs and sword-swallow, which would be difficult but also simple to train. All I had to do was practice five clubs with my head tilted back, while visualizing myself sword swallowing at the same time. So that really only left me with one major piece to work out, the three-club routine. 


I knew I wanted to do a flashy start, so I began there. I’d throw all three clubs up, a flash start, and when they came down, I experimented with all the places I could go. What about a 180°? Now my back is to the crowd, so I should do back crosses and throw all the clubs behind my back since the audience will be looking at my back. Or, what if I turn 90° to the side? Now I should do flashy twirling flourishes, since the audience will see the club pattern from the side. This experimentation led to the creation of a set of rules that formed a framework for my routine. After each trick or pattern, I had to change my pattern, angle, or height. If I were facing the audience, I’d look for a way to turn to the side. If I were throwing high, I’d transition to throwing low. If something was fast, the next thing should be slow, and I wanted as few “setup” throws as possible between tricks. Avoiding the rhythmic, juggle juggle juggle, big trick, juggle juggle juggle, big trick, style popular at the time. By the end of the first hour, I’d stopped even thinking about it as a series of tricks; the tricks had become anecdotal. It was about the plane shifts, the rules, and finding interesting transitions in the in-between places. 


To my surprise, a sequence I liked began to emerge in just one session. 


Making it solid would be something else, but at least I had a base to work on. The biggest problem now was that I didn’t have a powerful finishing move. What could I do with three clubs that was undeniable, something with the wow factor? Kickover (now known as scorpion kick) flashed into my mind, and I groaned to myself, Ughhh, that’ll take forever to learn. The Kickover was a trick I’d first seen in an IJA video in which Tony Duncan won the gold medal. He’d taken a juggling club and balanced it on his forehead. Then, he let the club fall behind him, and without looking back, he blindly kicked his foot up, striking the club with the bottom of his foot. This caused the club to fly back up in the air, over his head, to where it could be integrated back into the juggling pattern. It was a sick trick, and especially impactful because everyone, juggler or not, could appreciate its difficulty. It was one of those tricks that looked as hard as it actually was.


I’d tried it before, and even gotten it a few times, but those successes had been flukes, the result of luck and persistence rather than any real grasp of the trick’s inner workings. By now, the championships were only weeks away; there’s no way I could get a trick that difficult wired in that quickly, so that was out.


I racked my brain, trying to think of an alternative finale for three clubs, something more reasonable to learn, but I just couldn’t think of anything else as good. The juggle gods had answered my question, and the answer was Kickover. 


Ok, I thought, what the hell. I stood up and balanced a club on my forehead, getting it stable, and I let it fall behind me. When the moment seemed right, I whipped my left foot up and, with a mighty kick, missed the falling club entirely. I heard the plastic-y thunk sound of the prop hitting the carpeted floor. 


This is pointless, I thought, but on the heels of that thought were the words, do it again. I repeated the balance and got another air-ball kick. Do it again. I tried again, and this time I felt the club ever so slightly graze the inside of my foot. It still fell to the floor, but that minor touch gave me information. I now knew that I needed to swing my foot about two inches farther to the right so the falling prop would land in the middle of my foot. 


I balanced the club again, conscious to kick more to the right. This time, the club landed solidly in the middle of the sole of my foot, but when it did, there was no energy in it; it had landed when I was at the end of my kicking stroke, so the club landed on a stationary foot. 


Ah, more information, I’d kicked too soon. 


I balanced it again, to the right this time, and waited longer. I dropped the club again; this time, it landed on the sole at the right spot and at the right time, so the kick actually had some power. The club absorbed the energy and flew wildly off to my right, totally uncatchable, but better. I was beginning to understand how I might work out each piece. 
By now, I was out of practice time and had to go to the green room to get into costume for our first show, but my curiosity about kickover was piqued. I knew I’d be revisiting it soon.


* * *

 


Each day, I worked on kickover, training in a similar way to how I had with the ass catch, improving gradually. Quickly, I discovered another quirk of the move: if you kicked it just wrong, instead of flying up, it would smack you square in the back of the head. Never enough to do any real damage, but plenty hard enough to send my temper off the cliff. I had to fight through several phases where this head shot came in consistently; on those days, I hated the kickover. Eventually, I learned that I could reduce these head shots by always placing the club in just the right spot on my forehead during the balance, one more tiny detail on the road to consistency. 


After a week, I had a day where I felt really good, so I pushed myself to do the trick 100 times in one session. The day’s training was filled with curses and frustration, but, like the ass catch, I stuck with it and got it 100 times. 


From that day on, the trick was there-ish. I had confidence in my ability to do it, if not on the first try, within a few tries. So it was integrated into my solo championship routine and practiced alongside everything else during run-throughs. 

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Pictured: Kickover, or Scorpion Kick

Chapter 79: Talking Chihuahua

The phone rang, and it was a local used car dealership asking if we would be willing to do a commercial with them. They had seen us perform on the midway and thought we were great. We had never seen any of their commercials or been to the dealership, but it was a paying gig, so why not? We accepted it without really knowing what we’d be doing, but trusted we could handle it.


On the day of filming, we drove to the lot. 


For a used dealership, it was surprisingly nice. The place sat on a corner, with a wide asphalt lot and rows of cars lined up, paint polished and windows reflecting the hot Reno sun. The inventory looked really clean, no dented junkers shoved in the back row, just solid, presentable vehicles that looked like they could’ve been on a new-car lot just a few years before.
We parked and walked up, and I was surprised to see a full filming session in progress. They weren’t messing around. Big professional lights were set up, heavy cameras perched on tripods, and a guy with a long boom mic stood ready. The host was a beautiful Latina woman with a striking presence. She carried herself like one born to be in front of a camera.


We introduced ourselves and met the crew. One of the technicians explained the setup: apparently, this dealership had a little Chihuahua who was the real star of the show. The routine was simple: they would smear peanut butter on the roof of the dog’s mouth, and while the little guy licked away, they filmed close-ups. Later, in post-processing, they’d dub in a voiceover, making it sound like the dog was talking about that week’s deals, a big sale, or a particular vehicle they wanted to push.


This is where we came in; they wanted us to juggle clubs around the host and the Chihuahua, just to add a little spectacle as the dog “delivered his lines.” I also did a sequence with sword swallowing, in which the host, smiling confidently for the camera, pulled the sword from my throat. I can only imagine what they had the dog say in the final clip. I never did get to see it. But the whole experience was fun, and they paid us well for our time.


That very well could have been the end of the story, just another gig on the ever-growing list. But a few weeks later, I took my little Suzuki Swift into the shop, and they told me it would cost over $2,000 to make the necessary repairs. The car had been a champion, delivering me through unbelievable trials, moves, and tribulations. But now, I wondered if it was worth investing another $2000 into it, the worry, of course, being that it might just need another couple thousand six months down the road. Remembering how kind the folks at the used car dealership had been, I decided to pay them a visit.


When I walked in, one of the sales reps recognized me from the video shoot and asked if I needed anything. I got the feeling he thought I was there in relation to the commercial, but I explained the car situation, how it was going to need $2000 in repairs, and said I might be in the market for a vehicle.


He nodded and said, “Please, go walk the lot. If you see something you like, we’ll get you out for a test drive. If you like it, I will make sure you get the best possible deal.”


Something about the way he said it made me feel like a friend or family member, not just another customer, and I knew he meant it.


I went out to the lot and made a loop. Near the end of my walk, I entered the section where the trucks were kept. First in the row was a 2001 Toyota Tacoma SR5, which had always been the vehicle I’d envisioned myself owning if I ever became “successful.” It was silver, with light-tinted windows and a moonroof, an extra cab, the electric package, four-wheel drive, and a manual transmission. Instantly, I knew this was it. I didn’t even look at the other trucks. The only thing I didn’t know was whether I could afford it.


I went back inside, and he grabbed a key for me. I took it for a spin and was reassured; this was the one. With its enthusiastic V6, I’d never again be stuck on a mountain climb doing 35 mph, win! 
The only negative was that it had 120,000 miles. But I figured, being only two years old, those had to be highway miles. I could live with that.


Even with the higher mileage, they had it listed at $12,700. It wasn’t cheap, but the car was clean enough that the price made sense.


I went back into the office, expecting we’d start by talking price, but he pulled out the paperwork and started to write me up.
“How much do you have for a down payment?”
“I could do $2000?” I said.


“How’s your credit?”
“It’s good, I just don’t have a lot of credit history.”


“It’s ok. Would you be okay with setting up a savings account with our credit union? The one thing is, you have to maintain a $500 minimum balance.”


“Uh, yeah, I could do that.”


“Ok,” he continued writing for a bit, then slid a sheet of paper over to me. “How does this look?”
I looked at the sheet:
He’d crossed out the original price of $12,700 and revised it to $9,000.
Down Payment $1,500
Credit Union Savings Account $500
Financing $7,500 at 5%
As I looked it over, he said, “The best part, when you’re ready to make your final payment, call the credit union, have them apply the money in the savings account towards the balance, and you’ll get some money back.”
It was a 36-month loan, so my payment was about $225 a month. A manageable commitment that made me feel like a real adult, financing my first vehicle.


The deal looked more than fair. I looked him in the eye, as my parents had always told me to do when making a deal, and said, “Thank you.”


He reached out his hand, and we shook.
“Oh, I forgot,” he said, “Do you want to trade in your old car?”
“Oh, yeah, that’d be great, but you know it needs a bunch of work.”
He looked out the window, “It’s the little white one?”
“Yeah, that’s it, it’s been a great car, just needs work.”


“For anyone else, you’d be lucky to get $300 for it, if that.”


Considering the deal he’d already given me, I would’ve let him have it for $300.
He thought about it for a few seconds, then said, “I’ll give you $500 for it, does that sound fair?”
“More than fair,” I said.


“Okay.” He reached for the paper he’d drawn up and added the $500 trade-in, which lowered my vehicle loan to $7,000.
“Give me a minute to put all this in. Then I’ll need you to sign some paperwork. But here’s the key, if you want, you can start transferring over all your stuff.”
That sounded great, and I got to it. 


Forty-five minutes later, everything was sorted, and I rolled off the lot in my “new to me” truck.
As I drove towards home, I couldn’t believe it. I’d just bought my first vehicle with money I’d made from juggling. And got a deal on it, too, because I was a juggler. What a crazy thing! 
I pressed the buttons and rolled down the power windows, letting the hot Reno air rush through the cab. Then I popped the moonroof and turned up the stereo. What a great sound. 


Years earlier, I’d sold my little brown, broken-down truck just to buy a handful of juggling props. At the time, it had looked like a reckless move: Who sells their vehicle to buy juggling equipment? But those props had given me the chance to get good, to build an act, to hit the road, and eventually, earn money as a performer. 
Now, after all that work, those same props had bought me this truck. And not just any truck, the truck I’d always dreamed of owning.


It felt like proof that sometimes the strangest decisions, the ones that don’t make sense to anyone else, are exactly the ones that set the wheels in motion.

Chapter 80: Hall Pass

Our official run at Circus Circus came to an end. 


The pace had been relentless. But we’d grown tremendously, not just as jugglers, but as entertainers. 


And with the contract finished, we had two weeks to prepare for the world championships. The plan, same as always: Train, focus, hit it hard.


Then the phone rang…


* * *

 


Jonathan glanced at the screen and said, “It’s Matt Hall.” 


He tapped the speaker button.


“Brother Hall, what’s happening? I’ve got you on speaker here with Bill.”


Matt’s cheerful voice filled the room: “My brothers! I was talking with Lisa last night, and I told her how I wished I could go train with you guys. She looked at me and said, ‘Why don’t you?’ And I thought, yeah, why don’t I? You both know how bad I want to do the championships, and you both know I’ve tried two times before, and have been rejected both times. One year, they said I wasn’t juggling enough; another year, they said I didn’t have the whole package. But this year? This year I’ve worked harder than ever. I’m the complete package. And to make absolutely certain, I want to come train with you guys for a week. Tear me down, mold me, what do you say?”


Jonathan and I looked at each other and grinned; we didn’t need to discuss anything.


“That would be awesome!” Jonathan said. “When can you be here?”
Matt howled in victory. “I could be there in two days.”


“Let’s do it!!!” we shouted in unison.


“Ok, I’ll see you in two days.”
Click.


* * *

 


Two days later, Matt arrived in Reno, and we took him out for a famous $5 steak at one of the casinos. On the drive back, the car buzzed with conversation about juggling, our acts, tricks, and the upcoming championships. Matt could barely contain his excitement. He told us about all the big tricks he had worked out, including one that made me perk up immediately: the Three Ball Whirlwind.


The Whirlwind is where you juggle three balls, throw them all high into the air, spin yourself in a pirouette, catch the first ball, spin again, catch the second, then spin a third time before catching the third ball back into the pattern. As a fellow three-ball aficionado, I knew how brutal that trick was.


“Wait,” I said. “You’ve got the Whirlwind down?”
“I’ve got it DOWN,” Matt said with full confidence.
“Ten out of ten?” Jonathan asked.


“Ten out of ten,” Matt replied.


Wow, I thought. He had been training hard.


When we arrived at our apartment, we stepped out into the dimly lit parking lot. As we unloaded Matt’s car, I reached into the backseat of my truck for an ever-present set of juggling balls.


“Hey Matt,” I said, grinning, “show me that Whirlwind.”


Matt laughed. “What, right now?”
“Yeah, why not?”
“But these aren’t my beanbags.”


“Yeah, but you’ve got it down,” I teased.


“Well, yeah, but I’m not warmed up.”


“True,” Jonathan said, “but it’s ten out of ten.”


Matt is unsinkable, and though he did give us the “you guys are bastards” look, he took the beanbags and set up for the whirlwind. He tried it, but one of the beanbags flew out. He tried again, but this time he lost one in the light from a floodlamp. Then the ground wasn’t even. Then this, then that… He tried it ten times, and not once did he get close to landing it. He tried two more times, just for effect, but both failed. 


“Well, that’s out,” said Jonathan knowingly. 


Matt protested, “Naw, man, this doesn’t count. Tomorrow in the gym, I’ll show you.” 


* * *

 


The next day, we all went to train, and Matt showed us the whirlwind. True to his word, he could hit it most of the time. I 100% believe he’d had sessions where he really was going ten-for-ten. But it wasn’t consistent enough for a world-championship act where every drop hurts you a lot. By the end of that first day, Matt agreed to cut it. 


The second day was a repeat of the first. Jonathan and I would do our team’s act, then I’d do my solo act, then Matt would do his act. Throughout, we were all open to and freely gave out notes for improvement. 


Day three was more of the same. Jonathan and I would run our team act, then I’d do my solo, then Matt would do his act. Round and round, hour after hour. The gym echoed with music, juggling crashes, and more than occasional curses when things went badly. We all gave and received notes, then we ran it again and again.


We noticed that if Matt blew a trick early in his act, he’d shout, “Stop stop, start the music over, I’m gonna go again.”
But Jonathan wouldn’t do it. “Nope. You gotta work it out. Can’t call for a do-over in the middle of the competition.”
This drove Matt crazy. He hated pushing through after an early flub. But it was necessary. You’ve got to keep the focus even when things go sideways. Drops lead to more drops.


Matt’s act was packed with difficulty. He clung to those hard tricks, worried that without them he wouldn’t make it past prelims. We tried to pull him back, to lower the degree of difficulty so he could go clean. Eventually, Jonathan proposed a deal:
“Any trick that gets missed three times in a row during run-throughs? It gets cut. Deal?”
Matt agreed, confident he could beat the rule.


But over the next two days, trick after trick got cut. Each one stung. Matt’s frustration built until, after one particularly rough run-through, he collapsed next to us on the floor and said, “There’s nothing left. We’ve cut everything that was good.”
I didn’t know what to say. We’d pushed him hard, for all the right reasons, but still, I could feel his pain. I stood up, grabbed my props, and said, “I’ll run mine again.”
While I was juggling, I saw Jonathan lean over and speak quietly to Matt. I don’t know what he said, but when I finished my run, Matt stood with renewed resolve and said, “I’m going again.” From that moment on, he was better. And every day after that, he improved by leaps and bounds, sharper, cleaner, more confident.


By the end of the week, we’d all run our acts fifty-plus times and were as ready as we could be.


The day before Matt was scheduled to drive home, he said, “You know what I’d love? If we could go to the casino where the competitions will be held and see the stage. Just so I could have it in my mind, visualize it, and know what it’s gonna be like.”
This was a tailor-made mission for Rootberry, and we said, “Let’s do it.”


Matt was like, “Seriously? They’re not gonna let us in…”
“Maybe they do, maybe they don’t, maybe we sneak in? Let’s go see.”


So we walked to the casino, just five minutes from where we were living. 


When we entered the casino, I imagined the Mission Impossible music playing in the background. We walked to the theater’s entrance, and just as we got there, a friendly-looking janitor pushing a large wheeled trolley with an assortment of cleaning apparatus in tow exited through the main doors. I reached out and held the door for him to make his exit a little easier.
He looked at me and said, “Why, thank you, sir.”


“Of course,” I said, “many hands make light work.”


He smiled at that, and seeming to realize we had more on our minds, asked, “Is there something I can help you fellas with?”
“Actually, yes, or maybe? We’re with the convention that’s coming through next week, and we’ll be performing on this stage during the main show. Since we’re already in town, we were hoping to take a look at the stage and see what’s what. It would only take a minute.”


The elderly janitor chuckled softly, then said, “Well, shucks, I thought you was gonna ask for something hard. That’s an easy one.” 


With that, he abandoned his rolling cart and led us into the theater. The room was dark, but we followed the emergency floor lights, and reaching the end of the walkway, we were able to get a reasonably good look at the stage. We discussed what it might be like and wondered aloud how challenging the lights might be. The janitor overheard us and said, “Would you like me to turn the light on?”
“Could you?” we asked, “That would be great!”
“I can’t do all them fancy lights, but I know where the work light switches are, and if you want, you can go right on up there, get you a feel for it.”


This was a dream come true. Matt, Jonathan, and I got onstage and started walking around. When the work lights came on, Matt said aloud, “Do you think he’d mind if I juggled?”
“I doubt it, just don’t fall off the stage.” We all laughed, and Matt opened his ever-present bag of props. 


I watched as Matt visualized himself taking the stage, looking out at the imaginary crowd, starting his act, and even running sections of it on the actual stage we’d be performing on. It was glorious. 


We didn’t want to be greedy, though, so we wrapped things up. As we passed the janitor on our way out, we made sure to thank him again.


“No need to thank me, that was great! So you guys are in the show?”
“Yes, it’s the world championships. It’s like the Olympics of juggling, and we’re all hoping to get a medal.”


“Well, from what I just seen, you gonna do just that.”


We laughed and said, “We hope so.”


We walked out of the theater, feeling for the first time like we might be ready. 

Chapter 81: IJA - Reno Nevada - July - 2003

A few days later, we were back on the schedule at Circus Circus, filling in, just as Mark had promised. He scheduled us to the gills to make sure we got in lots of practice. We had performances right up until the day before the IJA festival actually began.
We finished our last show and packed up, knowing we were as prepared as we could be. 


* * *

 


Reno is always buzzing, but now, jugglers began populating the downtown streets, and I saw colorful backpacks with props protruding at every turn. It felt surreal. To already be living right here, and have the International Jugglers’ Association festival right in our backyard? It was a dream come true.


We begin to see familiar faces, and hugs or waves are exchanged; the salutation of the day is repeatedly echoed: “Good luck at prelims tomorrow!”
Yes, tomorrow: Tuesday, July 15, 2003, at the Golden Phoenix Hotel Casino Theater, the team’s preliminaries: 10:00 am–4:00 pm. 


We’ll be there.


That night, to my surprise, I slept easily. 


* * *

 


The next morning, Jonathan and I had our normal breakfast, then left for the Golden Phoenix. Mark regularly had us perform sets at Circus as early as 10:00 am, so it felt like any other day and any other show. 


We arrive, check in, and wait patiently. I don’t feel nervous at all. 


“Rootberry, are you ready?”
“Yes, we are.”
“Ok, take it away.”


The music started, and we went into our ring routine, everything falling into place nicely. Even though the stage was different from the one on the Midway, we were relaxed. Unlike years past, this felt like a walk in the park. Near the end of our six-club passing bit, Jonathan threw a high triple to put me into five clubs solo. For some reason, the club flew out like an NBA all-star shooting a massive airball in the big game. It was so ridiculously out of range that we both burst out laughing. Then we picked it up, did it again effortlessly, and continued the act. 


Other than that one flub, the rest of the act was dropless.


We took our bow, thanked the judges, and packed up. 


As we walked to the parking lot, Jonathan looked at me and said, “How did you like that triple I threw you?”
“The one that went to our invisible third teammate? Loved it!” 
We both laughed, and Jonathan continued, “I don’t think it hurt us.”


“No, and if we could magically have that exact run through at finals, I’d take it.”


“Me too!” Jonathan nodded, then added, “Now there’s just one more big hurdle to get over, tomorrow…”
I know he means the individual competition prelims, which are scheduled for the next morning, Wednesday, July 16, 2003, 10:00 am. 


I shake my head, “Yeah… I’m still not sure I’m going to enter.”


Jonathan’s face grew serious, and he seemed to be looking at something far away, clearly thinking, “Well, you do what you want, but I think you should.”


I nodded, appreciating his support. 
We got in the car, and I thought back to the previous year when we’d won our second silver medal. At the end of our act, we’d dropped nine clubs two times in a row, and when we recovered, I’d decided not to try it a third time, so we left the stage in failure.


That was on me, and I’d made a bad call. 


Now, my greatest fear was that entering the individuals could split my focus, and possibly put me in a bad headspace for the team’s competition. 


If there’s any chance it could hurt our team effort, it’s just not worth it. 


* * *

 


Later that night, I still hadn’t made up my mind about the individuals. 
But just in case, I went to bed early.


Midnight rolls around, but I can’t sleep. I’m thinking a million miles an hour. I consider taking Benadryl, but I don’t want a Benadryl hangover either, so I don’t.


1:00 am… I’ve never been a good sleeper. 
2:00 am… Ughh!! I have to sleep! 
3:00 am… Jeebuz, I get up and pop a Benadryl. 


3:43 am, still wide-eyed, I glance at the clock…
4:00 am, sweet sleep... 


* * *

 


My alarm goes off at 8:00 am, but I feel like garbage. I just want to skip it and stay in bed. Lying there half asleep, I decide that the team competition is what really matters; that’s what we’ve trained for. I pull the covers back over my head.


Fifteen minutes pass.


Thoughts run through my head…
Well, if I got up and went now, I’d just have to skip shaving… 
I stay in bed.


Another thirty minutes.
If I went now, I could skip a shower and still make it… 
Still, I stayed in bed.


Another fifteen.


If I went now, no breakfast, no shower, no shave, I’d look like a total scrub walking in there… So I can’t go, it’s too late… 
Then, I hear Matt and Jonathan in my head. We’re back at the gym where we were all training together: “You’ve got a good act, at least try.” 


“Ughhh, fuck it!” I spring out of bed, splash water on my face, grab a costume I’d already worn for a day of shows at Circus, and grab the prop case I’d prepacked just in case.


I quickly cover the few blocks to the Pavilion. 


When I arrive inside, jugglers mill around the lobby, warming up with beanbags and clubs. I check in at the table and wait for the doors to open.


When they do, we all go in, and several competitors go on before me. 


Then a voice calls out:
“Bill Berry, are you ready?”
“Yes, I am.”


“Do you have any special requests for lighting?”
“Yeah. General wash, blue or purple gels, sixty-five percent. No follow spots. House lights at twenty percent.”
The lighting tech nods and adjusts some sliders. I hand my CD to the audio guy.
“Feel free to punch it,” I tell him. “I wanna feel the music.”
The lights snap on.


“How’s this?” the tech calls down.


I squint up. “Looks good.”


The audio guy leans forward. “When should I start the music?”
“After they announce me. I’ll walk to the center. As soon as I stop, hit play.”


A judge says, “If that’s everything, you can start whenever you’re ready.”


“Thank you,” I say. “I’m ready.”


I walk to the wing and pause. In the dimness of the third row, I spot another competitor. I’ve never met him, but I know who he is. For months, the juggling message boards have been buzzing: He’s coming to Reno. He’s going to win everything. He’s a virtuoso, a technician on another level.


Oddly, that takes the pressure off. If he’s already slotted to win, I can just have fun.


I step onto the stage with three beanbags in hand. Stride to the center, stop, and boom, the first beat drops, my throw flies perfectly in time. I love it when that happens.


Three balls. Clean. Crisp. In rhythm. My body tunes itself, my earlier haze burns away. Every sequence lands. Every trick clicks. The pirouette, the reach-through, the ass catch, BAM! Palm, dead center. One more high throw, catch over my head, freeze, and style. My three-ball act is done, and no drops!
The judges clap.


“Let’s do this,” I whisper to myself.


Five balls. My opening move is mine, something I’ve never seen anyone else do before. Five-up stacked flash start, and it comes in clean. I flow through pirouettes, behind-the-back catch, BOOM, I’m still dropless. 
Judges clap again.


Three clubs now. Flash start, music hitting perfectly. Sequences, transitions, and backcrosses are tight. Triple spin, quarter turn, blind throw behind my back, to Albert throw, and it comes in as a 3D overhead cascade. I hold the pattern, set one club into the forehead balance, belly lock, then release. The club falls, vanishes, and, smack, my foot kicks it cleanly back into the pattern, perfect scorpion kick! I can’t believe it, I’m still dropless. Final catch of three club, nailed it!
I’m on fire!
Now the sword. As I prep, I suddenly realize I’ve never actually done this before. I’ve rehearsed, visualizing it with my head tilted back, but never the real thing. And now I’m about to swallow a sword and juggle five clubs, for the first time, LIVE, in prelims.


I breathe deep.
Sword in hand, I place its tip at my lips. Tilt, relax, slide. Smooth. It goes down.
Clubs up. First throw, clean. Then the next four fall in. Rhythm. Don’t be greedy. Triple spin high, spot it, and as it comes down, I scissor-catch it between the two clubs already gathered in the hand. OMG, I just went dropless!
The judges’ table erupts, and several of them pound on the table.


It works, the sword swallow and five club juggle actually works!


I pull the sword out, bow, and, smiling ear to ear, pack up my gear.


As I step off, I glance back. The virtuoso is next. I hesitate, not sure whether I want to watch him. What if it gets in my head and makes me tense up? But then I think, I just went dropless, my act is going to go however it goes, let’s see what he does.
I take a seat. 


He comes out strong—sick tricks, monster difficulty, and I think he’s going to get the gold for sure! But then he drops. And then drops again. Ten, twelve misses. It’s brilliantly difficult, no doubt, but droppy. I wonder how the judges will score it. 
He leaves the stage, stiffly, I thought. 


I wonder: Did my act get in his head? He’s so much better than me. But he watched me, and I did go dropless, that has to mess with someone, it’d mess with me…
As I’m thinking this over, one of the preliminary judges comes over to congratulate me on an act well done. We have a nice exchange, and he’s about to go back to his chair when I think of something. 


“Hey, can I ask you for a favor?”
He looked back and said, “Sure, well, probably, what’s the favor?”
“If I did well enough to make it into the competitions, and if Jonathan and I also make it into the competitions, could you stack the cards so that Rootberry does their act first, and I go on later with my solo act?”
The judge considered this, and I sensed that he was wondering why, so I added, “We came here for teams. That’s why we’re here, so I want to put everything I have into that. I’m worried that if I went out and did my solo act first, and heaven forbid, had a bad showing, I wouldn’t be able to shake that off and deliver my best in our team’s act. But if we do teams first, whatever happens, I’ll know I’ve given it my best.”


From across the room, the lead preliminary judge said to the next competitor, “Are you ready?”
The competitor answered that he was, so I knew the gentleman I was speaking to had to go. “Only if it makes sense and isn’t any trouble,” I added, “whatever happens happens.”


A former competitor himself, he nodded his understanding, then returned to the judging table without a word.


* * *

 


My prelim is complete, so Jonathan and I meet up to grab lunch before circling back to the gym. There’s a board posted with all the festival announcements, and we know they’ll post the preliminary results soon. As we approach, we see that Matt Hall is already there, bouncing like a pogo stick.


Seeing us, his eyes grow wide, then he shouts, “Guess who made the cut?!”
“Matt Hall,” I say.


“YESSS!” He pumps his fists. “Guess who else made it?”
“Rootberry?”
“Yes!—but not just Rootberry. Berry too! We’re all in!”
I blink in shock. No way. My solo act was just a skeleton, something to grow into in the coming years. I never expected to make the finals.


I push through the assemblage to see for myself. The list is posted. But it’s not just the finalists—it’s also the running order for tomorrow night. Rootberry in the first half, Berry in the second.


The judge granted my request.


So no excuses. If I fall apart up there now, it’s all on me.
All my life, I’ve asked for one chance. 


One chance to break the mould, and live a life different from the one I’d been assigned.


Come on, universe, I whisper. You’re giving me my shot, let me rise to the occasion and take it…
The universe gave no answer…

Chapter 82: Game Day

Thursday, July 17, 2003: The Championships. 

​

I’m standing next to the main curtain. Matt Hall is on stage performing. I saw his act so many times when he came to train with us that I know it move for move, and yet, he still found ways to improve it since we saw him last. He is electric, feeding off the crowd, and nailing everything! Then he has a little flub, nails it again, then another miss, but in every way, he accomplishes his routine and brings it home. 

​

When he strikes his final pose, there is thunderous applause, and the audience knows they are seeing something special. 

Matt struts off stage ten feet taller than he was when he walked on. 

​

He has a good chance to medal, I think. And after what he’s gone through to be here, what it took for him to do this act, he absolutely deserves it.

 

As he comes off stage, I grab him in a bear hug and pick him up. He throws his arms in the air and starts shouting, “Five, fucking five,” (the number of misses he’d had), but it isn’t a lamentation, it’s a victory cry. For the difficulty, five misses is an A+. Forgetting ourselves, we are way too loud, and a couple of people backstage shush us. This brings us back to the present. 

​

“Oh, yeah,” Matt whispers, “it’s not over.” 

​

The main curtain has closed, so we run out to strip all of his gear from the stage so the next act can set up. 

It’s funny, with most of the other competitors I feel a sense of competition, a desire to do my best and try to win. But with Matt, I don’t feel any of that. I’m not competing with him; we are competing together. If what he just did out there wins him the gold medal, so be it. I’ll be just as happy if he wins as if I won myself.

​

Now, with Matt finished, I can focus, or zen out, or who knows what, because the next thing I remember is a backstage tech saying, “Rootberry? You guys are up next.”

​

The main stage curtain is closed, so I carry our prop case out to its place. I can hear our friend and MC, Ivan Pecel, filling time while we set up. He says to the crowd, “And now, I present to you the sounds of juggling.”

As I hang our juggling clubs on their display hanger, a soundtrack in the front of house starts. It is in the vein of one of those “Sounds of the rainforest” or “Crashing waves” CDs. But instead of the peaceful sounds of rain or sea birds calling, it is the sounds of different juggling props being dropped on various surfaces. The audience laughs, and I chuckle along with them.

As I busily set up our case, Jonathan directs the placement of some “additional elements” that we’ve added especially for tonight’s performance.  

​

There’s a folding table with three chairs set up on the audience’s right. Rhys Thomas (a brilliant performer), Mary Jane (dear friend), and The Butterfly Man (Robert Nelson of Pier 39), all well-known persons from the juggling world, come out and sit at this table. These three will be playing our “judges.” We figured that since we’d gotten silver the last two times we competed, we’d just bring our own judges. 

​

Once they are set, Jonathan directs the techs to put another table with two chairs centerstage, but toward the back curtain, so we can still use the whole middle area for juggling. Bryson Lang comes over and sits at this table. We’ve always loved his quirky juggling style and sense of humor, so we asked him to be our onstage commentator, kind of like what you’d hear at a sporting event. The second chair is reserved for Ivan, our second commentator. But he’ll come back and join after the act begins since he’s out in front acting as the show’s MC.

​

Ben Schoenburg, owner of the Serious Juggling prop shop and well-known five-ball juggling marathon runner, appears. He is wearing black shorts and a black-and-white striped soccer referee’s shirt we’d provided. We shake hands, and to prove he is ready, he shows me a set of yellow and red penalty cards.

​

Glancing into the wings, I see all the other good souls who’ve agreed to be here, and I can’t help but smile. 

Everyone has shown up, and everything is in place. 

​

The presence of this entourage was the culmination of a quiet awakening Jonathan and I’d had several months before. 

​

After two years of chasing gold by trying to be like someone else—first the West Coast rock-and-roll archetype, then the rigid gymnastic clones of the act who’d beaten us in year two — we realized that we needed to discover “Us.”

​

​

One night over dinner, we made a pact: This year, win or lose, we do it our way. 

​

And that “way,” we decided, would be a playful homage to our lives. 

​

We’d both grown up on soccer fields, so we traded our normal costuming for soccer jerseys. And since both of us love extreme sports, we wanted to find a way to bring that wild, reckless energy onto the competition stage. 

​

So in preparation for this night, we’d quietly become the architects of a conspiracy, complete with secret phone calls and the cashing in of all manner of favors. One by one, people agreed to play a role, and this one-of-a-kind play within a juggling act slowly materialized. There were no rehearsals; we never got everyone together to block it out. We just took people aside individually, explained what we envisioned, and trusted that when the time came, everyone would be great.

A technician waved at us and asked, “Are you ready?”

I look at Jonathan, and he nods, so I give the tech the thumbs up.

​

The technician says something into his headset. And the main curtain begins to open. 

Whoa, I think, not yet! 

​

Ivan is still doing his “sounds of juggling” bit, and he hasn’t even introduced us yet. 

But it’s too late, the curtain is already half open. 

​

I leap to attention, facing stage right and freeze, right hand over my heart; everyone else on stage does the same. We appear before the crowd, shadowy figures, on an unlit stage.

​

Out of the corner of my eye, I can see Ivan standing at the podium, and wonder what he’ll do now that we are fully exposed. 

What Ivan knows, but none of us do, is that the “Sounds of Juggling” bit is over 7 minutes long, and there’s no way to shorten it. 

​

So we stand there, in the dimness, at full attention, for the longest four or five minutes that have ever passed upon the earth.

During the wait, Ivan looks over at me and wordlessly whispers, “I’m sooooo sorry!” 

I smile and nod slightly, wanting to let him know it’s all good.

​

Eventually, the music comes to an end, and Ivan is back. “There you have it, folks, ‘the sounds of juggling.’ Available for just $19.95. But if you act now, we’ll throw in ‘The sounds of the diabolo’ for just ten dollars more.” For emphasis, the sound of diabolos hitting the ground plays over the house system. 

​

The crowd laughs nervously at this, enjoying the joke, but also acknowledging that we’ve been standing there for an eternity. 

Ivan unhurriedly organizes some papers, acting as if there’s nowhere he needs to be and nothing he needs to be doing. Then, as if he’s only just realized we were there, he says, “Oh, are our next performers ready?” 

This gets a huge laugh. Of course they’re ready, thinks the crowd.

​

Ivan waits until I physically nod in the affirmative, then says, “Oh, so you guys are ready, ok.” This gets another big laugh.

“Please welcome to the stage, Team, Rootberry!”

The crowd cheers, the stage lights come on full, and the final notes of the US National Anthem blare from the speakers.

When the national anthem ends, the “NFL on FOX” theme song comes on. Jonathan and I greet the crowd, then we shake hands, and the act begins. As I throw rings to Jonathan, Ivan, who’s now joined Bryson at the table on stage, says in his best announcer voice, “Here we have Jonathan Root and one Bill Berry.” 

​

Bryson responds, “I hear that they met at fat camp years ago.”

​

The crowd cracks up because Jonathan and I are both rail-thin. 

​

We crack up too because we never saw a script of what they planned to say, so it’s as big a surprise to us as it is to the crowd. 

We begin our ultimate seven-ring routine, passing to each other with both our left and right hands, which will earn us additional points for difficulty. 

​

Ivan says, “I heard they met in prison?”

Bryson doesn’t skip a beat, “Well, prison was first, and then fat camp, that was when Bill was a whopping 400 pounds.”

“Bill has always been a bigger individual.” Ivan agrees, “He is a very tall man, he must be at least 5'6" or 5'7" ”

“When he had an afro, he was 6'4" ”

“Yeah, well, he needs a haircut, really.”

“They use the same shampoo.”

Ivan and Bryson continue this back-and-forth commentary with jokes, at one point even pulling out a box of Cheerios that they’d haphazardly pasted a picture of us onto and announced, “Rootberry Burst Cheerios, soon to be available in your local cereal aisle.”

​

We finish our ring routine and switch to clubs. Throughout, Ben Schoenburg races back and forth, making a show of looking for violations or rule-breaking; his referee’s whistle swings wildly as he goes. 

​

Halfway through the six-club passing portion of our act, an adoring fan (Matt Hall) rushes the stage and, holding up one of our promotional headshots, begs for an autograph. Ben is on him immediately, first issuing a yellow card, then, when it has no effect, breaking out the red card. When Matt refuses to vacate the field of play, Ben gives the signal, and two security guards in bright yellow jackets appear. The bigger of the two — at over 400 pounds (for real)— our friend, Tim Clancey, strides out ominously. Beside him, in a jacket so oversized it drags on the ground, walks Aidan Bennett, who at a solid sixty-three pounds, is a force to be reckoned with. Tim grabs Matt and picks him up, while Aidan grabs one of Matt’s ankles. 

​

Together, they carry Matt off stage.

​

Throughout all of this, various sports tunes, “Jock Jams”, “We Will Rock You”, and other songs you’d expect to hear in a stadium play in the background. 

​

Then it is time for a break. After all that hard juggling, we need an “intermission”. 

​

Two young juggler girls bring out stools and set them for us. Jonathan and I sit in our chairs while they towel us off and give us water. During this halftime break, juggler Aurora Bennett, all decked out in cheerleader garb, does cartwheels across the stage, then jumps onto our judges’ table and does a dance. A second cheerleader, clearly a man dressed in drag, is also doing gymnastics. His sequence culminates in a roundoff back tuck, but the spin is so fast, his wig flies off mid-rotation. He runs off stage in feigned embarrassment, and the audience roars at this confirmation of their suspicions.

​

“Intermission” over, we get back to the juggling. We do our eight-club sequence and pull in eight-club singles. 

Jonathan gives me a smile. I know what he’s thinking. We’ve tried eight-club singles in every one of our championship routines before, and every time before, we’ve missed it, but this time, we pull it in clean.

​

Now it is time for nine, and we get in a nice long run. 

​

At Circus, I’ve been doing the bit where I miss a time or two on purpose to build the drama, but in competition, I worry the judges might not realize we are dropping on purpose, and I don’t want to be penalized, so I bring it in clean. As I catch the last club, I quickly turn and place it like a football. Jonathan races across the stage and boots the club high in the air and off into the wings. We wait, watching as if we are waiting to see if it will go through the uprights, then we erupt in victory when it “goes in.” 

​

Ivan and Bryson at the announcers’ table stand up and shout, “It’s good!!!” 

An immediate celebration breaks out. Everyone who’s been a part of the act rushes the stage and creates a mosh pit, then people from the audience run up and join the fray. 

​

We don’t even get to take a final bow because the throng picks up Jonathan and carries him off stage in victory, his reward for making the “winning kick.”

​

Ben Schoenburg, our referee, is left standing in the middle of the stage, where he does a masterful job of acting like he’s just seen sports history made. Then all eyes go to our three on-stage judges. They stand together, each holding up a card with the number ten printed on it. A perfect score!

The lights fade, and the curtain closes.

Chapter 83: Mr. Bill Berry

We did it, our team’s act was a success! 
We’d had one drop and two minor flubs, but nothing that could hurt the act.
I’d put in my best possible showing for the team. 


Now the pressure is off. No matter what happens during my solo act, I’ve delivered. We’ve done what we came to do.
Act after act goes on, until eventually, I’m the next up. The act before me finishes, and I hear Ivan begin my introduction. I take a deep breath and feel a surprising calm wash over me. Instead of the typical anxiety I feel before performing. I’m relaxed, so relaxed that I actually yawn through Ivan’s next words, “Please welcome, our next performer, Mr. Bill Berry!”
The crowd cheers, and I make my way out to the center of the stage. As the applause wanes, I smile at the crowd, hit my mark, then turn into my first move. The props fly out in perfect time with the music. In prelims, I told the technician to “make me feel the music,” and he obliged! Every beat vibrates my bones. 


I don’t think. If you’re thinking, you’re dropping — an act must be an extension of you. And it is. Every throw familiar, each breath choreographed. 


I line up for my final three-ball sequence, high throw, fast pirouette, catch back into cascade, throw high and slightly behind me, spot it, bend over, reach through my own legs, bam, I feel the beanbag plop in my hand as I hit the ass catch. 


The crowd roars, and I’m as thankful as I am stunned. I just ran the most challenging part of the act, and I’m dropless. Is this a dream?
Next up, my five-ball bit, and it goes well. At the end, I do my three-up out-of-five pirouette and miss, so I repeat it and miss again, then skip it and finish clean, moving on. 


Next up is three clubs, which also goes well. I have one drop, but it doesn’t hurt the routine. I hit everything else, including the kickover.


Now it’s finale time. 


I walk over to the prop case to prep the sword for swallowing, but my heart is pounding from exertion and adrenaline, so I force myself to slow down. I knew this might happen, and in preparation for it, I’d placed a water bottle in the case. I take a moment to crack it open and drink, enjoying the feel of the cool liquid as it trickles down my throat and splashes into my stomach. I mark that pathway in my mind; it’s the road map, the path the sword must follow. I gather the five clubs and return to the center of the stage. Taking another moment to prepare, I inhale deeply to calm my system, then upend the sword. Once it slides into place, I launch the five-club juggle. The pattern materializes beautifully, obediently, as if this were just another old trick in my bag. 


Only Jonathan and Matt know that this is only the second time I’ve ever done it in its full expression, and I’m the first person to ever do it in competition. As an artist, as a creative, we spend our lives trying to break new ground, to create or invent something new, and I’ve finally gotten good enough at something to do just that. 


The clubs continue their journey, spinning flawlessly. 


I throw one club high, gather the other four, and catch the high-thrown club between the two held clubs like a Mr. Miyagi chopstick move, a perfect scissor.


As I pull the sword out, the audience detonates. A roar rising so violently it feels like the walls themselves might buckle. They scream, they stomp, they pound the air with their fists.


My excitement rises along with them. Dropping all the props in my case, I stride to the front of the stage, bow, and blow the crowd a kiss. As the lights begin to fade, I run off stage.


Whatever happens next, I’ve done what I came to do.

Chapter 84: Deliberation

A few more jugglers went on after me, but I didn’t watch any of them. I stayed backstage, listening instead, gauging the room by sound alone. The swell of applause, the pauses, the sudden spikes. It seemed like several of them did well.
Then it was over.


Ivan explained that he would perform while the judges deliberated and began his show. 


We never knew how long that might take. Some years, when the judging was tight, the debates behind closed doors could stretch on and on as various opinions were bounced around in an attempt to compare the difficulty of a unicycle act with that of a juggler or a diabolist. Apples and anvils.


Ivan, one of the funniest human beings alive, was crushing as always, and the crowd was thoroughly entertained. But as the minutes dragged on with no sign of the judges, he slipped backstage, poked his head around the curtain, and whispered, “Hey, you wanna do anything? I’m out of material and we gotta fill this time.”


Jonathan, Matt, and I looked at each other and shrugged.


“Sure,” we said. Anything beat standing backstage, melting in anticipation.


We grabbed some props and walked onstage for an impromptu demo. Matt told the audience how he’d come to train with us and that we’d cut some of his hardest tricks from the routine. Then he showed them exactly those tricks, and because the pressure was off, nailed them all! 
We all laughed, and Jonathan said, “We should have left that in!” 
Matt smiled knowingly, “I told you I could hit it.”


Jonathan and I followed with some passing patterns that had never made it into the act. 
Throughout it all, Ivan kept up a nonstop stream of commentary, stitching the whole thing together with his humor.
Eventually, a runner walked onstage and handed Ivan a stack of envelopes.


He turned to the audience. “The results are in. One more round of applause for Matt, Jon, and Bill.”
The crowd obliged, and we slipped back into the wings.


From behind the curtain, we heard Ivan crack a few final jokes. Then he opened the first envelope.
“In the individuals category, in third place, our bronze medalist, Vova Galchenko!”
The crowd roars, and I feel the rush of wind on the right side of my face as Vova passes, making his way on stage to accept his award. 


Dorothy Finnigan waits onstage, her long, straight black hair gleaming under the stage lights. When he gets to her, she places the bronze metal over his neck and gently kisses his cheek.
There goes my medal, I think. 


I’d had a good routine and only three mistakes, but I knew it wouldn’t be enough. There’s no way a routine built around transitions and a sword gimmick was gonna win, and I knew it.


The MC’s voice rings out again, "and in second place, with the silver medal.”
Maybe, just mayyyyybe, I'll get the silver, I think.
"Matthew Hall!"
The crowd roars louder than ever, and forgetting my own internal monologue, I cheer with them. “Go Matt!!!!!” I scream, Oh my god, what an achievement, I feel so proud of him!
Matt charges onto the stage, dancing energetically as he receives his medal.
I look out at the two medalists, both of whom are better jugglers than I am, and I resolve myself to the fact that there’s zero chance I did well enough to top them; it’s over. 


My thoughts shift to tomorrow and how much harder I will need to train. What can I change to make the routine better for next year? Do I even have it in me to train this hard for another year?  
I take a few steps towards the back of the theater. I want to be off in a corner by myself when they announce the winner. 
The voice from onstage continues, “And in first place, our gold medalist, and new world champion, Bill Berry!”
Thoughts explode in my head like lightning: What?! I never win! I’m always the underdog, the one who hears, “Better luck next year, kid.” 


The huddle of competitors who’d been waiting, hopeful their own names might be called, turned their heads towards me. 
And suddenly I realize, this is the moment; my feet carry me forward without me even asking. I step onstage and feel the heat from the stage lights hit my face, the crowd surges like a breaking wave, a wall of sound that crashes down on us. 
Dorothy, in her elegant red dress, walks toward me, and I bow so she can place the medal over my neck. We hug, and she kisses my cheek. 


Then a man with immaculately groomed hair and a stylish grey suit walks towards me. 


He is a legend, one of the best jugglers to have ever lived, Albert Lucas. 


He reaches out his hand, and I feel the strength in his grip as we shake.


Then he hefts a giant silver cup in his other hand, the Lucas Cup, the most coveted award in our field, and putting it in my hand, he says, “Now, you are the best in the world.” 


I thank him and turn towards the crowd. They go crazy in appreciation, and I realize this is the one thing I never thought to train for. In the thousands of hours of practice, I never imagined I’d actually win. Not knowing what to do, I step to the front of the stage and, with as much gratitude as I can muster, I bow.


Then, I take my place next to Matt & Vova, the silver and bronze medalists, awash in the energy of the moment. 
Ivan continues, “And now, for our team’s competitors… In third place…” 


As he says this, I wonder if I’m supposed to stay out front or if I should go backstage and wait with Jonathan. It’s something I’d never considered, a problem I’d never imagined needing to solve. 


I whisper to Matt, “Should I stay out here or go back with Root?” 
Matt thinks for a second. “Stay, he’ll be out here in a minute anyway.”


“You think so?”
Matt gave me a look of certainty, but then shrugged as if to say, “We’ll see.”
“With the bronze medal, the Jugheads.” 


The Jugheads came out to receive their medal.


“And in second place, with the silver medal, Vova and Olga Galchenko.”


The crowd roared for them; they’d done an incredible routine. They were the team slotted to win; everyone had thought they’d sweep everything, and yet, they’d been called out for silver. A small part of me wanted to believe that maybe it was possible, that maybe we’d finally won the teams, but I didn’t dare to believe it for fear of the heartbreak if we hadn’t even placed. 
“And finally, in first place, with the gold medal, your team’s champions, Team Rootberry!”
An explosion ripped through the room, and Matt Hall was thrown six feet into the air, at least it seemed like it because he jumped so high! Turning to the side stage, I see Jonathan walking out in his soccer jersey costume. I cross the stage to meet him and grab him up in a bear hug. This was everything we’d dreamed of, trained for, and bled for. From that day when we’d sat in the back of his little blue truck and dreamed of a life so much bigger than either of us really believed we’d ever achieve, and now it was real, we’d done the impossible. Only once before in the International Jugglers Association Championships’ fifty-year history had a team won gold while an individual from that team also won the individual championships, all in one year. 


We’d made history.


Dorothy placed a gold medal over Jonathan’s neck, and a second one over mine. Then Jonathan was handed the team’s trophy, the equally coveted and striking counterpart to the Lucas Cup. 


We stepped to the front of the stage, trophies in hand, to thank the audience and judges. As we did, they stood up, our peers, friends, and heroes, all in acknowledgment of what we’d done. 
A full standing ovation.


Suddenly, Jonathan had the microphone and addressed the crowd, thanking them for this amazing moment. He always knew just what to say. 


Then, turning to me, he handed me the mic. 


I didn’t want it, but I knew I had to take it, so I did, holding it like a snake, until some unrehearsed, unplanned, shock state words spilled out. What they were, I do not know, maybe something about the work, the shock, or the dream. 
After all, what is one supposed to say after achieving the unachievable? I do not know…


Then it was over, and I was backstage in the locker room, changing into my street clothes, putting my costume in a bag, listening while one of the other performers sat in a chair mournfully re-living every throw from his own performance, and tearing himself apart over each of the mistakes. I felt for him, because I’d been him, more times than I could count.


I looked in the mirror and saw the two gold medals around my neck, and wondered if I should take them off or wear them for the rest of the night. I decided it’s probably ok to wear them tonight.
Bags packed, Jonathan and I made our way out of the theater and over to the festival hall.

Chapter 85: Bill Fry

The next morning I awoke feeling ebulient, but also kind of the same as before… 
Somehow, I’d always imagined that winning the world championships would instantly change everything. But I guess I’d never given much thought as to how exactly it would do that, just that it would. 


I mean, doesn’t it?
The tsunami of the whole experience, the tension, the awards, the crowd, it was all incredible, no doubt. And when we’d gone to the gym after, we were congratulated by friends, strangers, and juggling legends alike. 


I’d even had a few people I’d known for years start acting weird around me, like I was famous or something. One I’d even stopped and said, “Hey man, it’s just me, same as I ever was.” He nodded as if he understood, but he still had the wild eyes of a man talking to the world champion rather than an old friend. 
So, things were different, but I didn’t feel any different.


I wanted to think more about it, but my work was far from finished. 


Today is the three-ball competition, or the Dan Holzman Competition, as we call it. I’m hoping to do well with my three-ball juggling act.


I throw on some clothes and head to the gym. Upon entering, I see the festival already in full swing, with hundreds of people juggling innumerable objects. I’m about to join in on the fun when a man who looks to be in his early fifties stops me. 
“That was a great performance you all put on last night!”
“Hey, thank you.”


“I’m Bill Fry,” he paused, seeming to wait for my recognition, but when none came, he added, “I’m one of the most successful jugglers that no one has ever heard of,” then he offered his hand.


We shook, and I said, “Good to meet you, sorry, I’m unfamiliar with your work.”
“What about Gravity’s Last Stand?” he continued.


“Ah, yes, I have heard of Gravity’s Last Stand.”


“GLS was my team, but I’ve been solo for years now, mainly working colleges and cruise ships, so I don’t make it to many festivals anymore, which is why no one’s heard of me. Have you ever thought about doing the college market?”
“We’ve thought about it, sure, just have no idea how to get into it.”


“Are you working anywhere now?”
“We’ve been doing the midway at Circus Circus, but Anthony Gatto is replacing us. So, we’re not sure what’s next. We might move to Vegas.”


Bill Fry considered this for a moment, then said, “My partner and I run a talent agency out of Florida called Everything But The Mime, because when we started, we had a magician, a ventriloquist, and me as the juggler, so we could offer everything but a mime, and the name stuck. In the last thirty years, I’ve been everywhere, done it all, seen it all, and even bought the t-shirt. I’ve been to almost fifty different countries, performed on hundreds of college campuses across the country, and bought a condo on the beach. It’s been a dream. But I’m ready to retire, so I’m looking for my replacement. It’s the reason I came to this festival, and it’s the reason I stopped you. I really liked what you did on stage, and I think with a little work, you guys could be a world-class act. Do you have a promo kit?”
“I do, would you like it now?”
Bill’s eyes widened, “You have one with you now?”
“Well, in my truck, I always have a couple packed and ready to ship. I can grab one for you if you like?”
Bill laughed, “That would be great.”


“Okay, I’ll grab it.” I started back out to the parking lot, and Bill walked with me. When we got to my truck, I pulled out a clear cellophane envelope with our solo and team eight-by-ten headshots, résumés, bios, and of course, our new demo tape. Bill quickly flipped through our materials and nodded his head in approval. 


“I’ll take this back with me, we’ll review the tape, and if we like what we see, we’d like to have you come out to Orlando so we can get to know you a little better. We’ll tell you how the college market works, and if you’re interested, we’ll sign you.”
“That sounds real good,” I said.


“Oh, one more thing, would you guys be willing to move to Florida?”
“If there are good opportunities, we’d be willing to move anywhere.”


“We have connections all up the East Coast and can get you a lot more work if you’re local.” 


“A lot more work sounds real good.”


“Okay, we’ll be in touch.”


We shook hands and parted ways. 


Then I walked into the gym, still feeling as if nothing had really changed. 
But it had changed.


And everything about our lives was about to be very, very different; we just didn’t know it yet…

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